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SAW Video Newsletter for !*FIRST_NAME*! !*LAST_NAME*!
SAW Video News:
SAW
VIDEO JUMPSTART GRANT
UPCOMING
WORKSHOPS
Also in this issue:
UPCOMING
FESTIVAL DEADLINES
CALLS
FOR SUBMISSION
EMPLOYMENT
OPPORTUNITIES
SCREENINGS
AND EVENTS
SAW VIDEO NEWS:
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Deadline Friday February 29th, 2008 Please click here for more information
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| Sound Editing for Video Sat
February 9th, 2008 If your video has sound, you will need to mix it. This full day intensive session will introduce you to the basic concepts of sound mixing and teach you what to listen for, how to balance dialogue, music and sound effects, and how to correct some of the most common problems that leave you with bad audio. The workshop will focus on audio within non-linear editing programs, including navigating and using built in audio tools, getting the final mix you want and producing proper levels for exporting to other applications as well as for a final output. You will also learn about importing audio in to sound editing programs such as Adobe Audition or Soundtrack and will include editing audio files, building a multitracked audio environment and more advanced techniques for cleaning up background noise. Learn how to get the most out of, your sound for the benefit of you video. An essential workshop for all those who have ears! This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability. Workshop is limited to 4 participants. Deadline for Registration is Monday February 4th, 2007 Register for both Sound Recording for Video and Sound Editing for Video at the same time and members pay only $100 for both workshops. Non members pay $85 for the first workshop and receive the 2nd workshop at the discounted price of $50. Instructor: Chris Ikonomopoulos Chris Ikonomopoulos has been active at SAW since late 2000 with freelance experience in production and post production sound. Along with video and film related audio Chris also engineers, records and mixes full bands, composes music and audioscapes, has recorded in numerous studios around Ottawa and has been programming radio shows at CKCU FM since 1998. Members
$60.00 --------------------------------- 2-Day
Introduction to Video Production On the first day of the workshop, participants will receive basic instruction on SAW Video's prime 3-chip HDV and Mini DV cameras -- such as the, Sony Z1U and V1U and the Panasonic AG-DVX100. Participants will be introduced to three point lighting and dealing with power on location. A variety of mics will be used and their applications will be discussed. Day two of the workshop provides the added opportunity for more hands on time and instruction. Shooting exercises will be indoors and outdoors (weather permitting) simulating varying conditions and situations. WORKSHOP LIMITED TO 6 PARTICIPANTS Deadline for registration is Monday February 18th, 2007 Instructor: Jacob Hanna Members
$125.00
2
day-Introduction to Final Cut Pro Sun
February 24th, 2008 Learn the basics of FCP from A to apple Z! This 2 day course will cover all steps of the process from setting up a project and capturing from a dv device, to using the timeline based interface, and outputting back to dv. Day 1 of the workshop will focus on a complete overveiw of the FCP software demonstrated by the instructor. Day 2 of the workshop will be hands on for all participants to practice editing a brief sequence under the supervision of the instructor. This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability. Workshop is limited to 6 participants. On day 2 participants will be seated in pairs at each editing workstation. Deadline for registration is Monday February 18th, 2008 Instructor: Ryan Stec Ryan Stec is an artist and curator who's work deals with the idea of plurality in audiences experience of media. He started the Remix project(artengine.ca/remix) in 2002 with co-curator Anne Clarke, and it has become a popular local commissioning program producing over 30 new works from local video artists. He has also recently completed a residency at Platform Gallery (www.platform.fi) in Vaasa, Finland where he curated a program of nordic media art which was presented as a performance where the work was remixed in a live context. Members
$125.00
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10th
Annual Prairie Tales Media Arts Tour Send
