January 24th 2008  |  (613) 238.7648  |  SAWVideo.com

SAW Video Newsletter for !*FIRST_NAME*! !*LAST_NAME*!

SAW Video News:


SAW VIDEO JUMPSTART GRANT
UPCOMING WORKSHOPS

Also in this issue:

UPCOMING FESTIVAL DEADLINES
CALLS FOR SUBMISSION
EMPLOYMENT OPPORTUNITIES
SCREENINGS AND EVENTS


SAW VIDEO NEWS:

SAW VIDEO JUMPSTART GRANT
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SAW Video's JumpSTART grant is a
video incentive programme to give emerging artists the opportunity to explore video and new media.

Deadline Friday February 29th, 2008

Please click here for more information

 

UPCOMING WORKSHOPS
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Sound Editing for Video

Sat February 9th, 2008
12:00pm - 6:00pm

If your video has sound, you will need to mix it.

This full day intensive session will introduce you to the basic concepts of sound mixing and teach you what to listen for, how to balance dialogue, music and sound effects, and how to correct some of the most common problems that leave you with bad audio. The workshop will focus on audio within non-linear editing programs, including navigating and using built in audio tools, getting the final mix you want and producing proper levels for exporting to other applications as well as for a final output. You will also learn about importing audio in to sound editing programs such as Adobe Audition or Soundtrack and will include editing audio files, building a multitracked audio environment and more advanced techniques for cleaning up background noise.

Learn how to get the most out of, your sound for the benefit of you video. An essential workshop for all those who have ears!

This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability.

Workshop is limited to 4 participants.

Deadline for Registration is Monday February 4th, 2007

Register for both Sound Recording for Video and Sound Editing for Video at the same time and members pay only $100 for both workshops. Non members pay $85 for the first workshop and receive the 2nd workshop at the discounted price of $50.

Instructor: Chris Ikonomopoulos

Chris Ikonomopoulos has been active at SAW since late 2000 with freelance experience in production and post production sound. Along with video and film related audio Chris also engineers, records and mixes full bands, composes music and audioscapes, has recorded in numerous studios around Ottawa and has been programming radio shows at CKCU FM since 1998.

Members $60.00
Non Members $85.00
Duration: 6 hours

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2-Day Introduction to Video Production

Sat February 23rd, 2008
12:00pm - 5:00pm

Sun February 24th, 2008
12:00pm - 5:00pm


This two-day workshop teaches the basics of camera, audio and lighting through hands on training.

On the first day of the workshop, participants will receive basic instruction on SAW Video's prime 3-chip HDV and Mini DV cameras -- such as the, Sony Z1U and V1U and the Panasonic AG-DVX100. Participants will be introduced to three point lighting and dealing with power on location. A variety of mics will be used and their applications will be discussed.

Day two of the workshop provides the added opportunity for more hands on time and instruction. Shooting exercises will be indoors and outdoors (weather permitting) simulating varying conditions and situations.

WORKSHOP LIMITED TO 6 PARTICIPANTS

Deadline for registration is Monday February 18th, 2007

Instructor: Jacob Hanna

Members $125.00
Non Members $150.00
Duration: 10 hours


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2 day-Introduction to Final Cut Pro

Sat February 23rd, 2008
12:00pm - 5:00pm

Sun February 24th, 2008
12:00pm - 5:00pm

Learn the basics of FCP from A to apple Z! This 2 day course will cover all steps of the process from setting up a project and capturing from a dv device, to using the timeline based interface, and outputting back to dv. Day 1 of the workshop will focus on a complete overveiw of the FCP software demonstrated by the instructor. Day 2 of the workshop will be hands on for all participants to practice editing a brief sequence under the supervision of the instructor.

This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability. Workshop is limited to 6 participants. On day 2 participants will be seated in pairs at each editing workstation. Deadline for registration is Monday February 18th, 2008

Instructor: Ryan Stec

Ryan Stec is an artist and curator who's work deals with the idea of plurality in audiences experience of media. He started the Remix project(artengine.ca/remix) in 2002 with co-curator Anne Clarke, and it has become a popular local commissioning program producing over 30 new works from local video artists. He has also recently completed a residency at Platform Gallery (www.platform.fi) in Vaasa, Finland where he curated a program of nordic media art which was presented as a performance where the work was remixed in a live context.

Members $125.00
Non Members $150.00
Duration: 10 hours

 

UPCOMING FESTIVAL DEADLINES
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IndieLisboa 5th International Indie Film Festival (Lisbon, Portugal)

The 5th edition of IndieLisboa - International Independent Film Festival will take place from April 24 to May 4, 2008, in Lisbon, Portugal. This festival aims to contribute to the discovery of new authors and new trends in the contemporary independent cinema. IndieLisboa has four main official sections, all composed by feature and short films: International Competition (for 1st and 2nd films), Observatory (films from independent directors who have more than two films), Laboratory (for more experimental works) and IndieJunior (children's film competition). IndieLisboa is looking for: Shorts and Features / Fiction - Documentary - Animation - Experimental / 16mm - 35mm - Vídeo / Finished in 2007 or 2008.

