SAW Video JumpstART Grant
Deadline Thursday March 01st, 2007

Established in the 1980's, Jumpstart is a video incentive programme designed to give artists the opportunity to explore the medium of video. Applicants to JumpstART must be new to the medium of video or in the initial stages of their video careers. Eligible projects are those over which the artist has creative and editorial control. All genres are accepted (i.e. experimental, drama, documentary, video installation, newmedia...). The JumpstART proposals are assessed by an independent jury and the successful applicants have one year to complete their project.

There are two Jumpstart deadlines a year: March 1st and Sept. 1st.

Applicants retain copyright to their productions, but they must provide a copy of their tape to be kept in SAW Video's archives.

The successful applicants receive

- a SAW Video producing membership for one year
- a Video Handbook
- a $200 credit towards two workshops of your choice
- up to $200 in materials (tapes)
- up to $1000 in access to SAW Video Co-op equipment
(Equipment access is in the form of waivers for SAW Video equipment only, and can be used solely for the purpose of the awarded project.)

Applicants must submit
- a current resume (with emphasis on your artistic work)
- a 1 to 2 page description of the proposed project (may include a script or storyboard)
- a production schedule
- a detailed budget
- examples of previous work (video, film or other artistic work)

Have questions? Check out our granting FAQ's at:
http://sawvideo.com/sawvideo/genericx.php?id=54
and the Jumpstart sample budget at http://sawvideo.com/budget.htm

Other grants available in 2007 can be found at
http://sawvideo.com/sawvideo/production_grantsx.php?type=saw.

If you still have questions after that, contact Linda Nortstrom at (613)
238-7648 or at linda@sawvideo.com.

The courtyard and the Nicholas St. entrance is now open!

2 Day Intro to Avid Xpress DV

Sat February 03rd, 2007
12:00pm - 5:00pm

Sun February 04th, 2007
12:00pm - 5:00pm

Now, by popular demand, the Introduction to Avid Xpress DV editing workshop has been expanded to two full days of instruction!

AVID Xpress DV is the ideal solution for anyone looking to edit DV on the desktop while maintaining many of the same features and the same interface as the more powerful dedicated AVID editing systems. The course will cover all steps of the process from setting up and capturing from a DV device, using the timeline based interface, and outputting back to DV or exporting for the web.

Day One of the workshop will focus on a complete overview of the Avid Xpress DV software demonstrated by the instructor.

Day Two of the workshop will be hands on for all participants to practice editing a brief sequence under the supervision of the instructor. Depending on the size of the class, participants on Day Two may be seated in pairs at each editing workstation.

This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability.

Workshop is limited to 6 participants. Registration deadline is Monday January 29th

Instructor: Jacob Hanna
Members $125.00
Non Members $150.00

Duration: 10 hours

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2 Day Intro to MiniDV Production

Sat February 10th, 2007
11:00am - 5:00pm

Sun February 11th, 2007
11:00am - 5:00pm

This two-day workshop teaches the basics of camera, audio and lighting through hands on training.
On the first day of the workshop, participants will receive basic instruction on SAW Video's prime 3-chip MiniDV cameras -- such as the , Panasonic AG-DVX100 and the Sony PD-150. Participants will be introduced to three point lighting and dealing with power on location. A variety of mics will be used and their applications will be discussed.

Day two of the workshop provides the added opportunity for more hands on time and instruction. Shooting exercises will be indoors and outdoors (weather permitting) simulating varying conditions and situations. The second day of the workshop will focus exclusively on the Sony PD-150.

WORKSHOP LIMITED TO 6 PARTICIPANTS Deadline for registration is Monday February 5th

Instructor: Ray Hagel

Ray Hagel has been a member of SAW Video since the mid-80's. He has worked in independent video production for twenty years, as a director, d.o.p., and is most known for his work on The Tom Green Show. Ray has extensive experience as an instructor and has taught production workshops for SAW Video and the National Screen Institute.

