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SAW Video Feature Video Fund Recipient
Congratulations to this year's recipient of SAW Video’s
Feature Video Fund: Sandra Chwialkowska for "In the Moment".
Thank
you to everyone that applied to our Feature Video Fund. Our next
deadline is for the SAW Video JumpstArt Fund. Applicants must
apply before February 29, 2008. Program details, deadlines and
descriptions for all of SAW Video's support programs are listed
on our website at www.sawvideo.com.
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| NEW
WORKSHOP SUBSIDY PROGRAM
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SAW
Video is launching a new initiative with the goal of increasing
accessibility to our workshops and artists' training to those
who would otherwise be unable to afford it. We are offering 4
workshop subsidies to be applied directly towards workshops of
their choice. The subsidies will cover 100% of the cost of one
workshop per recipient as well as a one-year basic membership
to SAW Video. This is a great opportunity for low-income emerging
or established artists to receive training and to become more
involved in the centre.
In
order to apply for this subsidy program we will need to receive
a one-page letter of intent describing how taking a SAW Video
workshop would specifically benefit you as an artist. We encourage
applicants to self-identify as low income as these subsidies are
available only to those who could not otherwise afford our workshop
fees. This program is open both to existing SAW Video members
and to the general public.
For
information on the workshops we offer, go to http://www.sawvideo.com/sawvideo/workshopsx.php
The
deadline for submission is Dec 1st, 2007.
Recipients will be able to use their subsidies for workshops scheduled
after January 2008. Letters of intent may be dropped off in person
at SAW Video during operating hours or may be emailed directly
to ariel@sawvideo.com. Successful subsidy recipients will not
be made public to the membership, and the results will remain
confidential. If you have any further questions regarding the
application process please contact SAW Video's workshop coordinator
Ariel Smith at 613-238-7628 or at ariel@sawvideo.com.
Thanks
to CJOH/CTV Development Fund for their support of this initiative.
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2
Day Intro to Avid Xpress Editing
Sat November 10th, 2007
12:00pm - 5:00pm
Sun November
11th, 2007
12:00pm - 5:00pm
Now, by popular demand, the Introduction to Avid Xpress DV editing workshop
has been expanded to two full days of instruction!
AVID Xpress DV is the ideal solution for anyone looking to edit DV on
the desktop while maintaining many of the same features and the same
interface as the more powerful dedicated AVID editing systems. The course
will cover all steps of the process from setting up and capturing from
a DV device, using the timeline based interface, and outputting back
to DV or exporting for the web.
Day One
of the workshop will focus on a complete overview of the Avid Xpress
DV software demonstrated by the instructor.
Day Two
of the workshop will be hands on for all participants to practice editing
a brief sequence under the supervision of the instructor. Depending
on the size of the class, participants on Day Two may be seated in pairs
at each editing workstation.
This workshop
includes 3 hours of practice time which may be booked with the Technical
Coordinator according to availability.
Workshop
is limited to 6 participants. Registration deadline is Monday November
19th, 2007
Instructor:
Jacob Hanna
Members
$125.00
Non Members $150.00
Duration:
10 hours
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2
Day Intro to Adobe After Effects
Sat November
17th, 2007
12:00pm - 5:00pm
Sun November
18th, 2007
12:00pm - 5:00pm
Adobe After Effects is the software of choice for creating professional
quality motion graphics and special effects for video. The purpose
of this workshop is to introduce users to the powerful capabilities
of this program and how it can be integration into your projects.
Through a series of practical tutorials, this hands on introduction
will have students complete a few basic projects in order to gain
an understanding of this flexible design tool. Some of the most
frequently asked questions and requested operations in After Effects
will be answered and addressed. Projects will be divided evenly
between motion graphics and compositing. Students should leave
the class with a base knowledge of visual effects workflow and
how to make a motion graphic.
Participants will be seated in pairs at each editing workstation.
This workshop
includes 3 hours of practice time, which must be booked with the Technical
Coordinator according to availability.
Workshop
is limited to 5 participants Deadline for Registration is Monday November
12th, 2007
Instructor:
Firuz Daud
Firuz Daud is an alumni of Ryerson Polytechnic University's Image Arts
program. He has done graphics for broadcast on stations such as City
TV and the CBC and is one of the founding members of the art collective
Team Tekki Techy. He has a cat named Puck.
Members
$50.00
Non Members $75.00
Duration:
10 hours
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2-Day
Introduction to Video Production
Saturday December 8th-9th
11am-5pm
Instructor: TBA
This two-day
workshop teaches the basics of camera, audio and lighting through
hands on training.
On the first
day of the workshop, participants will receive basic instruction
on SAW Video's prime 3-chip HDV and Mini DV cameras -- such as
the, Sony Z1U and V1U and the Panasonic AG-DVX100. Participants
will be introduced to three point lighting and dealing with power
on location. A variety of mics will be used and their applications
will be discussed.
Day two of
the workshop provides the added opportunity for more hands on
time and instruction. Shooting exercises will be indoors and outdoors
(weather permitting) simulating varying conditions and situations.