DEADLINE: February 5, 2008

Info: www.indielisboa.com

10th Annual Prairie Tales Media Arts Tour

Metro Cinema Society, in association with amaas (Alberta Media Arts Alliance Society), invites filmmakers, videographers, documentarians, and animators to submit their recently completed works to Prairie Tales, an annual touring program of short works by Alberta media artists. In its tenth consecutive year, the Prairie Tales Tour celebrates the diversity of work created by artists in our province. In circulation over several months, Prairie Tales screens throughout Alberta and across Canada at media art centres, galleries, and schools. You are eligible to submit your work to Prairie Tales if: your work has been completed in the last 18 months, your work has a running time of 15 minutes or less and your primary residence is in Alberta. When submitting, please include a brief description of your work (including year of completion and original production format) as well as an artist's biography. Preview copies may be submitted on VHS or DVD only. Prairie Tales 10 will be curated by the tour coordinator and a peer jury. Artists whose work is included in the program will be paid the CARFAC rate for multiple film/video screenings. There is no submission fee.

DEADLINE: February 15, 2008

Info: www.prairietales.org/2008/pt10callForSubmissions.html

Send + Receive (Winnipeg)

Send + Receive is an annual audio art festival showcasing current and newly emerging areas of investigation in a variety of forms including live performance, radio, web-based projects, internet streaming projects, sound poetry, installations, film and video screenings, workshops, and panel discussions.

DEADLINE: February 15, 2008

Info: www.sendandreceive.org

Vitesse Lumière Festival (Quebec City)

The Vitesse Lumière Festival is preparing it's 10th edition and is inviting the sci-fi/fantasy filmmakers to submit their video(s).

DEADLINE: March 1, 2008

Info: www.vitesselumiere.org

PRIM's 5-10-15 Short Fiction Program

This program is dedicated to short fiction projects. Three projects will be selected for their artistic merit by a jury composed of peers. The final project must be below 30 minutes. The selected artists will have access to PRIM's platform at a discounted rate: Avid Media Composer $5/h, Avid Symphony (OFFLINE) $10/h, Avid Symphony (ONLINE) $15/h, and Sound Studio $10/h.

DEADLINE: February 4, 2008

Info: www.primcentre.org

2008 Doc Lab

The Doc Lab, Hot Doc's highly successful master class programme, provides filmmakers in need of creative refueling a chance to connect with leading creative professionals from the documentary world through intimate and focused discussions pertinent to their craft and projects. Taking place during the Festival, the participants are guided through a curated programme of meetings, screenings, conference sessions and other activities, including observing the Toronto Documentary Forum. The Doc Lab is for early to mid-career filmmakers who wish to workshop a specific idea, develop new skills or address a creative need. To be eligible you must have at least one television broadcast or theatrical release credit as a director or writer.

DEADLINE: February 8, 2008

Info: www.hotdocs.ca

 

CALLS FOR SUBMISSION 

PAN-AFRICAN INTERNATIONAL FILM FESTIVAL
SKIP CITY INTERNATIONAL FESTIVAL (JAPAN)
GATEWAY FUND
CANADIAN INDEPENDENT FILM AND VIDEO FUND
CALGARY INTERNATIONAL FILM FESTIVAL

PAN-AFRICAN INTERNATIONAL FILM FESTIVAL
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24e FESTIVAL PAN-AFRICA INTERNATIONAL
MONTREAL, 10-20 AVRIL 2008

Le Festival de cinéma de Vues d’Afrique est à la recherche d’œuvres cinématographiques et vidéo ainsi que des modules réalisés pour des supports de diffusion numérique. Des œuvres de cinéastes canadien(ne)s indépendant(e)s travaillant sur les thèmes de l’Afrique, des Caraïbes, de l’immigration africaine ou des Diasporas afro canadiennes ainsi que de cinéastes canadien(ne)s indépendant(e)s d’origine africaine ou créole.

La section REGARDS D’ICI du festival est entièrement dédiée aux œuvres canadiennes indépendantes. Les formats longs métrages, courts métrages, documentaires et films d’animation peuvent y participer. Que votre film soit achevé ou en cours de production, veuillez prendre contact avec nous ou nous faire parvenir le formulaire d’inscription avant le 31 janvier 2008.

Formulaire disponible sur le www.vuesdafrique.org/telechargements/

Coordination Festival
Vues d’Afrique
Tél : (514) 284-3322 poste 236
Fax : (514) 845-0631
coordination@vuesdafrique.org

DATE LIMITE: 31 janvier 2008
Info: www.vuesdafrique.org


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24th PAN-AFRICAN INTERNATIONAL FILM FESTIVAL
MONTREAL, 10-20 APRIL 2008


Vues d’Afrique would like to further develop the Canadian filmmakers’ presence at the Pan-Africa International Film Festival in Montreal. We are looking to showcase films, videos and content produced for digital outlets/platforms. These should be the work of Independent Canadian filmmakers working on the themes of Africa and/or the Caribbean. The films can also embrace the themes of African and Caribbean culture in Canada, integration of Diasporas, etc. Also lookin for works by Independent Canadian filmmakers from the African and Caribbean communities.

