October, 18th 2006   |  (613) 238.7648  |  SAWVideo.com

SAW Video Newsletter for !*FIRST_NAME*! !*LAST_NAME*!

SAW Video News:

CLIVE HOLDEN SCREENING AND MASTER CLASS
NEW EDIT SUITES
CULTURAL EQUITY PRODUCTION FUND
UPCOMING WORKSHOPS

UPCOMING MEMBERS SCREENINGS

Also in this issue:

CALLS FOR SUBMISSION
EMPLOYMENT OPPORTUNITIES

SAW VIDEO NEWS:

CLIVE HOLDEN SCREENING AND MASTER CLASS
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CLIVE HOLDEN'S TRAINS OF WINNIPEG AT CLUB SAW

Co-presented by the Canadian Film Institute and SAW Video

« Wry, wise and damn near sublime, Trains of Winnipeg makes you wish there were more movies just like it. ... it's one of the finest non-narrative movies ever made in this country. »
- Jason Anderson, Eye Weekly

« The result is one of the most memorable moments in recent Canadian filmmaking. »
- Peter Goddard, Visual Arts Critic, Toronto Star

SCREENING:

Trains of Winnipeg / Artist in attendance
Thursday, October 19th at 7:30PM,
Club SAW (67 Nicholas Street, Ottawa)
$6 CFI, SAW Video members, students, seniors / $9 general
Presented as part of the CFI's Cafe EX experimental film series.

CFC

MASTER CLASS:

Sleeping Together - Intermedia Themes and Process in Trains of Winnipeg
Friday, October 20 from 2PM-4PM, Free Admission
RSVPs appreciated, but not necessary, by email (clubsaw@artengine.ca)
Club SAW (67 Nicholas Street, Ottawa)

Trains of Winnipeg - 14 Film Poems (35 mm/Betacam/DVD/iPod, 89 minutes) is a feature-length film cycle that will have its Ottawa premiere as part of the Canadian Film Institute¹s intimate Cafe Ex series co-presented with SAW Video. It has been screened at film, video, and media arts festivals and galleries throughout North America and Europe, including Berlin's transmediale and the International Film Festival Rotterdam.

Straddling the borders between the balkanized worlds of cinema, visual art, music and literature, the 14 films in this major cycle employ a wide variety of non-linear digital and filmic formal experiments in depicting suburban and urban dystopias, in essays exploring the politics of form and the form of personal politics, as well as in audiovisual tone poems celebrating the raw joy of moving pictures, sound, colour and light. Winner of the New
Vision Award at the Copenhagen International Documentary Festival.

CLIVE HOLDEN is an artist, filmmaker, and writer. A native of Victoria, he lives in Toronto with his wife, novelist Alissa York. His films and videos have been exhibited at Images Festival in Toronto, the European Media Art Festival, the London International Film Festival, the International Film Festival Rotterdam, the Ann Arbor Film Festival, and the 50th Annual Robert Flaherty Film Seminar.

His multimedia artist's talks, literary and live cinema performances have been presented at the Danish Film Institute in Copenhagen, the Holland Festival in Amsterdam, the Art Gallery of Greater Victoria, Kino Arsenal in Berlin, the Deutsch-Amerikanische Institut in Heidelberg, Send + Receive - a Festival of Sound, the Royal Danish Academy of Art, Concordia University's Visiting Artist Series, York University, and the U. of Manitoba School of
Architecture's Lecture Series.

www.sawvideo.com

 

NEW EDIT SUITES
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SAW Video now has two new edit suites up and running. The B-suite now has a Mac Pro Tower running two 3 gig intel duo processors, 700 gigs of hard drive space, and Final Cut Pro 5.1 hooked to two 20" 16:9 monitors. Cut HD native! and output it to our HDV deck.

In the back C-suite we have a new PC system running Avid Express Pro on a duo core e6400 chip with a 500 gig raid. This system can also cut HD.

Both systems have already been used by members and they have sucessfully completed HD work flow.

Come check them out!


 

CULTURAL EQUITY PRODUCTION FUND
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Deadline Wednesday November 1st 2006

The Cultural Equity fund is a production support program aimed at providing opportunities for visible minority and Aboriginal artists to express themselves creatively through the medium of video. Applicants to the fund must be new to filmmaking or have less than 3 videos to their credit. Up to 3 awards will be given. Proposals are assessed by an independent jury and the successful applicants have one year to complete their project.