+ Receive (Winnipeg) Vitesse
Lumière Festival (Quebec City) PRIM's 5-10-15 Short Fiction Program This program is dedicated to short fiction projects. Three projects will be selected for their artistic merit by a jury composed of peers. The final project must be below 30 minutes. The selected artists will have access to PRIM's platform at a discounted rate: Avid Media Composer $5/h, Avid Symphony (OFFLINE) $10/h, Avid Symphony (ONLINE) $15/h, and Sound Studio $10/h. DEADLINE: February 4, 2008 Info:
www.primcentre.org 2008 Doc Lab The Doc Lab, Hot Doc's highly successful master class programme, provides filmmakers in need of creative refueling a chance to connect with leading creative professionals from the documentary world through intimate and focused discussions pertinent to their craft and projects. Taking place during the Festival, the participants are guided through a curated programme of meetings, screenings, conference sessions and other activities, including observing the Toronto Documentary Forum. The Doc Lab is for early to mid-career filmmakers who wish to workshop a specific idea, develop new skills or address a creative need. To be eligible you must have at least one television broadcast or theatrical release credit as a director or writer. DEADLINE: February 8, 2008 Info: www.hotdocs.ca
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PAN-AFRICAN
INTERNATIONAL FILM FESTIVAL
SKIP
CITY INTERNATIONAL FESTIVAL (JAPAN)
GATEWAY
FUND
CANADIAN
INDEPENDENT FILM AND VIDEO FUND
CALGARY
INTERNATIONAL FILM FESTIVAL
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Le Festival de cinéma de Vues d’Afrique est à la recherche d’œuvres cinématographiques et vidéo ainsi que des modules réalisés pour des supports de diffusion numérique. Des œuvres de cinéastes canadien(ne)s indépendant(e)s travaillant sur les thèmes de l’Afrique, des Caraïbes, de l’immigration africaine ou des Diasporas afro canadiennes ainsi que de cinéastes canadien(ne)s indépendant(e)s d’origine africaine ou créole. La section REGARDS D’ICI du festival est entièrement dédiée aux œuvres canadiennes indépendantes. Les formats longs métrages, courts métrages, documentaires et films d’animation peuvent y participer. Que votre film soit achevé ou en cours de production, veuillez prendre contact avec nous ou nous faire parvenir le formulaire d’inscription avant le 31 janvier 2008. Formulaire disponible sur le www.vuesdafrique.org/telechargements/ Coordination
Festival DATE LIMITE:
31 janvier 2008
The REGARDS D’ICI competition category is entirely devoted to Independent Canadian films. Feature length, short films, documentaries and film animation are all eligible to enter. To fill the entry form, go to: www.vuesdafrique.org/telechargements/ or contact DEADLINE:
January 31, 2008
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The SKIP CITY INTERNATIONAL D-Cinema FESTIVAL is designed to discover and reward the next generation of digital filmmakers, which is being held annually with its theme being Digital Cinema (D-Cinema). We have gladly accepted 761 entries from 69 countries and regions in the 2007 festival. Now we call for feature (International) and short (Domestic) length works that have been shot and edited digitally. Deadline is March 10th 2008 (Should be reached by). The cash awards will be up to USD150,000 and all nominated works will be projected by 4K projector. SKIP CITY INTERNATIONAL D-Cinema FESTIVAL 2008 Official Website: http://www.skipcity-dcf.jp/en/ |
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The primary objectives of the Gateway Fund are to: Increase
the amount of quality Canadian cultural content for the Internet; Projects will result in cultural content for the Internet by and about these communities that is well explained, engagingly interpreted, easy to explore and of interest to the Canadian general public. Emphasis will be placed on showcasing contemporary forms of cultural expression created for the enjoyment and appreciation of all Canadians. Content created through the Gateway Fund will be made available online free of charge to all Canadians with Internet access. In addition, all projects funded could be promoted, showcased and made accessible through various governmental means, including Culture.ca at http://www.culture.ca, the Department of Canadian Heritage's cultural portal. The deadline for the 2008-2009 Call for Proposals is Thursday, January 31, 2008 at midnight PST. For more information: http://www.canadianheritage.gc.ca/progs/pcce-ccop/progs/gateway_e.cfm
