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SAW Video Newsletter for !*FIRST_NAME*! !*LAST_NAME*!
SAW Video News:
NELSON
HENRICK'S SCREENING IN THE COURTYARD
MIKE
HOOLBOOM AT SAW VIDEO
CAFE
EX: MIKE HOOLBOOM'S: FASCINATION
SAW
VIDEO'S AGM MAY 29TH
UPCOMING
WORKSHOPS
WE
NEED YOUR TAPES!
Also in this issue:
CALLS
FOR SUBMISSION
EMPLOYMENT
OPPORTUNITIES
SCREENINGS
AND EVENTS
SAW VIDEO NEWS:
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ARTIST
TALK WITH MIKE HOOLBOOM (Toronto) SAW Video
is pleased to present respected Toronto filmmaker Mike Hoolboom. Spend
the afternoon with one of Canada's most prolific and inventive filmmakers,
as he presents a lecture entitled Presented
in conjunction with screenings of two FASCINATION and installed in the front entrance of SAW MISS
YOU Miss You
returns to the early days of video art with a one camera/one person
performance. In a direct address to camera, Artist's
bio
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Cafe
Ex: Mike Hoolboom $6.00
SAW Video/CFI Members/Seniors Club SAW, 67 Nicholas St. “My
name? I thought everybody knew. My name is Art Star.” Video artist
Colin Campbell died in 2001. Generous, prolific and handsome, he was
a pioneer in the budding field of video art who created hilarious personae
throughout his thirty-year career: Art Star, Robin, the Woman from Malibu
and Colleena. He merged the worlds of performance art with video, creating
an ongoing series of tapes that were witty and sly — campy takes
on the mirror image of video in the age of media proliferation. He was
a colleague, lover and mentor to many of the scene’s artists;
and the work of artists such as Lisa Steele, John Greyson, Andrew J.
Paterson and Tanya Mars would have been substantially different without
his presence in their lives. It seems appropriate for Mike Hoolboom
to take on the role of chronicler of Campbell’s legacy. A longtime
champion of fringe filmmaking, but also an outsider to the video art
milieu, Hoolboom brings his unique perspective to bear on his portrait
of Colin Campbell. For Hoolboom, Campbell’s death also coincides
with the passing of an era, when the image itself is imploding. We are
in an era of mourning pictures, when media and death can only represent
what is lost. Fascination contains interviews and cameos with dozens
of Canadian artists whose paths crossed with Campbell’s. Combined
with his customary use of appropriated footage and subjective voice-over,
Hoolboom presents us with a deeply affecting biography of a fallen star.
(Images Festival)
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SAW
VIDEO ASSOCIATION Tuesday,
May 29th, 2007, 7:00 pm. Meet the
staff and board of SAW Video You must
be a basic member of SAW Video in order to vote. Memberships will be
available for purchase at the AGM if you need to renew your membership
or become a new member. A basic membership to SAW Video is $25.
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| 2 Day Intro to Avid Xpress Editing Sat May
12th, 2007 Sun May
13th, 2007 AVID Xpress DV is the ideal solution for anyone looking to edit DV on the desktop while maintaining many of the same features and the same interface as the more powerful dedicated AVID editing systems. The course will cover all steps of the process from setting up and capturing from a DV device, using the timeline based interface, and outputting back to DV or exporting for the web. Day One of the workshop will focus on a complete overview of the Avid Xpress DV software demonstrated by the instructor. Day Two of the workshop will be hands on for all participants to practice editing a brief sequence under the supervision of the instructor. Depending on the size of the class, participants on Day Two may be seated in pairs at each editing workstation. This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability. Workshop is limited to 6 participants. Registration deadline is Monday May 7th Instructor:
Jacob Hanna Duration: 10 hours ____________________________________________________________________________________ 2 Day Intro to MiniDV Production Sat May
26th, 2007 Sun May
27th, 2007 On the
first day of the workshop, participants will receive basic instruction
on SAW Video's prime 3-chip MiniDV cameras -- such Day two of the workshop provides the added opportunity for more hands on timeand instruction. Shooting exercises will be indoors and outdoors (weather permitting) simulating varying conditions and situations. The second day of the workshop will focus exclusively on the Sony PD-150. WORKSHOP LIMITED TO 6 PARTICIPANTS Deadline for registration is Monday May 21st Instructor:
Jacob Hanna ___________________________________________________________________________________ Sound
Editing w/ Avid and Adobe Audition Wed June
06th, 2007 What's that rattle? What's that hum? Whether your recording has been cursed with bad audio or not, sound editing is an integral part of creating a quality video. From cleaning up background noise, editing around rough patches or multi-tracking for a new audio environment, this workshop will introduce you to the options you have available. Learn how to get the most out of AVID’s sound tools and export your soundtrack to Adobe Audition for more advanced treatment. Useful for both video and audio works, this workshop is essential for all those who have ears. This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability. Workshop is limited to 4 participants. Deadline for Registration is Wednesday May 30th, 2007 Instructor:
Chris Ikonomopoulos Members
$60.00 Duration:
4 hours _________________________________________________________________________________________________ Wed June
13th, 2007 This course will be taught using our Final Cut Pro 5 production suite, but will be applicable to AVID and other NLE software. This workshop has a maximum of 4 participants. The deadline for registration is Friday June 8th, 2007 Instructor:
Edward Folger Members
$60.00 Duration:
6 hours Tue June
26th, 2007 The Z1U is Sony’s first professional grade video camera in the relatively young HDV High Definition video format. It records a compressed High Definition video image on regular MiniDV tapes at a resolution of 1080i. The HVR-V1U supports 24p (progressive) scan, the frame rate of film and 30p (progressive) scan modes, in addition to typical 60i. Both cameras can also be configured to record in Standard Definition DV. The workshop will cover basic operation of the cameras, recording in Standard and HDV modes, attaching external microphones and controlling audio levels, and a brief look at some of the special camera modes and alternate frame rates. Previous experience with MiniDV video cameras or SAW Video’s other production equipment is encouraged, but not necessary to take this clinic. Limited to 6 participants. Registration deadline is Friday June 22nd, 2007 Instructor:
Jacob Hanna Duration:
3 hours
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CHARLES
STREET VIDEO
NFB-TVO
CALLING CARD PROGRAM
NSI
NEW VOICES: FILM AND TV TRAINING
SIFT
(SUMMER INSTITUTE OF FILM AND TELEVISION) WORKSHOPS
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| NSI
New Voices film and TV training for young Aboriginal adults | Apply by
Monday, May 7
The National Screen Institute is looking for 12 talented people, aged 18 to 35, for its NSI New Voices training program which connects young Canadian Aboriginal people with film and television professionals through skills development training and an eight week full-time work placement in the industry. Apply by Monday, May 7, 2007, 4:30 p.m.Central Time. For an application form, visit: www.nsi-canada.ca/newvoices The program runs from May 22 and takes place in Winnipeg, Manitoba. There are a limited number of openings for non-Winnipeg residents. Out-of-town program participants are responsible for covering the costs of their accommodation and travel. Participants will receive minimum wage during the program, which runs in two phases: Phase 1 (skills development training) begins with a Spirit Day where spiritual leaders and participants come together for a sharing circle and talk about personal goals. The skills training is designed to deliver a well-rounded understanding of industry job requirements. Phase 2 (work placement) provides an industry work setting for participants, opening them up to the creative and technical opportunities available. The program will be co-managed by Lisa Meeches and Melissa Kajpust. Lisa Meeches is President/Executive Producer of Meeches Video Production Inc./Eagle Vision Inc. and brings almost 20 years of experience in film and television and an essential Aboriginal perspective to the program. Melissa Kajpust, an award-winning writer, has worked as a writer and director for both film and television, and has led workshops and courses for Film Training Manitoba, Red River College Continuing Education and the Manitoba Institute for Gifted Students. Lisa and Melissa co-managed the original pilot project and also the 2006 NSI New Voices program. NSI New Voices is funded in part by the Centre for Aboriginal Human Resource Development (CAHRD), NBC Universal, The Winnipeg Foundation, CTV, RBC Financial Group and the Aboriginal Media Educational Fund. The National Screen Institute - Canada, with headquarters in Winnipeg, is Canada's oldest nationally-recognized film and television training school. The National Screen Institute helps emerging writers, directors and producers bring their stories to life to share at home and abroad. Its market-driven programs have led to employment for National Screen Institute graduates by giving them a competitive edge - according to the latest National Screen Institute Alumni Survey, 97% of respondents are working in the industry.
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The 27th annual Summer Institute of Film and Television (SIFT) is a week of intensive workshops (May 29 to June 3 in Ottawa) in directing, screenwriting, producing, acting, new media, production crafts and documentary filmmaking that are led by industry professionals.
Registration fee includes full tuition for your workshop,
all screenings throughout the week, all panel discussions and presentations,
social functions, including the Opening Reception, wrap party, gatherings
and much more! For more information, a detailed schedule, and registration information, please check out our website at www.cstc.ca/sift, send an e-mail to registration@cstc.ca or give us a call at 800 742 6016.