Members $125.00
Non Members $150.00
Duration: 12 hours

_________________________________________________________________________________________

Grant Writing for Media Artists

Sat February 17th, 2007
11:00am - 5:00pm

Sat February 17th, 2007
12:00am - 12:00am

This popular workshop is designed to help media artists represent their projects clearly and concisely. Veteran filmmaker Penny McCann will take emerging film and video makers through the process of applying to cultural agencies for funding. Participants will learn the do's and dont's of grant writing (aka "Penny's Principles of Grant Writing") and see examples of successful proposals, complete with budgets, schedules, and project descriptions. They will learn about the jury process and how to effectively present support material.

Participants should have at least a one page project description ready for scrutiny - complete proposals are also welcome. The workshop includes individual one-on-one sessions with each participant. .

Limited to 8 participants. Deadline for registration is Monday February 12th, 2007.

Instructor: Penny McCann

Penny McCann is one of Ottawa's best known independent video and film makers. Her award-winning work has been widely broadcast and exhibited at festivals and galleries nationally and internationally. A long-time member of SAW Video, Penny became director in January 2004.

Members $45.00
Non Members $70.00

Duration: 6 hours

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Sound Recording for Video

Sat February 24th, 2007
10:00am - 5:00pm

Sun February 25th, 2007
10:00am - 5:00pm

One of the most important elements of any video is the quality of the sound. A clear recording made in the field can make or break your production.

This workshop is for people with an interest in developing skills and an understanding of how sound recording works for video and film production.

The most important elements and skills of sound recording will be taught and practised "hands on" by participants. This will include how to hook up your sound equipment to various cameras, mike techniques and types, working with lighting, and getting the best sound possible. The course will also touch on best practises when working in professional situations.

Previous experience and a basic understanding of DV production is a required prerequisite for this workshop.

Limited to 9 participants. Deadline for registration is Monday February 19th, 2007. Book early, this workshop will fill up fast!

Instructor: Kate Kechnie

Kate Kechnie is a location sound recordist for television in the Ottawa area. Working with sound since 1979, she has at times been a CBC radio technician, music studio owner and live concert engineer. Passionate about sound and about
sharing her expertise, Kate will hopefully inspire in others a similar passion and appreciation of our aural environment.

WINTER/MADNESS

A late night SAW Video presentation

Two World Premieres of new dramatic works made by SAW Video members.

Saturday January 27th, 2007 / 11:30pm.
Mayfair Theatre
1074 Bank St.
Admission: $5.00

The Soul of Wit
by Ed Folger
11 minutes
Shakespeare's "Hamlet" viewed through the fractured logic of a schizophrenic mind.

The Accident
by Anthony Seck
13 minutes
A writer is struck by a Russian diplomat in a snowstorm. Driving blind through the snow, they struggle to find a hospital to try and save the writer's life.

Followed by VJ and audio performances by:

Ryan Stec and Christie Watson
Chris Ikonomopoulos and Jacob Hanna
Frederic Arsenault, Kerry Campbell andMichael Caffrey

SAW Video
67 Nicholas Street
Ottawa
(613) 238-7648
www.sawvideo.com

SPACEMONKEY FILMS Presents four short films on the big screen:

Worse For Wear, KOMA, Through The Eyes Of A Gun and PROXIMITY- Too Close To A Killer

Saturday January 27th, 2pm at the Mayfair Theatre (1074 Bank St.) Tickets are $10.00

For more info email spacemonkeyfilms@hotmail.com or check out www.spacemonkeymovies.com

CALL FOR SUBMISSIONS · Deadline : January 31st, 2007

_____________________
CREATION PROGRAMS
Artist Residency
Research and Creation
Support for First Works
Photography and Digital Imaging

Located in the La Filature building - a former magnificently renovated industrial textile mill - DAÏMÔN offers creation, production and dissemination resources in the areas of media arts and photography. Slightly at a distance from the large urban centers, DAÏMÔN is a creative environment in the Outaouais region which is conducive to the research and development of small as well as large scale artistic projects.

By way of its programs Artiste résident, (resident artist), Recherche et création, (research and development), Photographie et impression numérique (photography and digital printing) and Soutien aux premières œuvres, (support for first works), DAÏMÕN encourages artists to push the limits of their practice and to develop new approaches with image, video, as well as sound and electronic art, including installation, interactive and performative practices.