Appel
de propositions 2008-2009 : Fonds de la passerelle d'augmenter
la quantité de contenu culturel canadien de qualité pour
Internet; Ces projets permettront la production de contenu culturel pour Internet proposé par ces communautés et portant sur celles-ci. Le contenu sera bien expliqué, interprété de manière captivante, facile à consulter et intéressant pour le grand public canadien. L'accent sera mis sur la présentation d'expressions culturelles contemporaines créées pour le plaisir et l'appréciation de tous les Canadiens. Les Canadiens qui ont accès à Internet pourront accéder gratuitement au contenu créé par l'entremise du Fonds de la passerelle. De plus, les projets financés pourront être mis en valeur, présentés et rendus accessibles par l'intermédiaire de divers moyens gouvernementaux, notamment le portail culturel http://www.culture.ca du ministère du Patrimoine canadien. La date limite pour soumettre une demande de financement pour l'exercice financier 2008-2009 est jeudi le 31 janvier 2008 à 12 h 00 HNP. http://www.canadianheritage.gc.ca/progs/pcce-ccop/progs/gateway_f.cfm
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The CIFVF provides development, production and post production funding to independent filmmakers for educational, informational and documentary film and video projects. The CIFVF welcomes applications from new and emerging producers. Program criteria, guide and application forms are available on the CIFVF web site www.cifvf.ca or by calling 613-729-1900; Toll free: 1-888-386-5555 Since its inception, the CIFVF has funded 971 projects from all regions of Canada in both official languages for a total of $19.4 million covering a vast array of subjects and using a variety of formats, including documentary, docu-drama, drama and animation. |
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Films completed after January 2007 are now being accepted through the online submission process on the CIFF website, www.calgaryfilm.com, or via mail. The final deadline for submission is June 13, 2008, and final selection will occur by August 15, 2008. Films are selected on the basis of achievement in form and content and are programmed in the following sections: Canadian, International, Documentaries, Youth & Family, Shorts, Youth by Youth and annual Spotlight programs (2008 Spotlights TBA). CIFF is
a competitive festival and films invited to the 2008 Festival are automatically
considered for nomination in all appropriate awards, which are presented
in the following categories: Best Canadian First Feature, Best International
Feature, Best Canadian Documentary, Best International Documentary,
Best Canadian Short, the Alberta Centennial Award (for best first Alberta
short) and the American Express People’s Choice Award.
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EMPLOYMENT
OPPORTUNITIES
INDEPENDENT
MEDIA ARTS ALLIANCE
ODYSSEY
THEATRE
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JOB CALL DEADLINE:
Wednesday, February 20th, 2008
The Administrative Coordinator assists the National Director and the IMAA Board of Directors in the daily activities of the association. The Administrative Coordinator is primarily responsible for communicating with the membership and the general public, and assisting with office administration. This position involves the translation of all documents in both official languages and administrative support for the National Director and the Board of Directors as required. Please note that this position requires travel one to two times per year within Canada (travel costs paid by the IMAA). The Coordinator reports to the National Director. REQUIRED
SKILLS Assets: Grant writing experience, translation experience, film, video or new media production experience, experience working in the non-profit sector, administrative skills, graphic design and/or web programming skills. The IMAA is an equal opportunity employer and is firmly committed to actively assuring full participation in the organization and in access to its resources to all people, regardless of gender, race, language, sexual orientation, age or ability. To apply, please submit a cover letter, CV and three references by email to Jennifer Dorner, National Director, at dir@imaa.ca Or by
mail to: Only short listed candidates will be contacted.