WORKSHOP LIMITED
TO 6 PARTICIPANTS
Deadline for
registration is Monday December 3rd, 2007
$125.00 Members
$150.00 Non Members
Duration: 12 hours
__________________________________________________________________________________
2
Day Intro to Final Cut Pro
Saturday December 1st- Sunday December 2nd, 2007
12pm-5pm
Instructor: Ryan Stec
This 2 day
course will cover all steps of the process from setting up a project
and capturing from a dv device, to using the timeline based interface,
and outputting back to dv. Day 1 of the workshop will focus on
a complete overveiw of the FCP software demonstrated by the instructor.
Day 2 of the workshop will be hands on for all participants to
practice editing a brief sequence under the supervision of the
instructor.
This workshop includes 3 hours of practice time which may be booked
with the Technical Coordinator according to availability. Workshop
is limited to 4
participants On day 2 participants will be seated in pairs at
each editing workstation.
Deadline for registration is Monday November 26th, 2007
$125.00 Members
$150.00 Non Members
Duration:
10 hours
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CALLS
FOR SUBMISSION
TRINITY
SQUARE VIDEO
INTERNATIONAL
SYMPOSIUM ON ELECTRONIC ARTS 2008
GALERIE
SAW GALLERY SUBMISSION CALL
UPCOMING
FESTIVAL DEADLINES
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Trinity Square Video is a not-for-profit artist run centre
dedicated to the presentation of contemporary video-based work.
We are interested in showing work that stretches video beyond
the single channel projected image and shows how adaptable video
is to various uses. We are encouraging work that is socially,
critically, and technologically engaging. The intention is not
only to occupy the gallery space, but also to activate it. The
gallery is outfitted with a variety of tools for the presentation
of video. TSV pays artist fees and will assist in the promotion
of the show via mailouts, flyer and poster distribution, and email
broadcasts. Exhibitions will last approximately 4 weeks. TSV encourages
submissions from video-based artists and curators. Proposals for
one night screening events are also welcomed. Decisions will be
made by TSV’s Programming Committee.
Submission Requirements:
1. Written proposal
2. Curriculum Vitae
3. Artist's Statement
4. Videotape of previous and/or proposed work. Videotapes must
be 1/2" VHS or DVD format. Videotapes/discs can be supplemented
with up to 10 slides. Slides must be labeled with your name, title
and date of the work, numbered and accompanied by a slide list.
Please mark each slide with a red dot in the lower left corner.
5. Self-addressed, stamped envelope for return of submission package.
Your support material will not be returned to you without a SASE.
If
you have any questions, please contact Aubrey Reeves, Programming
Director at aubrey@trinitysquarevideo.com
or 416.593.1332.
Please
send submissions to:
Trinity Square Video,
Aubrey Reeves, Programming Director
401 Richmond Street West, Suite 376, Toronto, ON M5V 3A8
DEADLINE:
November 15, 2007
Info: www.trinitysquarevideo.com
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| INTERNATIONAL
SYMPOSIUM ON ELECTRONIC ARTS 2008
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ISEA2008
- is seeking both peer- reviewed individual papers and panel presentations.
This year we are also encouraging artists who wish to share their
works with a broader audience of their peers to submit artist
presentations where they can speak about the specific aesthetic,
conceptual and technological aspects of their works. ISEA welcomes
contributions from creative practitioners and researchers from
a variety of disciplines and institutional contexts as media arts
benefits from and exemplifies the interdisciplinary linkages between
contemporary art, science, technology and their related philosophies,
pedagogies and institutional practices.
DEADLINE:
November 14, 2007
Info: www.isea2008.org/cfp.html
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| GALERIE
SAW GALLERY SUBMISSION CALL
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| (La
version française suivra.)
Galerie SAW Gallery Call for submissions
Exhibition: Leaving Deep Water
Curator: Minh Nguyen
Deadline: November 30, 2007
In“The
Site of Memory,”an essay written by the African American
writer Toni Morrison, water, as “flooding,” is linked
to the flow of cultural memory contained by images or pictures.
Viscerally, water is also considered a purifier in most religions
around the world, and is often believed to have spiritual powers.
Colourless, tasteless and odourless, this essential substance
of all forms of life is both an economic commodity and the source
of many sociopolitical contentions throughout historical ages.
To explore the expansive metaphorical nature of water, Galerie
SAW Gallery invites submissions from artists in Canada and the
US, emerging or established, and from culturally diverse communities.
The
submitted works must demonstrate a strong intention in exploring
the nature of water as a metaphorical element, a medium, a material,
a site, or combination thereof. Works in drawing, painting, sculpture,
printmaking, photography, mixed media, installation, media art
and Internet-based art will be considered. Proposals from performance
artists are also welcome. The exhibition is scheduled to take
place in the spring of 2008. All selected artists will receive
an exhibition fee.