The REGARDS D’ICI competition category is entirely devoted to Independent Canadian films. Feature length, short films, documentaries and film animation are all eligible to enter.

To fill the entry form, go to: www.vuesdafrique.org/telechargements/

or contact
Festival Coordination
Vues d’Afrique
Tel : (514) 284-3322 extension 236
Fax : (514) 845-0631
coordination@vuesdafrique.org

DEADLINE: January 31, 2008
Info: www.vuesdafrique.org

 

SKIP CITY INTERNATIONAL FESTIVAL
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We are happy to inform you that the 5th SKIP CITY INTERNATIONAL D-Cinema FESTIVAL 2008
will be held from July 19 (Sat.) to July 27 (Sun.) in 2008 at SKIP City, Saitama Prefecture, Japan.

The SKIP CITY INTERNATIONAL D-Cinema FESTIVAL is designed to discover and reward the next generation of digital filmmakers, which is being held annually with its theme being Digital Cinema (D-Cinema). We have gladly accepted 761 entries from 69 countries and regions in the 2007 festival.

Now we call for feature (International) and short (Domestic) length works that have been shot and edited digitally.

Deadline is March 10th 2008 (Should be reached by). The cash awards will be up to USD150,000 and all nominated works will be projected by 4K projector.

SKIP CITY INTERNATIONAL D-Cinema FESTIVAL 2008 Official Website: http://www.skipcity-dcf.jp/en/

GATEWAY FUND
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2008-2009 Call for Proposals : Gateway Fund

The primary objectives of the Gateway Fund are to:

Increase the amount of quality Canadian cultural content for the Internet;
Build audiences for that content by making it easy to find on the Internet; and
Engage Canadians to use the content and share their perspectives on Canadian events, people and values.
The Department of Canadian Heritage, through Canadian Culture Online (CCO), is launching a targeted call for proposals under this fund to increase access to diverse Canadian cultural content. This call for proposals seeks to support projects presented by and with content about Aboriginal Peoples and ethnocultural communities in Canada.

Projects will result in cultural content for the Internet by and about these communities that is well explained, engagingly interpreted, easy to explore and of interest to the Canadian general public. Emphasis will be placed on showcasing contemporary forms of cultural expression created for the enjoyment and appreciation of all Canadians.

Content created through the Gateway Fund will be made available online free of charge to all Canadians with Internet access. In addition, all projects funded could be promoted, showcased and made accessible through various governmental means, including Culture.ca at http://www.culture.ca, the Department of Canadian Heritage's cultural portal.

The deadline for the 2008-2009 Call for Proposals is Thursday, January 31, 2008 at midnight PST.

For more information: http://www.canadianheritage.gc.ca/progs/pcce-ccop/progs/gateway_e.cfm

Appel de propositions 2008-2009 : Fonds de la passerelle
Les objectifs principaux du Fonds de la passerelle sont :

d'augmenter la quantité de contenu culturel canadien de qualité pour Internet;
de constituer un auditoire pour ce contenu en rendant sa recherche plus facile sur Internet;
d'encourager les Canadiens à utiliser le contenu et à partager leurs points de vue sur les événements, les gens et les valeurs de leur pays.
Le ministère du Patrimoine canadien, par l'entremise de Culture canadienne en ligne (CCE), lance cet appel ciblé de propositions dans le cadre de ce fonds afin d'augmenter l'accès au contenu culturel canadien diversifié. Cet appel de propositions vise à soutenir des projets présentés par des communautés ethnoculturelles canadiennes et des Autochtones du pays et dont le contenu porterait sur ces mêmes groupes.

Ces projets permettront la production de contenu culturel pour Internet proposé par ces communautés et portant sur celles-ci. Le contenu sera bien expliqué, interprété de manière captivante, facile à consulter et intéressant pour le grand public canadien. L'accent sera mis sur la présentation d'expressions culturelles contemporaines créées pour le plaisir et l'appréciation de tous les Canadiens.

Les Canadiens qui ont accès à Internet pourront accéder gratuitement au contenu créé par l'entremise du Fonds de la passerelle. De plus, les projets financés pourront être mis en valeur, présentés et rendus accessibles par l'intermédiaire de divers moyens gouvernementaux, notamment le portail culturel http://www.culture.ca du ministère du Patrimoine canadien.

La date limite pour soumettre une demande de financement pour l'exercice financier 2008-2009 est jeudi le 31 janvier 2008 à 12 h 00 HNP.

http://www.canadianheritage.gc.ca/progs/pcce-ccop/progs/gateway_f.cfm

 

CANADIAN INDEPENDENT FILM AND VIDEO FUND
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The next CIFVF deadline to submit applications to the CIFVF will be March 6, 2008.