Eligible projects are those over which the artist has creative and editorial control. All genres are accepted (i.e. experimental, drama, documentary, video installation, and new media.). Artists crossing over from other disciplines (i.e. theatre, writing, visual arts, and dance) are also welcome.

A screening of productions will be held in Club SAW. Applicants retain copyright to their productions, but they must provide a copy of their tape to be kept in SAW Video’s archives.

The successful applicants receive:

A one year producing membership; a Video Handbook
up to $1200 in access to SAW Video equipment; a $200 credit towards any workshop(s) that will enable you to complete your project; up to $200 in cash

Applicants must submit:

a current resumé (with emphasis on your artistic work)
a 1 to 2 page description of the proposed project (may include a script, treatment, or storyboard)
a production schedule
a detailed budget
and if possible, examples of previous work (video, film or other artistic work)

Note: please do not submit material which can not be replaced

Have questions? Call Linda Norstrom at 238-7648 or email linda@sawvideo.com

FONDS DE PRODUCTION POUR L'ÉQUITÉ CULTURELLE DE SAW VIDEO

Échéance : le mardi 1er novembre 2006

Le Fonds pour l'équité culturelle est un programme d'appui à la production qui vise à fournir des occasions aux artistes des minorités visibles et aux artistes autochtones de s'exprimer de façon créative au moyen de la vidéo. Les candidats à ce fonds doivent être des novices en réalisation de film ou avoir moins de 3 vidéos à leur crédit. Jusqu'à 3 prix seront remis. Les propositions sont évaluées par un jury indépendant, et les candidats retenus auront un an pour compléter leur projet.

Les projets admissibles sont ceux sur lesquels l'artiste exerce un contrôle aux plans de la création et du montage. Tous les genres sont acceptés (c.-à-d., expérimental, dramatique, documentaire, vidéo d'installation et nouveaux médias). Les artistes venant d'autres disciplines (c.-à-d., théâtre, écriture, arts visuels et danse) sont également les bienvenus.

Une projection des productions aura lieu au Club Saw. Les candidats conservent les droits d'auteur sur leurs productions mais doivent fournir une copie de leur bande aux archives de Saw vidéo.

Les candidats retenus reçoivent :

une adhésion d'un an à titre de producteur

un accès à l'équipement de SAW Vidéo d'une valeur allant jusqu'à 1 200 $
Un crédit de 200 $ pour tout atelier leur permettant de compléter leur projet
jusqu'à 200 $ comptant
une copie du Manuel de production de SAW Vidéo

Les candidats doivent soumettre :

un résumé à jour (avec accent sur leur travail artistique)
une description du projet proposé, de 1 à 2 pages (peut comprendre un scénario, un traitement ou un story-board)
un échéancier de production
un budget détaillé
et si possible des exemples de travaux antérieurs (vidéo, film ou autre oeuvre artistique)

Nota : Veuillez ne pas soumettre de matériel qui ne peut pas être remplacé.

Vous avez des questions ? Appelez Linda Norstrom au 238-7648 ou joignez-la par courriel à linda@sawvideo.com

Deadline Wednesday November 01st, 2006

 

UPCOMING WORKSHOPS
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MINIDV Video Production Workshop

Sat Nov. 25th, 2006
11:00am - 5:00pm

Sun Nov. 26th, 2006
11:00am - 5:00pm

This two-day workshop teaches the basics of camera, audio and lighting through hands on training.

On the first day of the workshop, participants will receive basic instruction on all three of SAW Video's prime 3-chip MiniDV cameras -- the Canon XL1, Panasonic AG-DVX100 and the Sony PD-150. Participants will be introduced to three point lighting and dealing with power on location. A variety of mics will be used and their applications will be discussed.

Day two of the workshop provides the added opportunity for more hands on time and instruction. Shooting exercises will be indoors and outdoors (weather permitting) simulating varying conditions and situations. The second day of the workshop will focus exclusively on the Sony PD-150.

WORKSHOP LIMITED TO 6 PARTICIPANTS

Instructor: Ray Hagel

Ray Hagel has been a member of SAW Video since the mid-80's. He has worked in independent video production for twenty years, as a director, d.o.p., and is most known for his work on The Tom Green Show. Ray has extensive experience as an instructor and has taught production workshops for SAW Video and the National Screen Institute.