OFFRE
D’EMPLOI DATE
LIMITE pour déposer une candidature: mercredi 20 février
2008 Fondée en 1981, l’AAMI est un organisme de services national à but non lucratif dans le domaine des arts, qui fait la promotion et défend les intérêts de la communauté des arts médiatiques. Représentant plus de 80 organisations indépendantes de production, distribution et diffusion en cinéma, vidéo et nouveaux médias, l’AAMI sert ainsi plus de 12 000 artistes indépendants et travailleurs culturels. Pour plus d’information sur l’AAMI, visitez [www.imaa.ca]. Le/la Coordonnateur/trice administratif/ive assiste la Direction nationale et le Conseil d’administration dans les activités quotidiennes de l’AAMI. Le/la Coordonnateur/trice est responsable des communications avec les membres et le public tout en assistant avec les tâches administratives. Il/elle est aussi responsable de la traduction de tous les textes officiels produits par l’AAMI, dans les deux langues officielles. Finalement, il/elle assiste la Direction nationale et le Conseil d’administration de l’AAMI, au besoin. Veuillez noter que ce poste implique de voyager (aux frais de l’AAMI) une ou deux fois par an dans d’autres régions du Canada. Le/la Coordonnateur/trice se rapporte à la Direction nationale. QUALITÉS
REQUISES Atouts : expérience en rédaction de demandes de bourses, traduction, en production film ou vidéo, expérience de travail dans le secteur culturel sans but lucratif, bon sens administratif, connaissances en design graphique et/ou en programmation web. L’AAMI est un employeur équitable et s’engage fermement à assurer la participation et l’accès aux ressources pour tous les individus, sans égard à leur sexe, orientation sexuelle, race, culture, langue, âge ou habileté. Veuillez envoyer votre curriculum vitae, une lettre d’intérêt de votre part ainsi que trois lettres de recommandation à Jennifer Dorner, Directrice nationale: dir@imaa.ca Par courier: Seulement les candidat(e)s retenu(e)s seront contacté(e)s.
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SATO
MAKOTO'S OUT OF PLACE: MEMORIES OF EDWARD SAID
DRUNKEN
MASTER REVUE PRESENTS: CAGED WOMEN
SHOWTIME
- IFCO WINTER GALA 2008
NORTHERN
FILM SERIES
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OUT
OF PLACE: MEMORIES OF EDWARD SAID 140
minutes/colour-b&w/2005 In the context of Orientalism & Ephemera, the Ottawa Art Gallery and the Canadian Film Institute are pleased to present Sato Makoto's compelling documentary Out of Place: Memories of Edward Said (2005). Borrowing its title from the author's 2000 memoir, Out of Place traces the life and work of Edward Said (1935-2003), the Palestinian-born intellectual who wrote widely on history, literature, music, philosophy and politics. Filmed in Palestine, Israel, Lebanon, Egypt, and the U.S., this feature-length documentary traces Said's childhood influences and celebrates his intellectual legacy, especially the importance of his work in literary criticism and postcolonial studies, his love of music, his role on the Palestinian National Council, and his troubled relationship with Yasser Arafat. This is a co-presentation of the Ottawa Art Gallery and the Canadian Film Institute. $
6.00 $
10.00 Information: The
Ottawa Art Gallery
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Ottawa, Friday, January 18th, 2008 - The Independent Filmmaker's Co-operative of Ottawa (IFCO) celebrates 16 years of 'reel' entertainment in the Nation's Capital. On Saturday, February 9th, 2008, IFCO invites the Ottawa public out for an evening of knock-out entertainment. It's an evening of celluloid (film) magic. 8 exciting new shorts will make their premiere to an audience in the auditorium of the National Library and Archives of Canada (395 Wellington Street @ Bay). Check out the filmmakers and their films: Eric
Asante presents: King This year's films are certain to stir up some interesting conversations. Come see for yourselves! Mix 'n' Mingle with the filmmakers at our after-mixer in the foyer of the National Library & Archives. Tickets are $12. Tickets can be purchased in advance at IFCO's office starting Friday, January 25th at (Ste.140 - 2 Daly Avenue), or the Arts Court front desk (2 Daly Avenue). You can also purchase tickets at the door. The screening starts at 7:00pm. When:
Saturday, February 9th, 2008 Where: National Library & Archives of Canada 395 Wellington Street @ Bay Street