The CIFVF provides development, production and post production funding to independent filmmakers for educational, informational and documentary film and video projects.

The CIFVF welcomes applications from new and emerging producers.

Program criteria, guide and application forms are available on the CIFVF web site www.cifvf.ca or by calling 613-729-1900; Toll free: 1-888-386-5555

Since its inception, the CIFVF has funded 971 projects from all regions of Canada in both official languages for a total of $19.4 million covering a vast array of subjects and using a variety of formats, including documentary, docu-drama, drama and animation.

CALGARY INTERNATIONAL FILM FESTIVAL
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CIFF is proud to announce that it is accepting submissions for the 2008 Festival.

Films completed after January 2007 are now being accepted through the online submission process on the CIFF website, www.calgaryfilm.com, or via mail. The final deadline for submission is June 13, 2008, and final selection will occur by August 15, 2008.

Films are selected on the basis of achievement in form and content and are programmed in the following sections: Canadian, International, Documentaries, Youth & Family, Shorts, Youth by Youth and annual Spotlight programs (2008 Spotlights TBA).

CIFF is a competitive festival and films invited to the 2008 Festival are automatically considered for nomination in all appropriate awards, which are presented in the following categories: Best Canadian First Feature, Best International Feature, Best Canadian Documentary, Best International Documentary, Best Canadian Short, the Alberta Centennial Award (for best first Alberta short) and the American Express People’s Choice Award.

For complete guidelines please visit the CIFF 2007 Submissions Regulations and Guidelines page at https://www.calgaryfilm.com/filmsub.php, or contact CIFF Programming at programming@calgaryfilm.com.

 

EMPLOYMENT OPPORTUNITIES   

INDEPENDENT MEDIA ARTS ALLIANCE
ODYSSEY THEATRE

INDEPENDENT MEDIA ARTS ALLIANCE
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Version française ci-bas

JOB CALL
The Independent Media Arts Alliance seeks an: Administrative Coordinator

DEADLINE: Wednesday, February 20th, 2008
Start date: March 1st 2008
12 month contract
Salary starting at $16/hour
30 hours/week


Founded in 1981, the Independent Media Arts Alliance is a non-profit national arts service organization that promotes and advances the interests of a vibrant media arts community. Representing over 80 independent film, video, and new media production, distribution, and exhibition organizations in all parts of Canada, the IMAA serves over 12,000 independent media artists and cultural workers. For more information about the IMAA visit [www.imaa.ca].

The Administrative Coordinator assists the National Director and the IMAA Board of Directors in the daily activities of the association. The Administrative Coordinator is primarily responsible for communicating with the membership and the general public, and assisting with office administration. This position involves the translation of all documents in both official languages and administrative support for the National Director and the Board of Directors as required. Please note that this position requires travel one to two times per year within Canada (travel costs paid by the IMAA). The Coordinator reports to the National Director.

REQUIRED SKILLS
_ Fluently bilingual
_ Excellent communication skills in both official languages
_ Excellent writing skills
_ Excellent computer skills
_ Excellent organizational skills
_ An understanding of the independent media arts and artist-run culture

Assets: Grant writing experience, translation experience, film, video or new media production experience, experience working in the non-profit sector, administrative skills, graphic design and/or web programming skills.

The IMAA is an equal opportunity employer and is firmly committed to actively assuring full participation in the organization and in access to its resources to all people, regardless of gender, race, language, sexual orientation, age or ability.

To apply, please submit a cover letter, CV and three references by email to Jennifer Dorner, National Director, at dir@imaa.ca

Or by mail to:
Jennifer Dorner, National Director
Independent Media Arts Alliance
3995 Berri, Montreal QC H2L 4H2

Only short listed candidates will be contacted.


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OFFRE D’EMPLOI

L’Alliance des arts médiatiques indépendants est à la recherche d’un/e: Coordonnateur/trice administratif/ive

DATE LIMITE pour déposer une candidature: mercredi 20 février 2008
Début des fonctions: 1er mars 2008
Contrat de douze (12) mois
Salaire de départ: 16 $ l’heure
30 heures/semaine

Fondée en 1981, l’AAMI est un organisme de services national à but non lucratif dans le domaine des arts, qui fait la promotion et défend les intérêts de la communauté des arts médiatiques. Représentant plus de 80 organisations indépendantes de production, distribution et diffusion en cinéma, vidéo et nouveaux médias, l’AAMI sert ainsi plus de 12 000 artistes indépendants et travailleurs culturels. Pour plus d’information sur l’AAMI, visitez [www.imaa.ca].

Le/la Coordonnateur/trice administratif/ive assiste la Direction nationale et le Conseil d’administration dans les activités quotidiennes de l’AAMI. Le/la Coordonnateur/trice est responsable des communications avec les membres et le public tout en assistant avec les tâches administratives. Il/elle est aussi responsable de la traduction de tous les textes officiels produits par l’AAMI, dans les deux langues officielles. Finalement, il/elle assiste la Direction nationale et le Conseil d’administration de l’AAMI, au besoin. Veuillez noter que ce poste implique de voyager (aux frais de l’AAMI) une ou deux fois par an dans d’autres régions du Canada. Le/la Coordonnateur/trice se rapporte à la Direction nationale.