With its STUDIÕ, production and exhibition spaces, DAÏMÕN encourages the materialization and installation of, and experimentation with, works of significant scale as well as the development of transversal practices. Public and informal meetings are regularly organized in order to allow the local community to familiarize itself with the work of artists in residence.

DAÏMÕN provides artists with access to image and sound recording equipment and digital audio and video editing suites. A darkroom enables large scale (1m 32) silver emulsion development from negatives of up to 280 mm. A digital printing service (EPSON Stylus 9600 Pro) is also available.

_____________________
CREATION PROGRAMS

Artist Residency
Offered to professional artists outside the Ottawa-Gatineau region, this program aims to promote fruitful exchange between artists from here and elsewhere. Established, mid-career artists with at least five years of active and significant practice are invited to apply.

A multipurpose STUDIÕ is available to resident artists for the experimentation, production and presentation of work requiring a specific technical infrastructure. DAÏMÕN organises a public presentation, including a brief exhibition at the STUDIÕ and an evening artist’s talk, in which the artist presents their past and present work.

For each of the projects the centre provides a residency of 4 to 6 weeks including accommodation, access to the Centre’s equipment, and the services of a technician (60 hours), as well as covering the cost of cassettes, disks and duplication. An artist’s fee of $1200 is provided. In some cases, DAÏMÕN is also able to provide travel allowance and cover limited daily expenses. All other production costs are the responsibility of the artist.

Research and Creation
Open to professional emerging, mid-career or established artists. DAÏMÕN selects six artists annually, four from the Ottawa-Gatineau region and two from elsewhere. The Centre encourages applications from artists from non-central Francophone communities.

DAÏMÕN privileges projects emphasising the increasingly complex interrelations between media and those that push the limits of intermedia rather than simply addressing the vocabulary of the chosen media. Only projects involving a degree of research will be considered.

DAÏMÕN provides each artist with technical and artistic support, access to the Centre’s equipment for four (4) weeks and the services of a technician (50 hours). All other production costs are the responsibility of the artist. A selection of projects produced in the context of this programme is included in the Centre’s exhibition schedule and will be shown at the start of the following season.

Photography and Digital Imaging
This program aims to improve the support offered to artists working on paper using darkroom or digital imaging techniques. DAÏMÕN privileges projects emphasising the increasingly complex interrelations between media and those that push the limits of intermedia rather than simply addressing the vocabulary of the chosen media. Only projects involving a degree of research will be considered.

DAÏMÕN provides each artist with technical and artistic support, access to the Centre’s equipment for two (2) weeks and the services of a technician (15 hours). All other production costs are the responsibility of the artist. Artists using darkroom facilities must provide their own development chemicals and photographic paper.

Support for First Works
DAÏMÕN continues its support for the production of a first work for three artists from the Ottawa-Gatineau region and is piloting a new mentoring program for emerging artists. Admissible projects include the production of an original work using video or the application of hybrid media in artwork, fiction, essays, documentary or experimental work.

Young artists from the Ottawa-Gatineau region with basic training are invited to apply to create a first work in photo, video or new media in a professional context. Professional artists from the Ottawa-Gatineau region with an established practice in another discipline (painting, sculpture, photography, installation, etc.) who wish to develop a production in video or new media are also encouraged to apply.

DAÏMÕN provides each artist with technical and artistic support, access to the Centre’s equipment for three (3) weeks and the services of a technician (40 hours). All other production costs are the responsibility of the artist. A selection of projects produced in the context of this programme is included in the Centre’s exhibition schedule and will be shown at the start of the following season

_______________
HOW TO APPLY
Artists are encouraged to consult the specific conditions of the program that interests them. In every case, applications should clearly state the program choice and include :
- Summary of project (5 lines max.)
- Artist’s statement (max 1/2 page)
- Clear and concise project description and include Technical specifications and Timeline (max 1 page)
- Resume (max 3 pages)
- Supporting documentation with descriptive list
- Self-addressed stamped envelope

Supporting documentation may include a maximum of 10 images (digital documents, slides or photographs), 1 VHS, 1 CD or 1 DVD (max 5 min.), 1 URL and 1 publication. For candidates to Artist Residencies program, a maximum of 20 images (digital documents, slides or photographs), 1 VHS, 1 CD or 1 DVD (max 10 min.), 1 URL and 1 publication.