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Northern Lights Trade Show (Ottawa Congress Centre) starting each day of the show (Jan 31st- Feb 2nd 2008), 12-6pm apprx. ATANARJUAT
THE FAST RUNNER BY DIRECTOR ZACHARIAS KUNUK WILL BE SCREENED AT THE
CINEMA IN THE MUSEUM OF CIVILIZATION ON SATURDAY NIGHT, FEB 2 at 5
pm TICKETS ARE FREE. For more info contact George Ritter by email at george@nunavutfilm.ca Films from Nunavut Atanarjuat
The Fast Runner Winner of the Camera d'or at the 2001 Cannes Film Festival, Directed by Zacharis Kunuk, Produced by Isuma Productions and the NFB. 2001,
172mins Isuma's second feature film is set in Igloolik in 1922-23 as the last Inuit shaman Avva and his family are converted from their traditional life and beliefs to Christianity. Produced by Isuma Productions 2006, 112mins Kiviuq Kiviuq is a legendary and heroic Inuk who has lived very long through many lives. He is a wanderer, and the adventures he has on his journeys vary according to the storyteller. This film follows the hero through many scenarios, including one of wellknown legend of an old woman who changes her grandson into a seal. The boy – as a seal – is forced to swim out to sea, and is followed by a group of hunters who intend to kill him. Before the hunters reach him, however, the old woman creates a storm and drowns everyone but the seal and Kiviuq. The seal swims safely back to shore, where the old woman turns him back into a boy. Kiviuq drifts away in his kayak continuing his adventures and living with people of many foreign lands. Kiviuq is a modern way to share and preserve the Kiviuq story-cycle stories as told by elders through oral tradition. This film is an adaptation of a live performance which adds an element of magic to the telling of these stories. 2007, 72mins Kikkik,
E1-472 During the 1950s' famine in the Canadian Arctic, Kikkik, an Inuk woman, killed a man in self-defense and then found herself having to leave two of her five children on the tundra. She was tried for murder and criminal negligence, and subsequently acquitted. Her daughter, Elisapee Karetak, who lives in Arviat, Nunavut, has spent many years tracing the events of her family's story. Elisapee's brothers and sisters as well as many members of the Inuit community who lived through the ordeal recount their memories. 2002, 48mins The Making of The Journals of Knud Rasmussen.: By Greenland filmmaker, Kenneth Rasmussen, behind the scenes mixing Igloolik Inuit, Greenlanders, Danish movie stars and French-Canadian technicians 50 miles out into the arctic Inuit Piqutingit (What Belongs to Inuit). A group of elders visits five southern museums to view the mostly hidden-away collections of priceless artefacts and clothing collected from their Inuit ancestors over the past two hundred years. Nunavut (Our Land), 13-part TV series recreating the fictional year 1945-46 in the life of Igloolik Inuit. Qimuksiq (Dog Team). Episode 1: Spring 1945. While imparting knowledge to the next generation, Inuaraq's family travels in the immense and beautiful arctic during spring. Avaja. Episode 2: Spring 1945. Inuaraq's family finally arrives at Avaja to a warm welcome. The priest invites them to come to church. Qarmaq (Stone House). Episode 3: Fall 1945. Grandmother remembers how to build a stone house in the old way. Tugaliak (Ice Porch). Episode 4: Fall 1945. News of the terrible world war raging outside makes people frightened and uneasy. Angiraq (Home). Episode 5: Fall 1945. The stone house is warm and comfortable. Men look for seals on the fresh ice, while women work at home. Auriaq (Seal Hunting). Episode 6: Spring 1946. season of never-ending days. Two dog teams searching the spring ice, men and boys hunting day and night. Qulangisi (Seal Pups). Episode 7: Spring 1946. A springtime delicacy, when pups come out on the ice, even small children and grandmothers can hunt. Avamuktulik
(Fish Swimming Back and Forth). Episode 8: Spring 1946. Inuaraq throws
his bones and finds the fish swimming back and forth. Qaisut (Polar Bear Island). Episode 10: Summer 1946. Children explore ruins of ancient times. Tuktuliaq (Caribou Hunt). Episode 11: Fall 1946. It's an early autumn and the weather is already getting colder. Unaaq (Harpoon). Episode 12: Winter 1946. Tea boils over seal lamps, children play on caribou skin beds. Qulitalik talks about the year gone past. Quviasukvik (Happy Day) Episode 13: Winter 1946. A month since the sun disappeared, Christmas is a strange mix of ritual, some from the old life, some from the new. Qaggiq (Gathering Place). A late-winter camp in the 1930's. Four families build a qaggiq, a large communal igloo, to celebrate the coming spring with games, singing and drum dancing. Nunaqpa (Going Inland). Summer, 1930's. Two families leave for the long walk inland to catch enough summer-fat caribou for the hard winter ahead. Saputi