Members $125.00
Non Members $150.00

Duration: 12 hours

Introduction to Final Cut Pro

Saturday November 11th 12pm-5pm

Sunday November 12th 12pm-5pm

Our new Mac Pro Tower system has arrived with the Final Cut Pro 5 production suite

This 2 day course will cover all steps of the process from setting up a project and capturing from a dv device, to using the timeline based interface, and outputting back to dv.

Day 1 of the workshop will focus on a complete overveiw of the FCP software demonstrated by the instructor.

Day 2 of the workshop will be hands on for all participants to practice editing a brief sequence under the supervision of the instructor.

Workshop is limited to 4 participants

On day 2 participants will be seated in pairs at each editing workstation.

$125.00 members
$150 non members

Duration 10 hours

Instructor:

Ryan Stec

UPCOMING MEMBERS SCREENINGS  

LATE NIGHT SHORTS @ THE MAYFAIR THEATRE

LATE NIGHT SHORTS @ THE MAYFAIR
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Late Night Shorts by SAW Members

Brought to you by Quickbeam Films & The Mayfair Theatre

Oct 21st 11:15pm @ the Mayfair Theatre , 1074 Bank St.

Admission is $5.00

VISSI D'ARTE (2006) 3:30mins, 3D animation
By John Mark Seck

a modern retelling of the tragic opera "Tosca" by Puccini with a modern contemporary score and a gritty urban setting.

Second Hand (2002) 10mins, Comedy

CFC

by Michel Poirier

A young executive, singled out for not indulging in a popular vice, meets his downfall when he partakes in a much more taboo habit at an office function. Second Hand is a hilarious perspective on the effects of a popular indulgence. The Atlantic Film Festival describes it as whimsical and yet vaguely disturbing.

Mercy Seed (2006) 28mins, Drama

by Anthony Seck

Floyd's life is raising pigs, with gentle care and concern on a modest farm in Lanark County, Ontario. After a routine load-in a Road King transport driver falls asleep at the wheel with horrific consequences to Floyd's pigs. Tuffy Nichols, the Road King President refuses to take any blame for the dead hogs. Over the phone he gives Floyd a vicious piece of his corporate mind. Starring Tom Noonan as Floyd.

all films are presented on 35mm film.

We we planning on making this a monthly event showcasing local shorts, features and docs. If you have a film/video you would like screened email Paul Gordon at quickbeamfilms@gmail.com

We can screen 35mm, 16mm, and MINIDV/DVCAM.

 

CALLS FOR SUBMISSION  
 

IMAGES FESTIVAL
DAWSON CITY SHORT FILM FESTIVAL
INSIDE OUT FESTIVAL

NSI FILM EXCHANGE

HEAR ME SEE ME PITCH ME!
STUTTGART ANIMATION FESTIVAL
ARTSCAPE LODGE

Images Film Festival
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2007 IMAGES FESTIVAL


Deadline approaching for film/video submissions! + Call for guest curators!

The 20th edition of the Images Festival will take place 5-14 April 2007 in Toronto, Canada.

FILM/VIDEO INFORMATION:

The deadline for submitting works to the 20th anniversary edition of the Images Festival is 17 November 2006

NEW this year: ONLINE ENTRY form (with special discount entry fee if you submit online before 03 November!)

The Images Festival is Canada's annual showcase for the innovative edge of international contemporary media art. Over the past 19 years, the festival has screened thousands of independent films and videos in all genres, and has presented groundbreaking live performances and media art installations by many renowned Canadian and international artists. Attended by more than 20,000 people each year, the Images Festival is a critical forum for the independent media arts in Canada and around the world.

Full guidelines and entry forms (in .pdf format) can be downloaded from:

http://www.imagesfestival.com under "SUBMIT", or directly at

http://www.imagesfestival.com/call.php?id=8

CALL FOR GUEST CURATORS:

The Images Festival has an ongoing open policy of reviewing curatorial proposals from the public and this year we invite curators to submit exhibition proposals for our 20th festival, April 5-14, 2007.

Images is the largest festival in Canada for independent media, showcasing international excellence and innovation both on and off the screen. From Super-8 and hand-tinted celluloid to DV, performance and interactive work, we go out of our way and over the edge to provide Toronto with an annual extravaganza of image making.