In order to have access to the Centre's services, artists whose projects are chosen must become active members at a cost of $75.

Applications should be sent to :
Centre de production DAÏMÕN · Media Art and Photography
78, rue Hanson
Gatineau (Québec)
Canada J8Y 3M5

Info : 819.770.8525 # 302
_______________________

MARK S. BONHAM SCHOLARSHIP FOR QUEER STUDIES IN FILM AND VIDEO

Single scholarship valued at $5,000 2007 Scholarship deadline: March 1

Eligibility

* Individual who identifies as lesbian, gay, bisexual transsexual or
transgendered (LGBTT)
* Canadian citizen or landed immigrant.
* Pursuing undergraduate studies full-time in the fields of film and/or
video that: 1. Relate to the cultural expression of lesbians, gay men,
bisexuals and/or transgender/transsexual individuals; and/or 2. Provide the
LGBTT community an opportunity to see its stories told on screen; and/or 3.
Educate the mainstream community about LGBTT lives and/or issues.
* Awarding of the scholarship will be conditional upon confirmed Acceptance
of admission to a post-secondary institution.
* Relevant institution must offer programs that are a minimum of 16 weeks
of study and lead to a degree, diploma or certificate.

Criteria

* Graduated from high school with a minimum of an Ontario Secondary School
Diploma (or equivalent).
* Academic excellence with a minimum 70 per cent average in final year of
high school or most recent post-secondary year of study.
* Involvement in the LGBTT community and/or demonstrated creative expression
related to LGBTT identity.
* Applicant's financial situation may be considered by Selection
Committee.

Application Process

Submission of an original plus 5 copies of the entire application package
which must include:

* Completed application form for the Mark S. Bonham Scholarship for Queer
Studies in Film and Video (which you can download from www.insideout.ca).
* A description of why you have chosen to pursue film/video studies and how
queer identity might relate to or influence your future cultural work or
studies. (max. 750 words).
* An outline of your extracurricular activities as they relate to this
scholarship. (maximum 750 words).
* Two references from individuals who can speak to your community
involvement, extracurricular activities or creative excellence.
* Samples of past creative work - optional (examples include; short videos,
still photography, creative and/or writing, graphic design, and fine art).
Submit no more than three samples - please be aware that due to possible
excess of materials submitted, the selection committee may not be able to
review materials in their entirety).
* Completed budget form (which you can download from www.insideout.ca) and
personal letter outlining financial situation (maximum length: 500 words)
* Copy of official transcripts from high school or post-secondary
institution.

Awarding of the scholarship is conditional upon acceptance by one of the
post-secondary institutions named in the application form.

For more information please contact Winnie Luk, Manager of Operations at
(416) 977-6847 or winnie@insideout.ca.

Find out about other scholarships at www.ScholarshipsCanada.com

Inside Out Toronto Lesbian and Gay Film and Video Festival May 17-27, 2007
(Canadian feature-length entries eligible for the $2500 Entertainment
Partners Canada Award) Ph:416.977.6847 Fx:416.977.8025 219 - 401 Richmond
Street West Toronto, ON, Canada M5V 3A8 www.insideout.ca

"Global Eyes" SIGGRAPH

Global Eyes, the 2007 ACM SIGGRAPH Art Gallery, is looking for innovative and creative digital media art from around the world for exhibition in San Diego, California, USA from August 5-9, 2007. We are looking for works that: illuminate the role digital media play in shaping, extending, and reflecting world views and cosmologies; address ecological, social, and political issues in imaginative and innovative ways; foster respect, tolerance, and empathy among people and nations.

DEADLINE: January 19, 2007
Info: www.siggraph.org/s2007/presenters/art

Employment Opportunity - Executive Director

The Liaison of Independent Filmmakers of Toronto (LIFT) is seeking a passionate, dynamic leader who is committed to the growth and development of the independent filmmaking community on a local, national and international level. The successful candidate should have a broad knowledge of the Canadian independent film community and be dedicated to the work of supporting LIFT's membership in the creation and proliferation of new film work and in their exploration of innovative filmmaking techniques. Reporting to the Board of Directors, the Executive Director is responsible in the achievement of LIFT's mission and the overall administrative operation of the organization. The LIFT Executive Director is the public face of the organization, driving new partnerships and opportunities that will benefit the membership, the organization, and the wider community of artists and audiences.