QUALITÉS REQUISES
_ Bilinguisme (oral et écrit)
_ Excellentes qualités communicationnelles dans les deux langues officielles
_ Excellente capacité rédactionnelle
_ Excellente maîtrise de l’informatique
_ Excellent sens de l’organisation
_ Bonne connaissance des arts médiatiques indépendants et du milieu des centres d’artistes autogérés au Canada.

Atouts : expérience en rédaction de demandes de bourses, traduction, en production film ou vidéo, expérience de travail dans le secteur culturel sans but lucratif, bon sens administratif, connaissances en design graphique et/ou en programmation web.

L’AAMI est un employeur équitable et s’engage fermement à assurer la participation et l’accès aux ressources pour tous les individus, sans égard à leur sexe, orientation sexuelle, race, culture, langue, âge ou habileté.

Veuillez envoyer votre curriculum vitae, une lettre d’intérêt de votre part ainsi que trois lettres de recommandation à Jennifer Dorner, Directrice nationale: dir@imaa.ca

Par courier:
Jennifer Dorner, Directrice nationale
Alliance des arts médiatiques indépendants
3995 rue Berri, Montréal QC H2L 4H2

Seulement les candidat(e)s retenu(e)s seront contacté(e)s.

 

ODYSSEY THEATRE
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POSITION AVAILABLE: Interim General Manager
(1-year contract due to maternity leave)

Odyssey Theatre is seeking applications for the position of Interim General Manager. Currently in its 23rd season, Odyssey is a dynamic and growing company and Ottawa’s only professional summer theatre. The Company is renowned for its unique and innovative style of theatre, which incorporates mask, clown, bouffon and Commedia dell’Arte. Odyssey is widely respected for the high quality of its original work as well as adaptations of the classics.
Odyssey Theatre is searching for an energetic, forward looking person to lead the company in administrative matters for a year (starting in May 2008). Reporting to the Artistic Director and a dedicated Board of Directors, the Interim General Manager will advance the artistic vision of the Company, and ensure successful financial and administrative operations of the organization.

The Interim General Manager will develop and implement an administrative strategy including budgeting, fundraising and marketing, to meet artistic goals. He/she will be responsible for the smooth and efficient running of the office and for hiring seasonal administrative staff. Key priorities for the Interim General Manager include grants, fundraising and overseeing the Theatre’s operations. He/she will also help lead Odyssey in developing facility plans and a touring strategy.

We are looking for creative individuals who want to grow with the Company. Candidates should have a university or college degree and a minimum of one year’s experience working in the arts. The candidate should be passionate about developing and producing original Canadian theatre. Excellent organizational and communication (written and oral) skills, general administration experience, the ability to work independently, computer knowledge, and the willingness to work some weekends and evenings are all essential ingredients. Marketing and promotion experience and a driver’s license are assets.

Please submit a cover letter, résumé and two samples of your writing with references by Friday, February 22, 2008 to:

Dana Uzarevic General Manager Odyssey Theatre 2 Daly Avenue Ottawa, ON K1N 6E2 Or by email: admin@odysseytheatre.ca

All applications will be held in confidence. For more information about Odyssey Theatre please visit our website at: www.odysseytheatre.ca.

2 Daly Avenue,
Ottawa, Ontario,
K1N 6E2
Tel: 613.232.8407
Fax: 613.564.4428
www.odysseytheatre.ca
info@odysseytheatre.ca

 

SCREENINGS AND EVENTS  

SATO MAKOTO'S OUT OF PLACE: MEMORIES OF EDWARD SAID
DRUNKEN MASTER REVUE PRESENTS: CAGED WOMEN
SHOWTIME - IFCO WINTER GALA 2008
NORTHERN FILM SERIES

SATO MAKOTO'S OUT OF PLACE: MEMORIES OF EDWARD SAID
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OUT OF PLACE: MEMORIES OF EDWARD SAID
A documentary by Japanese filmmaker Sato Makoto (1957-2007)

Saturday 26 January at 7 pm
Library and Archives Canada Auditorium
395 Wellington Street, Ottawa

140 minutes/colour-b&w/2005
English/Arabic/Hebrew (English subtitles)

In the context of Orientalism & Ephemera, the Ottawa Art Gallery and the Canadian Film Institute are pleased to present Sato Makoto's compelling documentary Out of Place: Memories of Edward Said (2005). Borrowing its title from the author's 2000 memoir, Out of Place traces the life and work of Edward Said (1935-2003), the Palestinian-born intellectual who wrote widely on history, literature, music, philosophy and politics.

Filmed in Palestine, Israel, Lebanon, Egypt, and the U.S., this feature-length documentary traces Said's childhood influences and celebrates his intellectual legacy, especially the importance of his work in literary criticism and postcolonial studies, his love of music, his role on the Palestinian National Council, and his troubled relationship with Yasser Arafat.