Please read the full call and guidelines here

http://www.imagesfestival.com/call.php?id=10

If you are unable to download these files, you may request this document in

RTF or PDF format from: images@imagesfestival.com


THE IMAGES FESTIVAL

448-401 Richmond Street West

Toronto, Ontario M5V 3A8 CANADA

+001 (416) 971 8405 telephone

+001 (416) 971 7412 facsimile

www.imagesfestival.com


 

DAWSON CITY SHORT FILM FESTIVAL
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Call for submission
8th ANNUAL DAWSON CITY INTERNATIONAL SHORT FILM FESTIVAL - April 6, 7, 8 - 2007.

Application Deadline: December 31, 2006
Printable submission form may be accessed at www.dawsonfilmfest.com/submissions.html

Call for submissions: Klondike Institute of Art and Culture (KIAC)

2007 Film Festival Residency
The Dawson City International Short Film Festival takes place each spring on Easter Weekend. The 2005 Film Festival presented screenings of over 65 short films and videos from around the world to over 1,400 enthusiastic cinema buffs. The festival weekend includes workshops, panel discussions and special presentations by participating filmmakers and special guests.

Filmmakers working in all media may apply for residency dates to coincide with the Film Festival and have the opportunity to participate in Festival Programming. In past years, KIAC Artists in Residence have presented their films in special screenings and talks, facilitated workshops, and participated in panel discussions.

Please mark your application "Film Festival Residency". Please note that filmmakers may also apply for residency dates other than those connected with the Film Festival. Find more event information at www.kiac.org under Film Festival.

 

 

INSIDE OUT FESTIVAL
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Call for Submissions: 2007 Inside Out Festival
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2007 FESTIVAL CALL FOR SUBMISSIONS

DEADLINE FOR SUBMISSIONS
Early deadline: December 15, 2006 (no submission fee)
Final deadline: January 19, 2007 ($25 submission fee)

Inside Out, presenter of the Toronto Lesbian and Gay Film and Video
Festival, invites you to join us for the 17th annual celebration of Canada's
pre-eminent exhibition of queer film and video from around the world.

Inside Out hosts one of the largest queer film festivals internationally,
highlighting the diversity of gay, lesbian, bisexual, transsexual and
transgendered film and video making from Canada and around the world. The
Festival annually screens approximately 260 short and feature-length works
including documentary, narratives, and installations.

Don't miss your opportunity to screen your work to audiences of more than
30,000 enthusiastic film and video lovers.

Visit www.insideout.ca for more details and entry form.


 

 

NATIONAL SCREEN INSTITUTE CALL FOR SUBMISSIONS
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NSI FilmExchange 2007
NSI FilmExchange Canadian Film Festival, Canada's Coolest Film Festival, is
looking for the best Canadian dramatic shorts and features to screen
February 28 to March 3, 2007 in Winnipeg.

Submission deadline: November 1, 2006, 4:30 p.m. Central Time. Click here www.nsi-canada.ca for a copy of the application form.

NSI FilmExchange offers a daily showcase of Canadian short films, nightly feature films, and the NSI National Exposure Amateur Movie Contest. Back for
its sixth year to open the festival is SnowScreen, the popular, free, family-friendly presentation of short films on an outdoor movie screen
carved from snow.

The Telefilm Canada Industry Centre is a four-day professional development series that benefits emerging and established content creators and students. Master classes and panels cover trendsetting and market-driven topics in short film, feature film, television, interactive media and global
marketing. Tickets, schedule, film line-up and special guest information will be posted at www.nsi-canada.ca in the coming months.

The National Screen Institute - Canada, with headquarters in Winnipeg, is Canada's oldest nationally-recognized film and television training school.
NSI helps emerging writers, directors and producers bring their stories to life to share at home and abroad. Its market-driven programs have led to
employment for NSI graduates by giving them a competitive edge - according to the latest NSI Alumni Survey, 97% of respondents are working in the
industry. 2006 marks the National Screen Institute's 20th anniversary year.

Visit www.nsi-canada.ca for more information about NSI.


The National Screen Institute - Canada operates with ongoing funding from Telefilm Canada through Canadian Heritage, and Manitoba Culture, Heritage and Tourism. Additional support provided by Patrons: CTV, CBC Television and The Brian Linehan Charitable Foundation and financial assistance provided by the Winnipeg Arts Council.