DEADLINE: February 23, 2007

Info: Jeff Sterne, (416) 588 6444 - jsterne@lift.on.ca - www.lift.on.ca/mt/jobs

JOB CALL: Artistic & Administrative Director, Fado Performance Inc.
Deadline:February 26, 2007

ARTISTIC & ADMINISTRATIVE DIRECTOR
(This position replaced the Performance Art Curator position)

HOURS/SALARY: 25 hours per week, $26,500

DEADLINE: Applications must be received by 5 pm on Monday, February 26, 2007

JOB DESCRIPTION:

The Artistic and Administrative Director shares the curatorial vision with the Programming Committee and Board of Directors of the organization and is responsible for all aspects of production and day-to-day operations. The successful applicant must possess an in-depth understanding of the Performance Art community - regionally, nationally and internationally.

RESPONSIBILITIES:

Curatorial Selection:
- Network with other curators - locally, nationally and internationally;
- Develop vision and programming through research;
- Liaise with artists and writers;
- Work closely with guest curators and programming committee

Production:

- Secure performance locations;
- All technical aspects of production
Documentation and Outreach:
- Coordinate documentation of events;
- Collect CV and Artists' materials, maintain archives;
- Organize public outreach, lectures, Docudrama screenings;
- Oversee production of all publications
Promotion, Website and e-list:
- Design, write and distribute promotional material including press
releases;
- Maintain website - design and posting;
- Research, publish and maintain e-list
Administration and Financial Management:
- Accommodation and travel arrangements for visiting artists;
- Draft contracts for artists;
- Coordinate submissions from artists;
- Prepare budgets and financial records;
- Liaise with Accountants;
- Report to Board of Directors
Fundraising:
- Research and write all Grants and Final Reports;
- Liaise with granting officers;
- Research and lobby additional funding sources;
- Secure co-sponsorships

ESSENTIAL SKILLS

- Extensive knowledge of contemporary performance art practices, and
surrounding critical discourses;
- Understanding of Artist-Run Centres, Public, and Institutional Galleries;
and post-secondary art education institutions;
- Proven track record with project management, grant writing, budget
preparation and responsible financial management;
- Strong planning and organizational skills, with the ability to prioritize
work and manage several tasks simultaneously;
- Excellent verbal and written communication skills;
- Self-motivation and the ability to work independently and collaboratively;
- Proficient computer skills;
- French speaking an asset.

APPLICATION REQUIREMENTS:

Please submit 2 paper copies by mail or email the following documents:

- A letter of intent (maximum 2 pages) describing your skills and experience
as they relate to this position;
- A short (maximum 3 pages) curatorial statement indicating how you
understand performance art and Fado's position within the broader cultural
spectrum, and your proposed direction for the organization;
- Curriculum Vitae/Resumé and Biography;
- A reference list with names, positions and contact information for 3
references

Fado will acknowledge receipt of all complete and on-time applications. Only those accepted for an interview be contacted. Late or incomplete applications will not be accepted. Fado is an equal opportunity employer and welcomes applications from candidates of diverse cultural communities.

Commencement Date: June 4, 2007
Inquires: fadohiringcommittee@gmail.com or (416) 822-3219

Apply in confidence to:
FADO HIRING COMMITTEE (Artistic and Administrative Director)
Fado Performance Inc.
273-B Carlton St.
Toronto, ON
Canada M5A 2L4

-----------------------------------------------
3. JOB CALL: Special Projects Coordinator, Fado Performance Inc.
Deadline:February 26, 2007

SPECIAL PROJECTS COORDINATOR

HOURS/SALARY:1-year part-time contract position $14,040 ($18/hr)
This salary level reflects an average 15-hour work week; however, the actual weekly schedule of the position will be flexible, based on project requirements. Position and salary level are contingent on funding.

DEADLINE: Applications must be received by 5 pm on Monday, February 26, 2007

RATIONALE:
Fado has been operating since 1993, during which time the organization has accumulated a substantial archive of video and photo materials. This material documents a rich history of performance art activity that remains largely unknown. In its current state (unedited original footage in various different digital formats), Fado's archive remains inaccessible. The organization would like to make this archive available to a larger public, as well as to curators and scholars, by creating edited packages of material for dissemination through various electronic formats, including DVD and the
web.