Please
include: up to 10 images of your work (digital files, slides or
prints), an image list, a CV (max. 3 pages), an artist statement
(max. 300 words) and a self-addressed stamped envelope (if applicable).
Please do not send original artwork. Submissions can be sent through
regular mail or electronically. For digital images, please submit
jpg files only, at a resolution of 72 dpi and 500 KB maximum.
Title each file (image) with a number, your initials, the year
and title of your work
(for example: 01MN2007LeavingWater.jpg)
Please send
submissions to:
Minh Nguyen, Curatorial Resident
Galerie SAW Gallery
67 Nicholas Street, Ottawa ON
Canada K1N 7B9
sawresident@artengine.ca
For
more information on Galerie SAW Gallery, please consult our website
www.galeriesawgallery.com.
This project
is supported by the Canada Council for the Arts.
---
Galerie SAW Gallery
Appel de dossiers
Exposition : Partir des eaux profondes
Commissaire : Minh Nguyen
Date limite : Le 30 novembre 2007
Dans
son essai « The Site of Memory », l'auteure afro-américaine
Toni Morrison tisse un lien entre l’eau – l’action
d’inonder – et
l'écoulement de la mémoire culturelle, laquelle
se manifeste en image et en représentation. Dans la plupart
des religions, l'eau occupe une fonction purificatrice et possède
une puissance spirituelle. Incolore, insipide et inodore, cet
élément indispensable à toutes formes de
vie est à la fois une denrée économique et
la source de maints conflits socio-politiques au cours de l’histoire.
Afin d’explorer le vaste champ métaphorique de l'eau,
la Galerie SAW Gallery invite les artistes, établis ou
en début de carrière, en provenance de communautés
diverses, et installés au Canada ou aux États-Unis,
à soumettre un dossier.
Les
œuvres soumises doivent clairement démontrer l'intention
d’explorer la valeur métaphorique de l'eau en tant
qu’élément, médium, matériel,
site, ou combinaison de ces dimensions. Les dessins, peintures,
sculptures, estampes, photographies, installations et œuvres
médiatiques, multimédia et nouveaux médias
seront considérés. Les propositions d’artistes
de performance sont également bienvenues.
L'exposition se tiendra au printemps 2008, et les artistes choisis
recevront des honoraires d'exposition.
Le
dossier soumis doit comprendre : un maximum de 10 images de votre
travail (fichiers numériques, diapositives ou copies couleur),
une liste d'images, un CV (3 pages maximum), une démarche
artistique (300 mots maximum), une enveloppe pré-affranchie
(s'il y a lieu). Veuillez ne pas envoyer d’œuvres originales.
Les soumissions peuvent être envoyées par poste régulière
ou par voie électronique. Pour les fichiers numériques,
veuillez soumettre vos images en format .jpg seulement, à
une résolution de 72 dpi et d’une taille maximale
de 500 KB. Intitulez chaque fichier (image) avec un chiffre, vos
initiales, l'année et le titre de votre
travail (par exemple : 01MN2007Eau.jpg).
Veuillez faire
parvenir votre dossier à :
Minh Nguyen, Commissaire en résidence
Galerie SAW Gallery
67, rue Nicholas
Ottawa (Ontario)
Canada K1N 7B9
sawresident@artengine.ca.
Pour
de plus amples renseignements sur la Galerie SAW Gallery, veuillez
consulter notre site web : www.galeriesawgallery.com.
Ce projet
est appuyé par le Conseil des Arts du Canada.
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| UPCOMING
FESTIVAL DEADLINES
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9th ANNUAL DAWSON CITY INTERNATIONAL SHORT FILM FESTIVAL
Application Deadline: December 14, 2007.
Info: http://www.dawsonfilmfest.com/submissions.html
Espace
Vidéographe Programming 2008-2009 (Montreal)
Espace Vidéographe, the programming division of Vidéographe,
invites artists, curators, art centres and galleries to submit
proposals for video art programs and media-arts exhibitions. Every
year Espace Vidéographe presents between seven and nine
activities (five to seven programs, one or two exhibitions), in
different venues, and in partnership with other cultural organizations.
Since its founding in 1998, Espace Vidéographe has been
devoted to promoting and exhibiting video art in its various forms
and through its relationships with other artistic disciplines.
Projects can be submitted once a year and are reviewed by a programming
committee. We welcome proposals from emerging curators and artists
as well as established ones. We encourage proposals that provoke
thought on the language of video and its modes of representation,
encourage debate, and promote exchanges between different media-arts
practices and between local and international production. Please
note that projects submitted previously may not be resubmitted
unless the artist is invited to do so. Programming proposals must
include the bulk of the works selected (with supporting visual
documentation).