For further information:

Liz Hover | NSI Publicist
P: 204-956-7800 ext. 212 | E: liz.hover@nsi-canada.ca

Chris Vajcner | NSI FilmExchange Publicist

P: 204-957-2998 | E: chris.vajcner@nsi-canada.ca

 

 

HEAR ME! SEE ME! PITCH ME!
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Hear me! See me! Pitch me!

Making a short film? Then come to Toronto Reel Asian International Film Festival's and Charles Street Video's first-ever Pitch contest. One filmmaker will walk away with over $5,000 worth of High-Definition or Standard-Definition production and post services, artists' fees and a one-year CSV membership. Films can be dramatic, documentary or experimental and up to 30 minutes, just as long as they feature an Asian in a key creative role before or behind the camera. Five finalists will have six minutes to present their projects to a panel of three judges and a live audience at Innis Town Hall at the University of Toronto. Before that, finalists will have the opportunity to be coached by industry professionals and senior media artists.

The Pitch takes place Sunday, November 19, and caps Reel Asian's inaugural Industry Series.

DEADLINE: November 6, 2006

Info: www.reelasian.com - www.charlesstreetvideo.com


STUTTGART ANIMATION FESTIVAL
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CALL FOR ENTRIES
The 14th Stuttgart International Festival of Animated Film is now open for submissions.

SUBMISSION DEADLINE: DECEMBER 01, 2006!

The Stuttgart International Festival of Animated Film is one of the largest festivals for animated film in the world and the biggest one in the German
speaking area. It addresses both an interested audience and industry professionals, and offers an overview of the latest trends in animated
film - from short films to feature length films and animated series for TV. The five competitions focus on the artistically challenging genre of
animated film. An extensive supporting programme provides a comprehensive insight into the world of animated film. The professional symposium,
Animation Production Day imparts valuable knowledge and provides networking opportunities.

We kindly invite you to enter your film(s) in one of the following sections:

- International Competition
- Young Animation (student film competition)
- Tricks for Kids (children´s film competition)
- Animated Series (TV series competition)
- AniMovie (feature-length film competition)
- Commissioned films (non-competitive section) *NEW

The entry form and the festival regulations can be downloaded at www.itfs.de/registration.htm.

Please send the filled in entry form together with the requested documentary material and the completed version of the film on VHS (Pal or NTSC) or on
DVD (region code 1 or 2 or without region code) to the address mentioned in the regulations before December 1, 2006. Shipments from non-EU countries must be accompanied by a proforma invoice and marked "temporary import - for cultural purposes only, no commercial value".

From October 1, 2006 online registration is possible at www.reelport.com.

We are looking forward to your participation.

Kind regards,Ulrich Wegenast (Artistic Director) and Andrea Bauer (Programme Realisation) bauer@festival-gmbh.de



ARTSCAPE LODGE
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Are You an Artist Looking for Some Time and Space
to Focus on Your Work in a Special Place?

::: Escape to Artscape Lodge for a Winter Artist Retreat:::


Artscape Lodge is a unique service for professional artists working in all disciplines that provides affordable short-term studio rentals & accommodation in a stunning, natural setting at the Gibraltar Point Centre for the Arts on Toronto Island, only a 10-minute ferry ride from downtown Toronto. Whether you require a week or a month to escape life's distractions and focus on your work, Artscape Lodge has an artist retreat package for you.

Artscape Lodge is open year-round and has provided an inspiring and productive artist retreat to hundreds of artists from Toronto, across Canada and around the world. The 30-Night Studio & Bedroom package is available at seasonal rates, with shorter stays and custom bookings also available. All studios are fully equipped with wireless access. Rentals at Artscape Lodge consist of a furnished private studio and private bedroom. Writers can enjoy the quiet of our writers' wing studios. Amenities include a fully-equipped common kitchen, shared bathroom, laundry facilities, and bicycles for on-island excursions.