JOB DESCRIPTION:
The Special Projects Coordinator will be responsible for developing and implementing a public access strategy for Fado's archive of performance art documentation. This is conceived as a multi-year project; the Special Projects Coordinator will design and implement the first phase of the project. There is potential for continuation and/or expansion of the
position beyond the terms of the initial contract depending on the Special Projects Coordinator's success in meeting developmental and fundraising goals.

DUTIES:
The Special Projects Coordinator will work with Fado's Board of Directors,
Special Projects Committee, and Artistic & Administrative Director to:
Project Development
- Hone and clarify the public access plan;
- Develop detailed schedules and benchmarks for implementation of the plan;
- Develop a realistic budget for subsequent phases of the project;
- Identify potential funders and sponsors for various stages of the project;
- Identify target materials and strategies for packaging/marketing
Project Implementation
- Negotiate contracts with artists regarding the use of documentation;
- Identify and secure dissemination partners;
- Design and produce a sample DVD and web "package" using material from
Fado's archives;
- Coordinate publicity, advertising and dissemination of the sample package;
- Solicit potential funders/sponsors, including preparing grants and
proposals;
- Oversee administration and financial management of the first phase of the
project, including preparing interim and final reports;
- Provide advice on optimal documentation for current and future Fado
programming

ESSENTIAL SKILLS:
- Working knowledge of contemporary performance art practices, and
surrounding critical discourses;
- Understanding of Artist-Run Centres, Public, and Institutional Galleries;
and post-secondary art education institutions;
- Familiarity with dissemination infrastructures for experimental and
educational digital media;
- Proven track record with project management, grant writing, budget
preparation and responsible financial management;
- Strong planning and organizational skills, with the ability to prioritize
work and manage several tasks simultaneously;
- Excellent verbal and written communication skills;
- Digital media skills (video editing, DVD authoring, web design);
- Self-motivation and the ability to work independently and collaboratively.

APPLICATION REQUIREMENTS:
Please submit 2 paper copies by mail or email the following documents:
- A letter of intent (up to 2 pages) describing your skills and experience
as they relate to this position.
- Curriculum Vitae/Resumé and Biography
- A reference list with names, positions and contact information for 3
references
Fado will acknowledge receipt of all complete and on-time applications. Only
those accepted for an interview be contacted. Late or incomplete
applications will not be accepted. Fado is an equal opportunity employer and
welcomes applications from candidates of diverse cultural communities.

Commencement Date: April 16, 2007

Inquires: fadohiringcommittee@gmail.com or (416) 822-3219

Apply in confidence to:
FADO HIRING COMMITTEE (Special Projects Coordinator)
Fado Performance Inc.
273-B Carlton St.
Toronto, ON
Canada M5A 2L4

JASON ST-LAURENT'S GOING-AWAY PARTY

Date Saturday, January 20, 2007, from 8PM to 1AM
Location Club SAW (67 Nicholas Street, Ottawa)
Free admission. DJs and performances TBA.

Dear friends and patrons of SAW,

As you may have heard, our colleague Jason St-Laurent is leaving his position of Programmer at SAW Video to take on a new challenge in Toronto as Director of Programming for the Inside Out Gay & Lesbian Film & Video Festival.

Jason has been involved with SAW for more than six years, first as the chair of the Galerie SAW Gallery board, then as SAW Video's first programmer. The media art screenings and exhibitions that he curated at SAW were met with both critical and popular success, drawing all kinds of new audiences to our centre. In particular, Jason has cultivated a queer audience for SAW, and it is no surprise that he has been entrusted with a job at the largest queer film festival in Canada. Although we will greatly miss him, we wish him much success in his new position.

Come toast Jason's departure in what is sure to be a raucus and randy party! All proceeds from the bar will go to the Divergence queer film series and to the collective Agitate! Queer Women of Colour.

RSVPs are appreciated, but not necessary. Please e-mail Tam-Ca Vo-Van at sawprogramming@artengine.ca.