DEADLINE: December 7, 2007
Info: www.videographe.qc.ca/html/programmation/details.php?item=communique&type=5&id=41
2008 Images Festival Call for Guest Curators (Toronto)
The Images Festival has an ongoing open policy of reviewing curatorial
proposals from the public and this year we invite curators to
submit exhibition proposals for our 21st Festival, April 3-12,
2008. Images is the largest festival in Canada for independent
media, showcasing international excellence and innovation both
on and off the screen. From Super-8 and hand-tinted celluloid
to DV, performance and interactive work, we go out of our way
and over the edge to provide Toronto with an annual extravaganza
of image making. Though the call has a final deadline of November
9, 2007, those interested are encouraged to send in proposals
early, especially if their projects involve performance, new media,
or installation components.
DEADLINE: November 9, 2007
Info: www.imagesfestival.com/call.php?id=10
Submission of projects to Spirafilm (Québec)
Spirafilm welcomes short, medium and feature length independent
projects from all types (fiction, experimental, documentary) and
format (film, video).
DEADLINE: November 15, 2007
Info: www.meduse.org/spirafilm/quoineuf.html
Emerging creation video cinema - 4th edition (France)
in relation to emerging creation programme of the International
festival of audiovisual programs - FIPA - of Biarritz. Always
attentive with the emergence of new talents, with the new expressions
creating by the crossing of the worlds of the cinema, of the video
and the emerging creation, mapXXL proposes a tender for applications
for the fourth edition of “emerging creation video cinema
2007”. Whether works of fiction, creative documents, animation,
dance videos or video art, all forms of expression are invited
to participate in this selection whose mission is to give a comprehensive
overview of this trend, created by a young generation of artists
participating in the rise of new expressions. Two selections will
be presented, the first one with videos lasting 30 seconds to
12 minutes, the second one with videos lasting 12 to 24 minutes.
They must be sent in high definition format in DVD. The selected
videos will be presented as part of a section of emerging creation
in the Fipa in Biarritz between January 22nd and 27th 2008.
DEADLINE: November 23, 2007
Info: www.art4eu.net
16th Annual $100 Film Festival (Calgary)
The CSIF $100 Film Festival encourages new & experienced filmmakers
to exhibit their short films. With an emphasis on screening Super
8 and 16mm film, the $100 Film Festival is a unique festival that
attracts filmmakers from around the world. The Festival provides
audiences with an eclectic mix of drama, animation, comedy and
experimental films, and remains one of the few venues where first-time
filmmakers to exhibit their work. The $100 Film Festival is committed
to paying artist fees as well as cash awards for the various categories
of the films submitted. A panel of selected artists and community
members choose all awards except for the Audience Favorite. The
festival receives submissions from Calgary, across Canada, and
internationally, especially in Europe where the tradition of Super
8 filmmaking is still quite strong. The festival draws over 1000
filmgoers each year, advancing CSIF's mandate of exhibiting filmmakers
work to audiences. Eligibility: 16mm or Super 8 film under 22
minutes; must be able to provide 16mm or Super 8 print for Festival
exhibition; official release date after December 1, 2005; accepted
Audio Formats: 16mm with optical sound, Super 8 mag. stripe, properly
synced CD. Please contact the festival for more details regarding
your submission.
DEADLINE: December 1, 2007
Info: festival@csif.org
- www.csif.org
Tampere Film Festival 2008 (Finland)
Tampere 38th International Short Film Festival takes place in
March 5-9, 2008. Besides the International and Finnish Short Film
competitions the festival screens a wide variety of film. In 2008
the special themes focus on Palestine, South Korea and Russia.
The Canon of Short Film continues to present the best short films
of all times. Videotivoli is our event for films made by kids
for kids. The festival is also bursting with seminars, exhibitions,
concerts and club nights.
DEADLINE: December 1, 2007
Info: www.tamperefilmfestival.fi
Available Light Film Festival (Whitehorse)
The Available Light Film Festival, hosted by Yukon Film Society,
is accepting feature drama and documentary film and media art
works produced after Jan 1, 2006 and over 45 minutes in length.
There is no submission fee. Preview tapes and DVD's will not be
returned unless a SASE is included. Projection formats: 35mm,
16mm, Beta SP, HDCAM, DVCAM or mini-dv. All video formats NTSC.
Accepted films are paid an artist fee or the fee set by the distributor.
ALFF submissions: 4137 C 4th Avenue Whitehorse, YT Y1A 1H8.
DEADLINE: December 31, 2007
Info: alff@yukonfilmsociety.com
- www.yukonfilmsociety.com/alff/alff.html
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EMPLOYMENT
OPPORTUNITIES
DAIMON
CULTURAL
HUMAN RESOURCES COUNCIL
INSIDE
OUT
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Offres d’emploi : un technicien en art médiatique
et
un technicien en infographie et en impression numérique
DAÏMÕN
favorise la recherche, l’expérimentation et la production
dans les domaines des arts médiatiques et de la photographie.
Les programmes de création qu’il offre et les projets
spéciaux qu’il développe encouragent la réflexion
sur les questionnements et les enjeux des pratiques de l'image,
de l'art médiatique et de leurs interfaces.
Sous
l'autorité du directeur général, les tiltulaires
doivent assurer le soutien, l’encadrement et les services
techniques pour la production des membres et pour les programmes
de création, les activités de diffusion et les projets
spéciaux du Centre.