30-Night Studio & Bedroom Packages
November - April: $475
May - October: $650

*rates are subject to change

For more information on Artscape Lodge contact us at:
bookings@torontoartscape.on.ca
416-392-7837
or visit http://www.torontoartscape.on.ca/artscapelodge


"Artscape Lodge provided a great sense of seclusion and privacy that an artist needs to work intensely; and at the end of my stay I was surprised and delighted by how much work I got done."
SHYAM SELVADURAI, WRITER

Gibraltar Point Centre for the Arts was created with the space needs of working artists in mind. Managed by Artscape, a Toronto-based non-profit enterprise that unlocks the creative potential of people and places. Celebrating its 20th anniversary this year, Artscape's work encompasses building creative places, developing creative districts and clusters, and cultivating cities on a local, national and international level. http://www.torontoartscape.on.ca


EMPLOYMENT OPPORTUNITIES   

WEB DESIGNER

WEB DESIGNER
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Web Designer/Intranet Assistant
Public Affairs, Research and Communications Division
Canada Council for the Arts

Position Number: 2485T
Division: Public Affairs, Research and Communications
Classification: CC-4
Affiliation: Staff Association
Salary scale: $ 37,940 to $ 45,840
Location: Ottawa
Term: Up to January 31, 2008, Part-Time (22.5 hours per week)

Summary
Reporting to the Manager, Business Management Unit and Web Sites, PARC, and working in close collaboration with the Web Coordinator, the Web
Designer/Intranet Coordinator coordinates the development and daily maintenance of the intranet (internal web site) and contributes to the
design, development and production of Council's public web sites, including sites and components produced in support of Council's 50th Anniversary. The
Web Designer/Intranet Coordinator also adapts graphics and branding for the web environment.

Responsibilities
Intranet Coordination (20%)
Graphic Design and Web Site Production (75%)
Other duties (5%)

Knowledge and skills
Aptitude for working with technology and adapting quickly to new technology tools, including web content management software, web design software,
financial software and procurement/payments systems. Specialized (hands-on) knowledge of web production technology and the web
publishing cycle. Ability to work with a wide variety of web and document formats including html, Adobe Acrobat/PDF, Active Server Pages, MSWord,
MSExcel, MSAccess. Must have a strong working knowledge of graphics and multimedia formats.
Detailed (hands-on) knowledge of html programming and web production software, including Microsoft Content Management Server, Macromedia
Dreamweaver, Fireworks, Microsoft Content Manager. Working knowledge of Visual Studio that supports the Microsoft Content Management environment.

Creativity and ability to work with a variety of visual design elements (photographic, typographic, page layout, brand elements, etc.)
Ability to produce entire mini-web sites from concept through to launch. Ability to identify, analyze and test complex technical issues/bugs in the
web and web content management environments. Detailed knowledge of the international Web Standard and W3C standards for
web usability and accessibility and the ability to interpret and apply a variety of technical standards appropriately within the context of web
design/redesign. Sound knowledge of print production. Strong initiative and problem-solving skills. Must be able to establish
priorities without constant supervision. Must be able to contribute to and collaborate in the development and ongoing coordination of complex projects.
General knowledge of Canada Council's structure, mandate and strategic objectives. Such knowledge and skills are normally acquired through a combination of
education at the post-secondary level (university, business college, technical schools, administration programs) and through hands-on experience
in project coordination, programming, data processing, office automation, Internet communications.

Experience
At least 3 years experience designing and producing graphic elements and systems. At least 3 years experience using Internet technologies, including
planning, building and maintaining web sites, content collaboration systems, installing or recommending components and utilities and working with web
site analytics.

Working environment and travel
The work is performed in an open office environment. Less than 3 days travel per year. May be required to work extended hours and/or weekends or
holidays to ensure delivery of time-sensitive materials.

Language requirements
This position requires the use of both official languages. The requirements in the second official language are:

Speaking: basic level
Reading comprehension: intermediate level
Writing: basic level

Please submit applications to Rachelle Malone, Human Resources no later than October 19, 2006 quoting competition number 2485T. For more information or
for a complete job profile, please contact Rachelle Malone at (613) 566-4414 ext. 4114 or by e-mail at competition@canadacouncil.ca. All applications
can also be sent by fax to (613) 566-4323. The Employment Application Form must be completed and submitted in order to be considered for this position.

We thank all applicants for their interest; however, only those selected for an interview will be contacted.

The Canada Council for the Arts is committed to employment equity.




SAW Video receives financial support from the Canada Council for the Arts, the Ontario Arts Council, the City of Ottawa, Department of Canadian Heritage and the Laidlaw Foundation. Many thanks too, to our corporate sponsors: Adobe Canada, Ntegrating Solutions and to our artist-members.

SAW Video
67 Nicholas Street
Ottawa, ON, Canada
K1N 7B9

East of the Rideau Centre in Arts Court (which is at 2 Daly Ave).

T: (613) 238.7648
F: (613) 564.4428
www.sawvideo.com