| |
||
|
||
SAW Video Newsletter for !*FIRST_NAME*! !*LAST_NAME*!
SAW Video News:
VIDEO
ARCADE
CULTURAL
EQUITY PRODUCTION FUND
ABORIGINAL
VOICES FUND
UPCOMING
WORKSHOPS
SAW
VIDEO NEEDS YOUR PRODUCTION INFO!
Also in this issue:
CALLS
FOR SUBMISSION
EMPLOYMENT
OPPORTUNITIES
SCREENINGS
AND EVENTS
SAW VIDEO NEWS:
|
||||
|
Interested?
Contact Erin at erin@sawvideo.com
or
|
||||
|
||||||||||
|
Eligible projects are those over which the artist has creative and editorial control. All genres are accepted (i.e. experimental, drama, documentary, video installation, and new media.). Artists crossing over from other disciplines (i.e. theatre, writing, visual arts, and dance) are also welcome. Please note: Feature-length projects are not eligible to apply. In addition, editing of successful projects must take place at SAW Video, and this should be factored into the budget accordingly. A screening of productions will be held in Club SAW. Applicants retain copyright to their productions, but they must provide a copy of their tape to be kept in SAW Video’s archives. The successful
applicants receive: A one year producing membership; Applicants must
submit: Note: please do not submit material which can not be replaced Have questions? Call 238-7648 or email sawvideo@sawvideo.com ___________________________________________________________________________________ FONDS DE PRODUCTION POUR L'ÉQUITÉ CULTURELLE DE SAW VIDEO Le Fonds pour l'équité culturelle est un programme d'appui à la production qui vise à fournir des occasions aux artistes des minorités visibles de s'exprimer de façon créative au moyen de la vidéo. Les candidats à ce fonds doivent être des novices en réalisation de film ou avoir moins de 3 vidéos à leur crédit. Jusqu'à 3 prix seront remis. Les propositions sont évaluées par un jury indépendant, et les candidats retenus auront un an pour compléter leur projet. Les projets admissibles sont ceux sur lesquels l'artiste exerce un contrôle aux plans de la création et du montage. Tous les genres sont acceptés (c.-à-d., expérimental, dramatique, documentaire, vidéo d'installation et nouveaux médias). Les artistes venant d'autres disciplines (c.-à-d., théâtre, écriture, arts visuels et danse) sont également les bienvenus. Une projection des productions aura lieu au Club Saw. Les candidats conservent les droits d'auteur sur leurs productions mais doivent fournir une copie de leur bande aux archives de Saw vidéo. Les candidats
retenus reçoivent : Les candidats doivent soumettre : un
résumé à jour (avec accent sur leur travail artistique) Nota : Veuillez ne pas soumettre de matériel qui ne peut pas être remplacé. Vous avez
des questions ? Appelez au 238-7648 ou joignez-la par courriel à
sawvideo@sawvideo.com
|
||||||||||
|
||||
|
Dear members, It's that time of year again. This fall, SAW Video must report back to our main funder, the Canada Council, on how many media artists and productions we've assisted in the last year. We need information from all members who have used our equipment (production or post) for their 2007 productions. Productions can either be complete or in-progress - just let us know about them! Please fill out the online form http://www.sawvideo.com/onesheet/ before Sept. 15, 2007. Thanks!
|
||||
CALLS
FOR SUBMISSION
CROSS-MEDIA
CHALLENGE
CFC
FEATURE FILM PROJECT
NSI
STORYTELLER TRAINING PROGRAM
|
||||
|
Cross-Media
Challenge
|
||||
|
||||
|
|
||||
|
||||
Revamped NSI Storytellers training program seeks Aboriginal writers to develop new show for APTN Winnipeg - Responding to market needs, the National Screen Institute - Canada (NSI) in association with Aboriginal Peoples Television Network (APTN) has redesigned NSI Storytellers to develop above-the-line Aboriginal broadcast talent. Aboriginal writers eager to learn the craft of writing television drama are encouraged to apply at www.nsi-canada.ca. Working individually and as a group the selected candidates will write scripts for a half hour daytime serial that may go into production for broadcast on APTN. Deadline for applications is Monday October 15, 2007, 4:30 p.m. Central Time. Up to five writers will be chosen based on submitted writing samples, an ability to work as a group, a strong desire to work in the Canadian television industry, and a willingness to commit to the program. Training for writers commences in fall 2007 and will span seven months. The second phase will provide training for directors and producers in spring 2008. A separate call for applications for this phase will be issued in the new year. Writing participants will learn the basics of narrative writing and develop storylines and series arcs for the project. As with all NSI programs, training will be intensive and delivered by industry experts. "The National Screen Institute prides itself on providing market-driven training. Our decision to restructure NSI Storytellers was based on the need for more television content from Canadian Aboriginal writers, directors and producers," says Susan Millican, NSI CEO. "APTN is a natural fit to help hone this craft and possibly showcase the results." "NSI has a stellar reputation for delivering well-trained above-the-line graduates from its programs," said Jean LaRose, APTN Chief Executive Officer. "To have the NSI Storytellers curriculum based on an APTN program concept, with a real chance of going into production for broadcast, helps to fulfill our mandate of presenting programming by, for and about Aboriginal Peoples." The program is managed by Brandice Vivier-Burns. NSI Storytellers is made possible through the generous funding of the Aboriginal Peoples Television Network, NBC Universal and CHUM. The National Screen Institute - Canada, with headquarters in Winnipeg, is Canada's oldest nationally-recognized film and television training school. The National Screen Institute helps emerging writers, directors and producers bring their stories to life to share at home and abroad. Its market-driven programs have led to employment for National Screen Institute graduates by giving them a competitive edge - according to the latest National Screen Institute Alumni Survey, 97% of respondents are working in the industry.