This is a co-presentation of the Ottawa Art Gallery and the Canadian Film Institute.

$ 6.00
Canadian Film Institute and OAG members, seniors, children 15 and under

$ 10.00
Non-members

Information:
Amber Yared
613-233-8699 x228
public@ottawaartgallery.ca

The Ottawa Art Gallery
Arts Court, 2 Daly Avenue, Ottawa, Ontario K1N 6E2
613-233-8699 fax 613-569-7660
info@ottawaartgallery.ca www.ottawaartgallery.ca

 

DRUNKEN MASTER REVUE PRESENTS: CAGED WOMEN
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Drunken Master Revue Presents
"Caged Women"
Jan. 26th, 2008
11:15pm

Saturday Night Sinema continues the last Saturday night of every month with classic grindhouse movies from around the globe.

January's feature presentation is the 1982 women-in-prison epic Caged Women (Violence in a Women's Prison) starring Indonesian beauty Laura Gemser and directed by the late Italian sleazemaster Bruno Mattei.

Presented in glorious 35mm!!

WARNING! Not for the squeamish, faint of heart or the pansy-ish!!!

Admission is $5.00 at the door. Box office opens at 10:30pm, film starts at 11:15pm
The Mayfair Theatre (1074 Bank St.)
Prizes will be given away, plus will be playing a classic trailer reel before the feature of flicks from the 60's, 70's and 80's

 

 

SHOWTIME - IFCO WINTER GALA 2008
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SHOWTIME!

Ottawa, Friday, January 18th, 2008 - The Independent Filmmaker's Co-operative of Ottawa (IFCO) celebrates 16 years of 'reel' entertainment in the Nation's Capital.

On Saturday, February 9th, 2008, IFCO invites the Ottawa public out for an evening of knock-out entertainment. It's an evening of celluloid (film) magic. 8 exciting new shorts will make their premiere to an audience in the auditorium of the National Library and Archives of Canada (395 Wellington Street @ Bay). Check out the filmmakers and their films:

Eric Asante presents: King
Deniz Berkin presents: Every Six Months
Daniel Cardinal presents: CHRISTOPHER
Calvin Climie presents: Hyperhelion
Pixie Cram presents: Secret Love
Paul Gordon presents: Intermittent Travels
Ariel Smith presents: Savior Complex
Doug Wilkinson presents: BOOKENDS

This year's films are certain to stir up some interesting conversations. Come see for yourselves! Mix 'n' Mingle with the filmmakers at our after-mixer in the foyer of the National Library & Archives. Tickets are $12. Tickets can be purchased in advance at IFCO's office starting Friday, January 25th at (Ste.140 - 2 Daly Avenue), or the Arts Court front desk (2 Daly Avenue). You can also purchase tickets at the door. The screening starts at 7:00pm.

When: Saturday, February 9th, 2008
Screening @ 7:00pm

Where: National Library & Archives of Canada 395 Wellington Street @ Bay Street

 

NORTHERN FILM SERIES
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Please be advised that George Ritter, CEO and Nunavut Film, working with filmmakers from Nunavik, Nunavut and Labrador, will screen these "Made in the North" films at a filmmakers screening room at the

Northern Lights Trade Show (Ottawa Congress Centre) starting each day of the show (Jan 31st- Feb 2nd 2008), 12-6pm apprx.

ATANARJUAT THE FAST RUNNER BY DIRECTOR ZACHARIAS KUNUK WILL BE SCREENED AT THE CINEMA IN THE MUSEUM OF CIVILIZATION ON SATURDAY NIGHT, FEB 2 at 5 pm TICKETS ARE FREE.
THE DIRECTOR WILL BE ON HAND TO INTRODUCE THE FILM

For more info contact George Ritter by email at george@nunavutfilm.ca

Films from Nunavut

Atanarjuat The Fast Runner
Directed by Zacharis Kunuk

Winner of the Camera d'or at the 2001 Cannes Film Festival, Directed by Zacharis Kunuk, Produced by Isuma Productions and the NFB.

2001, 172mins

The Journals of Knud Rasmussen.
Directed by Zacharis Kunuk and Norman Cohn

Isuma's second feature film is set in Igloolik in 1922-23 as the last Inuit shaman Avva and his family are converted from their traditional life and beliefs to Christianity. Produced by Isuma Productions

2006, 112mins

Kiviuq
Directed by John Houston
Produced by Kirt Ejesiak

Kiviuq is a legendary and heroic Inuk who has lived very long through many lives. He is a wanderer, and the adventures he has on his journeys vary according to the storyteller.

This film follows the hero through many scenarios, including one of wellknown legend of an old woman who changes her grandson into a seal. The boy – as a seal – is forced to swim out to sea, and is followed by a group of hunters who intend to kill him. Before the hunters reach him, however, the old woman creates a storm and drowns everyone but the seal and Kiviuq. The seal swims safely back to shore, where the old woman turns him back into a boy. Kiviuq drifts away in his kayak continuing his adventures and living with people of many foreign lands. Kiviuq is a modern way to share and preserve the Kiviuq story-cycle stories as told by elders through oral tradition.