Technicien en art médiatique
Le
titulaire doit assurer les services pour la production en vidéo
et en nouveaux médias, le montage audio et vidéo
numériques, la prise de vue et de son, l'éclairage.
Il est également responsable du service de copies vidéo,
de brûlage de DVD et du service de location des équipements
et des salles de production.
Qualifications
et compétences recherchées :
- formation en multimédias ou expérience dans le
milieu
- expérience de travail avec des artistes et en soutien
technique
- bonne maîtrise des logiciels Final Cut Pro, DVD Studio
Pro et la suite de Final Cut Studio
- bonne connaissance des tendances actuelles en production nouveaux
médias
- bonne connaissance technique dans le domaine
- bonne connaissance de l’environnement Macintosh
- bonne capacité pour apprendre et à partager ses
connaissances
- bonne capacité à communiquer en français
et en anglais
- capacité à travailler sous pression
Atouts
:
- bonne connaissance des logiciels After Effect, Pro Tools LE
et des logiciels
de programmation en temps réel Max/Msp ou Pure Data
- polyvalence et maîtrise tous les secteurs de la production
- manifester une aptitude pour la création
Poste
de 3 ou 4 jours par semaine. Salaire entre 15 et 17 $ de l’heure.
Technicien en infographie et en impression numérique
Le
titulaire doit assurer les services pour l'infographie, le web
et l'impression d'images numériques avec une imprimante
Epson Stylus 9600 Pro, 7 couleurs, encre ultrachrome, 44 pouces
de large.
Qualifications
et compétences recherchées :
- formation pertinente dans le domaine ou expérience dans
le milieu
- expérience de travail avec des artistes et en soutien
technique
- bonne maîtrise des logiciels Photoshop, Illustrator, Quark
Express, Dreamweaver et Flash MX
- connaissance des principes et des techniques de calibration
de couleurs
- bonne connaissance de l’environnement Macintosh et Windows
- bonne capacité pour apprendre et partager ses connaissances
- bonne capacité à travailler sous pression
- bonne capacité à communiquer en français
et en anglais
Atouts
:
- avoir déjà travaillé avec une imprimante
numérique de moyen ou de grand format
- connaître les équipements et les procédés
de développement de photographie argentique
- manifester une aptitude pour la création
Poste
de 1 ou 2 jours par semaine. Salaire de 15 à 17 $ de l’heure.
______________________________________________________________________
Faire
parvenir votre c.v. et une lettre d’intention par courriel
ou par télécopieur
au plus tard le 23 novembre 2007 à Normand
Rivest au Centre de production DAÏMÕN, 78, rue Hanson,
Gatineau (Qc) J8Y 3M5.
Télécopieur : 819·770·0481
Courriel : info@daimon.qc.ca
Seul
les candidats retenus seront contactés. Les entrevues auront
lieu entre le 3 et le 7 décembre 2007. L’entrée
en fonction est prévue pour le 7 janvier 2008.
Une
personne pourrait, si elle a assez d’expérience et
de bonnes compétences dans les deux domaines, combiner
les deux pour avoir un emploi à temps plein à 35
heures par semaine.
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| CULTURAL
HUMAN RESOURCES COUNCIL
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The Cultural Human Resources Council is seeking to hire aconsultant
on a contractual basis to develop course content and a teacher’s
guide on Setting up a New Media business.
Submission Deadline: The proposal must be received by 4 p.m. (EST)
on November
16, 2007. Proposals received after this time will be returned
to the sender unopened.
Project Budget: The budget range proposed for this project is
$20,000.
Project Timeline: November 26, 2007 to March 20, 2008.
Please
see attached Request for Proposals.
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Development Coordinator [Inside Out]
Poised for a period of growth and change, Inside Out is seeking
a talented and enthusiastic individual to join our dynamic team.
Founded in 1991, Inside Out is a not-for-profit registered charity
that exists to challenge attitudes and change lives through the
promotion, production and exhibition of film and video by and
about lesbian, gay, bisexual and trans (LGBT) persons of all ages,
races and abilities. Each May, Inside Out presents the Toronto
Lesbian and Gay Film and Video Festival, Canada's largest LGBT
media arts festival and the third largest in the world. The successful
candidate will be responsible for the development and maintenance
of strong relationships with Inside Out donors and other community
supporters through the administration of the organisation’s
Membership and Annual Giving programs. The candidate will work
closely with the Executive Director and the volunteer Fundraising
Committee in the development and implementation of special projects
and initiatives in
order to fulfill the organisation’s fundraising objectives.
DEADLINE: November 13, 2007
Info: www.insideout.on.ca/current2007/pdf/development.pdf
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SCREENINGS
AND EVENTS
DIVERGENCE
MOVIE NIGHT
AVAILABLE
LIGHT SCREENING
DRUNKEN
MASTER REVUE SCREENING: LICENCE TO STEAL
EMBARGO
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DIVERGENCE
TRIPLE BILL SCREENING
Tue Nov 13, 2007
7:30pm - 9:30pm
CLUB
SAW, 67 Nicholas St.