About APTN: September 1, 2007 marks the eight-year anniversary of the launch of the first national Aboriginal television network in the world with programming by, for and about Aboriginal Peoples to share with all Canadians and viewers around the world. APTN is available in over 10 million Canadian households and commercial establishments with cable, direct-to-home satellite (DTH), telco-delivered and fixed wireless television service providers. APTN does not receive government funding for operations but generates revenue through subscriber fees, advertising sales and strategic partnerships. APTN broadcasts programming with 56% offered in English, 16% in French and 28% in Aboriginal languages. For more information, please contact APTN at (204) 947-9331 or toll-free at 1-888-278-8862, or visit the website at www.aptn.ca .
|
||||
EMPLOYMENT
OPPORTUNITIES
PROJECT
LEADER - NCCAC
ADMINISTRATIVE
INTERN FOR ODYESSY THEATRE
|
||||
Part 1. Position Description A. Position Title: Project Leader - NCCAC B. Position Reports to: NCCAC member team C. Position Status: contract part time position D. Position Summary: Lead development of an arts and culture website and database for New Canadian artists and their communities and registration of a new, non-profit organization in collaboration with members of the organization. E. Effective Date: immediate October 2007 through September 2008 Part 2. Position Functions Contract Responsibilities ·
As per City of Ottawa funding, provide leadership and administrative
responsibility for :
1. highlight
and increase the visibility of New Canadian artists and organizations
·
Outreach to and liaison with New Canadian artists and communities in
Ottawa OCISO Community Development and Members Responsibilities ·
A desk and computer with internet access are provided on a part time
basis by OCISO.
·
Professional and / or business experience working in a multicultural
context
·
Bilingual in both of Canada’s official languages Please contact: OCISO
|
||||
|
||||
|
POSITION
AVAILABLE:
|
||||
SCREENINGS
AND EVENTS
DISORGANISED
AND GALERIE SAW GALLERY COURTYARD PARTY
CFI
PRESENTS FIVE SHORT FILMS FROM AFRICA
FREE
WORKSHOPS AT ARTENGINE
|
||||
|
Disorganised and Galerie SAW Gallery present: A courtyard party to end the summer with a sizzle Time and
Place: JOKERS
OF THE SCENE (Disorganised, Ottawa) This will be your last chance to see the summer blockbuster show Oil Spill: New Painting in Ontario, which has attracted over 3,000 visitors so far. Also, make sure to catch our other exhibition in the National Arts Centre foyer Affinités électives : The Performances of Carl Bouchard and Martin Dufrasne, which also closes this Saturday. For more information, please contact Fayiaz, Minh, Stefan or Tam-Ca at Galerie SAW Gallery at (613) 236-6181
|
||||
|
||||
|
Backgrounder The Burundi
Film Center (BFC) is a media development projected launched by three
Canadian filmmakers in the little-known East African nation of Burundi.
With no outside funding, their own equipment and some resourceful friends,
the Canadians (two from Beyond
the films, the event will celebrate of East African life and be an opportunity
for Ottawans to engage the cultural Overview: Burundi,
located just south of Rwanda, is a nation emerging from a war-time crisis
and entering a new era of cultural A long-term
partnership with Canadian media professionals and students are integral
to this realization by sharing their The BFC aims to share unique stories with a universal appeal to global audiences and INSPIRE. EDUCATE. ENTERTAIN. Media
Contact: Christopher Redmond, BFC http://citizen.nfb.ca/blogs/category/burundi-film-
|
||||
|
||||
|
Free Workshops at Artengine in the month of September!!!! This month Artengine as a part of its membership drive will be offering three free workshops for the public and its members. Limited space is available in these workshops so registration is a must. For registration and further question please contact Marlène Barré at 613-482-0119 or by email at operations@artengine.ca Artengine
is located at 2 Daly Ave. in Suite M70 on the main floor of the Introduction
to Audio recording with Normand Fisher Normand Fisher is one of Ottawa-Gatineau most experiences audio artists and he will guide the participants through the basics of good audio recording using the Artengine equipment. This equipment is available for use for free to Artengine's Producing members so get your discounted membership while you can! Wednesday
September 19th, 2007 BENT
with Frederic Arsenault A free work shop and creative session for experienced nerds and the curious novice alike. Like a circuit bending workshop for the digital photographer BENT will introduce participants to databending through a variety of simple and professional software. Host Frederic Arsenault will also explain how different photo based software packages interpret file information differently. This experimentation at the file level will bring the digital artist into a closer relationship with the files they manipulate. This workshop is co-presented with the new chapter of Dorkbot based in Ottawa. Dorkbot is a global network of locally based meetings between artists, engineers, and designers working in the medium of electronic art.
|
||||
SAW Video |