This film is an adaptation of a live performance which adds an element of magic to the telling of these stories.

2007, 72mins

Kikkik, E1-472
Directed by: Martin Kreelak
Produced by Ole Gjerstad, Debbie Brisebois
Distribution: Inuit Broadcasting Corporation

During the 1950s' famine in the Canadian Arctic, Kikkik, an Inuk woman, killed a man in self-defense and then found herself having to leave two of her five children on the tundra. She was tried for murder and criminal negligence, and subsequently acquitted. Her daughter, Elisapee Karetak, who lives in Arviat, Nunavut, has spent many years tracing the events of her family's story. Elisapee's brothers and sisters as well as many members of the Inuit community who lived through the ordeal recount their memories.

2002, 48mins

The Making of The Journals of Knud Rasmussen.: By Greenland filmmaker, Kenneth Rasmussen, behind the scenes mixing Igloolik Inuit, Greenlanders, Danish movie stars and French-Canadian technicians 50 miles out into the arctic

Inuit Piqutingit (What Belongs to Inuit). A group of elders visits five southern museums to view the mostly hidden-away collections of priceless artefacts and clothing collected from their Inuit ancestors over the past two hundred years.

Nunavut (Our Land), 13-part TV series recreating the fictional year 1945-46 in the life of Igloolik Inuit.

Qimuksiq (Dog Team). Episode 1: Spring 1945. While imparting knowledge to the next generation, Inuaraq's family travels in the immense and beautiful arctic during spring.

Avaja. Episode 2: Spring 1945. Inuaraq's family finally arrives at Avaja to a warm welcome. The priest invites them to come to church.

Qarmaq (Stone House). Episode 3: Fall 1945. Grandmother remembers how to build a stone house in the old way.

Tugaliak (Ice Porch). Episode 4: Fall 1945. News of the terrible world war raging outside makes people frightened and uneasy.

Angiraq (Home). Episode 5: Fall 1945. The stone house is warm and comfortable. Men look for seals on the fresh ice, while women work at home.

Auriaq (Seal Hunting). Episode 6: Spring 1946. season of never-ending days. Two dog teams searching the spring ice, men and boys hunting day and night.

Qulangisi (Seal Pups). Episode 7: Spring 1946. A springtime delicacy, when pups come out on the ice, even small children and grandmothers can hunt.

Avamuktulik (Fish Swimming Back and Forth). Episode 8: Spring 1946. Inuaraq throws his bones and finds the fish swimming back and forth.

Aiviaq (Walrus Hunt) Episode 9: Summer 1946. A "tookatookatook", brings the Priest to Qaisut, island of the walrus hunters.

Qaisut (Polar Bear Island). Episode 10: Summer 1946. Children explore ruins of ancient times.

Tuktuliaq (Caribou Hunt). Episode 11: Fall 1946. It's an early autumn and the weather is already getting colder.

Unaaq (Harpoon). Episode 12: Winter 1946. Tea boils over seal lamps, children play on caribou skin beds. Qulitalik talks about the year gone past.

Quviasukvik (Happy Day) Episode 13: Winter 1946. A month since the sun disappeared, Christmas is a strange mix of ritual, some from the old life, some from the new.

Qaggiq (Gathering Place). A late-winter camp in the 1930's. Four families build a qaggiq, a large communal igloo, to celebrate the coming spring with games, singing and drum dancing.

Nunaqpa (Going Inland). Summer, 1930's. Two families leave for the long walk inland to catch enough summer-fat caribou for the hard winter ahead.

Saputi (Fish Traps). As summer ends in the 1930's, three families build a saputi to trap fish going upriver for the winter.

Nanugiurutiga (My First Polar Bear). An Igloolik elder, Abraham Ulayuruluk, recounts stories about hunting polar bears in the old days.

Ajaina! (Almost) Igloolik Elders discuss their views and values: the role of Inuit and "Southern" forms of education, survival strategies (such as how to save a drowning victim), and the differences between camp and settlement life.

Artcirq (Circus Group). Students from Montreal's National Circus School and local Inuit youth of Igloolik produce a unique circus performance which marries Inuit traditions with classic elements of the Big Top, using art to combat suicide and despair.

Nipi (Voice). Rapid change in Nunavut has concentrated power, wealth and information in a few hands. Nipi asks Inuit politicians and elders to comment on fundamental questions of power and leadership and the real meaning of 'self-government.'

Arvik! (Bowhead!). In 1994, a group of hunters from Igloolik fulfill the dying wish of a respected Elder, illegally harvesting a bowhead whale after years of government prohibition.

Angakuiit (Shaman Stories) Inuit memories, experiences and oral histories of shamanism; interviews with youth, elders and politicians who all share a belief that things happen, and that shamanism is still a living religion.

Kunuk Family Reunion. Zacharias Kunuk's family gathers at the birthplace of his father and grandfather Sigluk to honor their history.