(Fish Traps). As summer ends in the 1930's, three families build a
saputi to trap fish going upriver for the winter. Ajaina! (Almost) Igloolik Elders discuss their views and values: the role of Inuit and "Southern" forms of education, survival strategies (such as how to save a drowning victim), and the differences between camp and settlement life. Artcirq (Circus Group). Students from Montreal's National Circus School and local Inuit youth of Igloolik produce a unique circus performance which marries Inuit traditions with classic elements of the Big Top, using art to combat suicide and despair. Nipi (Voice). Rapid change in Nunavut has concentrated power, wealth and information in a few hands. Nipi asks Inuit politicians and elders to comment on fundamental questions of power and leadership and the real meaning of 'self-government.' Arvik! (Bowhead!). In 1994, a group of hunters from Igloolik fulfill the dying wish of a respected Elder, illegally harvesting a bowhead whale after years of government prohibition. Angakuiit (Shaman Stories) Inuit memories, experiences and oral histories of shamanism; interviews with youth, elders and politicians who all share a belief that things happen, and that shamanism is still a living religion. Kunuk Family Reunion. Zacharias Kunuk's family gathers at the birthplace of his father and grandfather Sigluk to honor their history. Qallunajatut
(Urban Inuk). The lives of three Inuit in Montreal over one hot, humid
summer, exploring urbanization of the Inuit psyche, as people move
farther away from a direct connection to the land that has sustained
their ancestors for thousands of years. Kiviaq vs Canada. Zacharias Kunuk travels to Edmonton to meet Kiviaq, Canada's first Inuit lawyer fighting for the legal definition of Inuit and Inuit rights.. 407/Issaituq (Waterproof). A young Inuk who lost his love tries to use alcohol to put reality and the past behind him, but the past keeps hunting him. other films 2007 Kivalliq Arts & Crafts Festival The Mystery of Arqioq by Piksuk Media Waiting
at the Edge The Nunavut Elders Serie's by ICSL Films from Nunavik The
Story of Mitirajuk Looking at her, she seems so small, so frail but when you consider her desire to learn and to teach she is a real giant! The
story of Mitiarjuk depicts one woman's determination to preserve the
language and culture of the Inuit in Nunavik. In 1999 she received the National Aboriginal Achievement Award for Heritage and Spirituality. In 2000, she was awarded an Honorary Doctorate by McGill University. 2003, 48 mins Inuuvunga:
I am Inuk I am Alive Directors: Bobby Echalook, Sarah Idlout, Laura Iqaluk, Linus Kasudluak, Willia Ningeok, Caroline Ningiuk, Dora Ohaituk, Rita-Lucy Ohaituk, Mila Aung-Thwin, Daniel Cross, Brett Gaylor Hockey,
hip hop, hunting and midnight Ski-Doo rides. Welcome to Inukjuak. 2004, 57 min 40 s Respect
Each Other: Asimauttaq's HipHop Message Respect Each Other: Asimauttaq's Hiphop Message tells the story of how students in Kuujjuaraapik took part in a weeklong marathon on breakdancing while learning how Hiphop culture can provide a positive outlet for anger and help build self-confidence. Although initially hesitant and shy, the students pushed themselves that extra mile to prove they have what it takes to succeed! 2007, 24mins 40 s Ullumi
Ullumi is an unusual, sometimes irreverent and often moving documentary directed by four young Inuit directors from Nunavik and Nunavut: Qajaaq Ellsworth, Lena Ellsworth, Evie Mark and Tunu Napartuq. Full-fledged members of today's Northern baby-boom generation, the four mean to show the world, at home and down South, just how they see themselves living as Inuit in this age of information technology and self-government. 2006, 52mins Films from Labrador "Romancing The Labrador - The Journey of Nutakuan" Shot in Natuashish, Newfoundland and Labrador. The director was Christine Poker, Innu from Natuashish; the producer was Jerry Evans of Muinjij Productions 48mins
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