Divergence Movie Night presents a triple bill:
Voguing:
The Message / Legacy / A Different Kind Of Black Man
Voguing:
The Message traces the roots of this gay, Black and Latino dance
form, which appropriates and plays with poses and images from
mainstream fashion. This 1988 movie is a pre-Madonna primer that
raises questions about race, sex and subcultural style.
Legacy is a sumptuous exploration of the legacy of slavery on
mother/daughter relationships in African Caribbean culture. The
daughter describes her mother's understanding when she spoke of
her sexuality. A Different Kind Of Black Man is a powerful look
at the ideas and feelings of black gay men on issues such as sexuality,
masculinity and their perception of and their role within the
black community.
Doors
7pm, movie 7:30pm at Club SAW, 67 Nicholas Free admission, $5
suggested donation.
flyer: http://divergencemovienight.com
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| AVAILABLE
LIGHT SCREENING
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Available
Light Screening Collective Presents
BURIED
TREASURES OF THE CFMDC
PROGRAM TWO -- Thursday November 15 2007
Club SAW, 67 Nicholas St., Ottawa ON
7:30 PM, Pay-what-you-can
Available Light Screening Collective presents BURIED TREASURES
OF THE CFMDC, three evenings of rarely seen 16mm classics from
the Canadian Filmmakers Distribution Centre (CFMDC). Curated and
with an introduction by Rick Hancox.
This series presents together for the first time some of the best
short 16mm films deposited with the Canadian Filmmakers Distribution
Center (CFMDC) during its early years. The CFMDC is Canada's foremost
non-commercial distributor and resource for independently produced
film. Based in Toronto, the CFMDC was founded in 1967 by a group
of visionary filmmakers with the goal of increasing distribution
opportunities, audiences, and visibility for artists and independent
film.
Some of the filmmakers in BURIED TREASURES are well known, others
less so. But what these narrative, documentary, and experimental
films have in common is their bold creativity and independent
spirit. Some films have gained more exposure than others, but
most have never received the recognition they deserve. All of
them (with the exception of Harriet Pacaud's Bank Street, showing
in Program Three) are still available from the CFMDC, yet have
remained overlooked or else largely been forgotten. Diminishing
16mm film projection has only added to their relative obscurity
-- and value.
Available Light Screening Collective is proud to be able to present
these short film treasures in their original 16mm formats, for
one night only.
Program
2: all on 16mm film
Second
Impressions (Lorne Marin, 1975, 9mins)
Young Street (Jim Anderson, 1972, 7mins)
Cream Soda (Holly Dale & Janis Cole, 1976, 13mins)
Breakfast (Table Top Dolly) (Michael Snow, 1972/76 15mins)
How Hell are you? (Veronika Soul, 1972, 12mins)
Canada Mini-Notes (Jim Anderson, 1975, 15mins)
Dolly Cake (Mike Jones, 1976, 20mins)
Available
Light Screening Collective is an Ottawa-based volunteer group
committed to the curated presentation of experimental film and
video art for local audiences. Its current members are: James
Missen, Linda Norstrom, Theo Pelmus, Christopher Rhode, Phil Rose,
and Sylvie Wisniewski. For further information about Available
Light and the BURIED TREASURES series, please contact availablelightcollective@gmail.com
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| DRUNKEN
MASTER REVUE SCREENING: LICENCE TO STEAL
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Drunken
Master Revue Screening
Sat November 24, 2007
11:00pm
Saturday
Night Sinema brings you non-stop action with "Licence to
Steal" a 1990 Asian action film starring former Miss Hong
Kong Joyce Godenzi and produced by her husband, action legend
Sammo Hung.
Godenzi plays
an acrobat/thief who's out to take revenge against her ex-partner
who made her take the fall and go to prison on their last job
together. Two bumbling cops follow her trail before they learn
who the real villian is.
Also starring
Richard Ng and Yuen Biao.
PRESENTED
IN 35mm COLOUR
Playing
one night only at the Mayfair Theatre, Saturday Nov. 24th at 11pm.
Tickets are just $5.00 The Mayfair Theatre is at 1074 bank St.
(Sunnyside and Bank)
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(Please
scroll down for English message)
« APRÈS-PREMIÈRE!!!
»
EMBARGO
(version sous-titrée en anglais pour l’occasion)
Court-métrage
dramatique (23 mins)
de Jocelyn
Forgues
mettant en
vedette Michael Mancini • Nicole Blundell • Guy Thibodeau
• Tori Hammond • Barry Blake • Anthony D’Ambrosio
• Annick Léger
photographie Michael Tien
montage Paul Huppé
musique Marcel Aymar
auteur & réalisateur Jocelyn Forgues
dir. artistique Suzanne Richard
le jeudi 15
novembre à partir de 19h30 au gymnase de l’école
La Source de Moose Creek (Ontario) 17095, chemin McLean
Pop-Corn &
Boissons non-alcoolisées – 19h30
Remerciements et visionnement – 20h00
Un don de
5,00$ par personne sera grandement apprécié pour
la levée de fond pour la cour de l’école.