--

FÊTE EN HONNEUR DE JASON ST-LAURENT

Date Le samedi 20 janvier 2007, de 20 h à 1 h
Lieu Club SAW (67 Nicholas Street, Ottawa)
Entrée libre. Dj et performances à confirmer.

Chers amis et membres de SAW,

Comme vous le savez peut-être, notre collègue Jason St-Laurent quitte son poste de programmateur à SAW Video pour prendre la direction de la programmation du Inside Out Gay & Lesbian Film & Video Festival à Toronto.

Jason a oeuvré au sein de notre centre pendant plus de six ans, d'abord comme président du conseil d'administation de la Galerie SAW Gallery, et ensuite comme premier responsable de la programmation à SAW Video. Les projections et expositions d'art médiatique qu'il a organisées à SAW ont connu un grand succès à la fois critique et public, et ont attiré d'importants nouveaux publics à notre centre. En particulier, Jason a travaillé à établir de nombreux liens avec la communauté gaie et lesbienne, et il n'est pas surprenant qu'on lui ait confié un poste au sein du plus grand festival de cinéma gai et lesbien du pays. Bien qu'il nous manquera énormément, nous lui souhaitons beaucoup de succès dans son nouveau poste.

Venez trinquer le départ de Jason lors d'une soirée qui promet d'être bien gaie et mouvementée! Tous les profits du bar seront versés aux projections de cinéma gai et lesbien Divergence et au collectif Agitate! Queer Women of Colour.

RSVP : Veuillez confirmer votre présence en envoyant un courriel à Tam-Ca Vo-Van à sawprogramming@artengine.ca (les confirmations sont appréciées, mais la soirée est ouverte à toutes et à tous).

Hoodwinked: The Myth of Free Trade

screening in Ottawa with special guest DAVID ORCHARD

OTTAWA - Did you know that the Canadian post office is currently being sued by an American corporation under the rules of NAFTA?

Free trade or subtle sellout? The feature documentary Hoodwinked: The Myth of Free Trade examines some of the less-talked-about effects of free trade and corporate globalization on Canada. It was produced by West/Dunn Productions of Ottawa.

There will be a special screening in Ottawa, on Wednesday, January 31, 2007
at the National Library and Archives Auditorium
395 Wellington St.
7:00 pm
Admission $8.00
93 minutes followed by a discussion with the filmmakers
and special guest DAVID ORCHARD, author of The Fight for Canada

There's more to these trade deals than the matter of tariffs. Are you a university graduate wondering where all the good jobs are? Have you recently been laid off from a good manufacturing job and told to re-train as a call centre answer-person? Do you ever wonder why Canada can’t meet its Kyoto targets? What do you think will drive Canada’s economy when the oil is gone? And why are we told we can’t afford a public healthcare system anymore?

Here's the analysis of free trade that our elites are afraid to have. After 18 years, it's time to take stock.

Hoodwinked: The Myth of Free Trade features interviews with people who know about the issue like former prime minister John Turner, political economist Stephen Clarkson, organic farmer and author David Orchard (who brought 140 delegates to Stéphane Dion’s leadership bid) and economist Jim Stanford.

Hoodwinked: The Myth of Free Trade was produced by Bill Dunn and Linda West of West/Dunn Productions. Their previous work includes a bilingual digital history of Canada called A Country by Consent / Un pacte, un pays. They have also produced prime time documentaries broadcast nationally on CBC-TV.

For more information check the website: http://hoodwinked.ca. Press photos available from the website (Click on “PRESS PHOTOS” image).

West/Dunn Productions
375 Daly Ave.
Ottawa, ON K1N 6G8
613-241-1087
westdunn@sympatico.ca
http://hoodwinked.ca http://westdunn.ca

SAW Video receives financial support from the Canada Council for the Arts, the Ontario Arts Council, the City of Ottawa, Department of Canadian Heritage and the Laidlaw Foundation. Many thanks too, to our corporate sponsors: Adobe Canada, Ntegrating Solutions and to our artist-members.

SAW Video
67 Nicholas Street
Ottawa, ON, Canada
K1N 7B9

East of the Rideau Centre in Arts Court (which is at 2 Daly Ave).

T: (613) 238.7648
F: (613) 564.4428
www.sawvideo.com