Qallunajatut (Urban Inuk). The lives of three Inuit in Montreal over one hot, humid summer, exploring urbanization of the Inuit psyche, as people move farther away from a direct connection to the land that has sustained their ancestors for thousands of years.

Unakuluk (Dear Little One). Adoption stories in one Inuit extended family now include Alexandre Apak, adopted son of Montreal filmmaker, Marie-helene Cousineau.

Kiviaq vs Canada. Zacharias Kunuk travels to Edmonton to meet Kiviaq, Canada's first Inuit lawyer fighting for the legal definition of Inuit and Inuit rights..

407/Issaituq (Waterproof). A young Inuk who lost his love tries to use alcohol to put reality and the past behind him, but the past keeps hunting him.

other films

2007 Kivalliq Arts & Crafts Festival

The Mystery of Arqioq by Piksuk Media

Waiting at the Edge
a video about Sustainable sealing in Nunavut by ICSL for GN Dept of Environment

The Nunavut Elders Serie's by ICSL

Films from Nunavik

The Story of Mitirajuk
Producer: Bruna Mastroianni
Director: Hugo Lalonde

Looking at her, she seems so small, so frail but when you consider her desire to learn and to teach she is a real giant!

The story of Mitiarjuk depicts one woman's determination to preserve the language and culture of the Inuit in Nunavik.

Mitiarjuk Attasi Nappaaluk was born in 1931 near Kangiqsujuaq.
Although she never went to school, she is the author of Sanaaq, the first novel written in Inuttitut as well as many educational books that explain the Inuit way of life. She assisted in compiling an encyclopedia of traditional Inuit knowledge, a French-Inuttitut dictionary. She also translated prayer books. Mitiarjuk has had an active role on health boards, education and justice committees, and language commissions.

In 1999 she received the National Aboriginal Achievement Award for Heritage and Spirituality. In 2000, she was awarded an Honorary Doctorate by McGill University.

2003, 48 mins

Inuuvunga: I am Inuk I am Alive
Producer: Pierre Lapointe ( NFB)
Producer: Bruna Mastroianni (KSB)

Directors: Bobby Echalook, Sarah Idlout, Laura Iqaluk, Linus Kasudluak, Willia Ningeok, Caroline Ningiuk, Dora Ohaituk, Rita-Lucy Ohaituk, Mila Aung-Thwin, Daniel Cross, Brett Gaylor

Hockey, hip hop, hunting and midnight Ski-Doo rides. Welcome to Inukjuak.
It's the final year of high school for eight teens at Innalik school in this remote town in northern Quebec. Through an initiative of the National Film Board, these eight students have been selected to document this pivotal year of their lives. To teach them some basics, the NFB has dispatched filmmakers Daniel Cross and Mila Aung-Thwin. The result of their collaboration is Inuuvunga, a vibrant and utterly contemporary view of life in Canada's North. The students use their new film skills to address a broad range of issues, from the widening communication gap with their elders to the loss of their peers to suicide. Throughout, they reveal an unusual and fascinating mix of southern and northern cultures. Kids listen to hip-hop music and engage in traditional fox trapping. A schoolroom floor is the scene of the gutting of a freshly killed seal. Seamless and startling, Inuuvunga paints a rich portrait of coming of age in an Inuit town and helps to dispel the myths of northern isolation and desolation. Instead, we discover a place where hope and strength overcome struggle.

2004, 57 min 40 s

Respect Each Other: Asimauttaq's HipHop Message
Producer: Bruna Mastroianni
Director: Dave Stonier

Respect Each Other: Asimauttaq's Hiphop Message tells the story of how students in Kuujjuaraapik took part in a weeklong marathon on breakdancing while learning how Hiphop culture can provide a positive outlet for anger and help build self-confidence. Although initially hesitant and shy, the students pushed themselves that extra mile to prove they have what it takes to succeed!

2007, 24mins 40 s

Ullumi
Directors and Scriptwriters: Qajaaq Ellsworth, Lena Ellsworth, Evie Mark, Tunu Napartuk
Producers: Ian Boyd, Bobby May Jr., Suzann Méthot

Ullumi is an unusual, sometimes irreverent and often moving documentary directed by four young Inuit directors from Nunavik and Nunavut: Qajaaq Ellsworth, Lena Ellsworth, Evie Mark and Tunu Napartuq. Full-fledged members of today's Northern baby-boom generation, the four mean to show the world, at home and down South, just how they see themselves living as Inuit in this age of information technology and self-government.

2006, 52mins

Films from Labrador

"Romancing The Labrador - The Journey of Nutakuan"

Shot in Natuashish, Newfoundland and Labrador. The director was Christine Poker, Innu from Natuashish; the producer was Jerry Evans of Muinjij Productions

48mins

 


SAW Video receives financial support from the Canada Council for the Arts, the Ontario Arts Council, the City of Ottawa, and the Ontario Trillium Foundation. Many thanks too, to our corporate sponsor, Integrating Solutions and to our artist-members.

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