Venez rencontrer
les artistes et les artisans du film qui fut tourné en
grande partie à Moose Creek et Maxville (Ontario).
AVERTISSEMENT
: CERTAINES SCÈNES PEUVENT NE PAS CONVENIR À UN
JEUNE PUBLIC.
********************************************************************************************************************
“GRANDE
PREMIERE!!!”
EMBARGO
French short fiction film (23 mins) with English subtitles
by Jocelyn
Forgues
starring Michael
Mancini • Nicole Blundell • Guy Thibodeau •
Tori Hammond • Barry Blake • Anthony D’Ambrosio
• Annick Léger
photography Michael Tien
editing Paul Huppé
music Marcel Aymar
writer-director Jocelyn Forgues
artistic director Suzanne Richard
Thursday,
November 15, 7:30 pm - La Source school gymnasium in Moose Creek
(Ontario) - 17095, McLean road
Pop-Corn &
soft-drinks – 7:30 pm
Screening – 8:00 pm
A $5 donation
per person will greatly be appreciated for our schoolyard fundraiser.
Come meet
the cast and crew of this short film made for French CBC television
and shot mostly in Moose Creek and Maxville (Ontario).
WARNING:
MATURE SUBJECT MATTER. NOT INTENDED FOR A YOUNGER AUDIENCE.
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OTHER
CAO
PROFESSIONAL DEVELOPMENT COURSES
CSTC:
TAKING IT TO THE SCREEN 2007
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| CAO
PROFESSIONAL DEVELOPMENT COURSES
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CARFAC
Ontario, in partnership with The Council for the Arts in Ottawa
present:
Grant
and Proposal Writing for Artists - Starts November 13,
2007.
Financial Management for Artists - Starts January 10,
2008.
Grant and Proposal Writing for Artists
Instructor: Pat Durr
Dates: Tuesdays November 13, 20 and 27, 6:30 to 8:30 pm
Location: Meeting Room of the Ottawa Public Library, Main Branch,
at 120 Metcalfe Street
Course
overview:
This course will be interactive and concentrate on the skills
necessary to write a successful grant application. Examples of
artist statements and CVs will be examined and discussed. Effective
writing and editing skills; the importance of quality documentation;
adherence to application requirements; how to choose your best
images; and common mistakes will all be covered. Attendees will
have the opportunity to draft or rewrite their artist statements.
Time permitting, there will be a critique of visual images for
common presentation problems. This class concludes shortly before
the December deadline for OAC's Visual Arts: Emerging grants and
the Canada Council's Assistance to Visual Artists: Project Grants,
and is a great opportunity to perfect your application!
Topics
covered:
Writing
and editing basics
Artist statements
The jury process
Documentation
Proposal writing
Common mistakes
Required text: Information for Artists, CARFAC Ontario, 2005 (available
from CARFAC Ontario)
Pat
Durr is an Ottawa-based visual artist, writer, teacher and consultant
in the visual arts. For over 30 years she has exhibited across
Canada and the United States. Her works are found in public and
private collections throughout Canada, the United States, Israel
and England. During her career she has received grants from the
Canada Council, the Ontario Arts Council, and the City of Ottawa.
She has been the National Representative and Chair of the Board
of CARFAC National and is a recipient of the Canadian Conference
of the Arts Keith Kelly Award for Cultural Leadership.
Financial
Management for Artists
Instructor: Julia Stanley
Dates: Thursdays, January 10, 17, 24 from 6:30 to 8:30 pm
Location: Meeting Room of the Ottawa Public Library, Main Branch,
at 120 Metcalfe Street
Course
overview:
In this course you will learn: simple record keeping techniques,
how to create a budget and cash flow systems, how to apply for
PST and GST numbers, art donation particulars, inventory tracking,
what are and are not eligible business expenses, basics of taxation.
This course is designed for artists who want to be more in control
of the business side of managing their art careers. If you do
your own taxes, have someone else do your taxes, donate art work
to charities, write off business expenses and have a PST or GST
number or want to apply for one, then this course is a must.
Topics
covered:
PST
and GST registration and reporting
Eligible business expenses
Record keeping, simple tips for keeping organized
Budgets and cash flow maintenance
Art donations
Inventory
Taxation
Required text: Information for Artists, CARFAC Ontario, 2005 (available
from CARFAC Ontario)
Julia Stanley is a supervisor with Ginsberg Gluzman Fage &
Levitz, LLP, where she works with not-for-profit organizations
and small businesses. She obtained her Chartered Accountancy designation
in 2004. She is also the Treasurer for the Council for the Arts
in Ottawa and the Nepean Concert Band, in which she plays the
flute.
PLEASE
NOTE: CARFAC Ontario reserves the right to cancel classes due
to insufficient enrollment. Refunds will be issued in the event
of cancellations. No refund will be issued after the first class.