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MARKETING
OFFICER, IMAX THEATRE
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Marketing
Officer, IMAX Theatre The Marketing, Business Operations and Client Services Division is currently seeking a dynamic individual who will, under the supervision of the Manager, Marketing, Tourism and IMAX, plan and implement communications, marketing, advertising and promotional strategies aimed at increasing CMC IMAX Theatre attendance and revenues, and provide related advice; contribute to the development of diversified, effective programming; plan, prepare and supervise the annual budget and make pertinent recommendations; perform related duties. As the ideal candidate, you hold a College diploma in communications, marketing, advertising or a related field. . You possess knowledge of: ·
Large-format cinema, conventional cinema or entertainment industries; You have experience in: ·
Marketing, advertising and promoting a business establishment; Since you will be working in a highly computerized environment, a demonstrated experience of word processing (Word), electronic spreadsheet (Excel), presentation (Power Point) and electronic mail is required. External candidates can access definitions of these Core competencies on our web site. CMCC’s employees can access the employee’s Infocenter/CMCC Core competencies Dictionary on the Intranet. The following core competencies, which are a deciding measure of success for this challenging opportunity, are: Achievement Orientation; Business Insight; Concern for Order and Quality; Information Seeking; Planning & Initiative. This position requires the use of both Official Languages (French/English) CCC imperative and an enhanced reliability check. For a detailed definition of the linguistic level required, access our web site. Please note that this position is open to CMCC employees and external candidates. The Canadian Museum of Civilization Corporation is committed to the principles of Employment Equity and to achieving a workforce which is representative of the Canadian population. We strongly encourage candidates to self-identify if they are an Aboriginal person, a member of a visible minority group or a person with a disability. We thank all candidates for showing interest in our Corporation; however, only retained candidates will be contacted. The Corporation may inventory the information received from candidates for other similar positions. Interested
in this opportunity? Please apply no later than May 11, 2007
at 4 p.m. as instructed on the web site:
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UPCOMING SCREENINGS AND EVENTS
SHORT
& SWEET SHORT FILMS FROM QUEBEC
"FACTORY
OF LIGHT" A NEW FILM BY PIXIE CRAM
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“Short
and Sweet: Media Art from Québec” Vidéographe
and Available Light welcome you to come experience the dynamic media
artworks of: Nelson Henricks, Deborah VanSlet, Jean-Marc Superville
Sovak, Frank Wimart, Karina Mariano, Évelyne Guay, Hélène
Dugas, Pablo Diconca, Kevin Kelly, Philippe Hamelin and Stéphane
Thibault. The videos presented as part of “Short and Sweet”
have been selected from the distribution catalogues of Vidéographe,
Vidéo Femmes (Québec), and GIV (Montréal). Formed
in 1995, the Available Light Screening Collective is an Ottawa-based
artists' collective committed to the presentation and curation of experimental
film, video, and new media art. Funding for its activities is received
from the Canada Council for the Arts, the Ontario Arts Council and the
City of Ottawa. _____________________________________________________________
Vidéographe et Available Light vous convie à venir nombreux dans la capitale nationale visionner les œuvres de Nelson Henricks, Deborah VanSlet, Jean-Marc Superville Sovak, Frank Wimart, Karina Mariano, Évelyne Guay, Hélène Dugas, Pablo Diconca, Kevin Kelly, Philippe Hamelin et Stéphane Thibault. Les vidéos présentées lors de cette programmation “Short and Sweet” proviennent du catalogue de Vidéographe, de Vidéo Femmes (Québec) et du GIV (Montréal). Programme:
Vidéographe remercie de leur soutien, le Conseil des Arts du Canada, Le Conseil des Arts et des Lettres du Québec, la Société de Développement des Entreprises Culturelles et le Conseil des Arts de Montréal. Available Light Screening Collective est un groupe d’artistes établi à Ottawa en 1995 qui a pris l’engagement de présenter films, vidéos et nouveaux arts médiatiques expérimentaux. Ses activités sont financées par le Conseil des Arts du Canada, le Conseil des arts de l’Ontario et la Ville d’Ottawa. Pour en savoir plus, communiquez avec Alexandre Caron à alexandre.caron@videographe.qc.ca ou James Missen à joenuh2002@yahoo.ca
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The
Factory of Light Ottawa Premiere Film Screening
with Live Soundtrack With special guests Flotilla Synopsis A modern-day
fable about a girl who suddenly finds herself alone in an empty city.
Her search to learn where the people have all gone leads her to the
Factory of Light.
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