All classes will be held in the Meeting Room of the Ottawa Public
Library, Main Branch, at 120 Metcalfe Street, Ottawa ON K1P 5M2.
To receive the member rate, your CARFAC Ontario membership must
be valid at the time of payment. No refunds will be given after
the first class in any series. No discounts will be given if you
can not attend all classes in a series. Books will be distributed
during class.
Prices:
Members: $80 (+GST)
Non-Members: $100 (+GST)
To
Register:
Visit: www.carfacontario.ca,
or contact CARFAC Ontario at the coordinates below. Download an
online registration form.
CARFAC
Ontario
401 Richmond Street West, Suite 440
Toronto, Ontario M5V 3A8
web address: www.carfacontario.ca
email: carfacontario@carfacontario.ca
phone number: 416-340-8850
fax number: 416-340-7653
toll free: 1-877-890-8850
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| CSTC:
TAKING IT TO THE SCREEN 2007
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The
Canadian Screen Training Centre presents
TAKING
IT TO THE SCREEN 2007
producing :: documentary :: directing :: post-production :: screenwriting
:: acting
Ottawa workshops in English and French - November and December
http://www.cstc.ca/taking
TAKING
IT TO THE SCREEN 2007's weekend workshops will feature some of
Canada's top film and television professionals. This is your chance
to take your skills to the next level and succeed in the industry.
PRODUCING
IN THE DIGITAL AGE - CHRIS KNIGHT - Dec. 1 - 2
Chris Knight, prolific producer of popular HGTV and Food Network
series such as License to Grill and The Junk Brothers, provides
a complete overview of
the independent producer's role, with special attention to the
digital opportunities now available to producers: webisodes, podcasts,
mobile content and more.
THE
DOCUMENTARY LENS - SHEILA PETZOLD - Dec. 8 - 9
Refine your documentary idea and develop your pitch under the
guidance of the Gemini Award-winning creator of On the Road Again,
Road Movies and
Almost Home: A Sayisi Dene Journey.
THE
COMPLETE DV FILMMAKER - CHRIS MULLINGTON
The Complete DV Filmmaker: Gemini winner Chris Mullington, known
for his groundbreaking broadcast work on This Hour Has 22 Minutes,
The Health Show,
The Tom Green Show, among many others, guides each participant
though the directing, shooting, and editing of a short DV project,
in this special
two-part workshop:
- Part I: Production - From concept to camera. Jan. 19 - 20
- Part II: Post-Production - From footage to film. Jan. 26 - 27
ACTING
FOR THE CAMERA - BARRY BLAKE - Nov. 23 - 25
A chance for beginners to learn the art, the craft and the business
of acting through on-camera exercises and group discussion, led
by a veteran Canadian actor with countless film and television
credits.
NOS
ATELIERS EN FRANCAIS:
LA
PRODUCTION - MICHEL OUELLETTE - 24 & 25 nov.
L'avantage de l'initié: Avec son documentaire Entre les
mains de Michel Tremblay comme étude de cas, le producteur
montréalais Michel Ouellette
(Musique de chambre, Mary Shelley, The Favourite Game) guidera
les participants à travers toutes les étapes de
la production.
LA
SCÉNARISATION - JEFFERSON LEWIS - 1 & 2 dec.
Écriture de scénarios: Apprenez la structures de
base en 3 actes et accomplissez des exercices d'écriture
qui vous aideront à developer votre talent de scénariste,
avec Jefferson Lewis, scénariste de Les Noces de Papier,
Democracy on Trial: The Morgentaler Affair, Mon Amie Max, Ordinary
Magic et, à sortir bientôt, Emotional Arithmetic
(avec Roy Dupuis, Susan Sarandon, Gabriel Byrne, Max von Sydow
et Christopher Plummer).
For full workshop descriptions, cost, locations and times, or
to REGISTER ONLINE, please visit our website: www.cstc.ca/taking
Or call us at 613-789-4720
Workshops
are small and fill quickly - don't wait to register!
*** Register and pay by NOVEMBER 8 to receive the EARLY BIRD DISCOUNT
***
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About the CSTC: Founded in 1981 and funded in part through Canadian
Heritage and Telefilm Canada, the CANADIAN SCREEN TRAINING CENTRE
is Canada's first national film and television training school.
CSTC's flagship program, the Ottawa-based SUMMER INSTITUTE OF
FILM AND TELEVISION (SIFT), is a well-recognized leader in the
training of screen professionals.
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SAW Video receives financial support from the Canada Council for the Arts,
the Ontario Arts Council, the City of Ottawa, and the Community Foundation of Ottawa.
Many thanks too, to our corporate sponsors:
Ntegrating Solutions and to our artist-members.
SAW Video
67
Nicholas Street
Ottawa, ON, Canada
K1N 7B9
East of the Rideau
Centre in Arts Court (which is at 2 Daly Ave).
T: (613) 238.7648
F:
(613) 564.4428
www.sawvideo.com |
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