April 9th 2008  |  (613) 238.7648  |  SAWVideo.com

SAW Video Newsletter for !*FIRST_NAME*! !*LAST_NAME*!

SAW Video News:


SAW VIDEO PRODUCTION FUND
UPCOMING WORKSHOPS

Also in this issue:

UPCOMING FESTIVAL DEADLINES
UPCOMING GRANTS
CALLS FOR SUBMISSION
EMPLOYMENT OPPORTUNITIES
SCREENINGS AND EVENTS
OTHER

SAW VIDEO NEWS:

SAW VIDEO PRODUCTION FUND
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SAW VIDEO PRODUCTION FUND

The SAW Production Fund assists mid-career and established artists with an independent video, new media, or multi-media production either in production or post-production. Production awards are based on juried competitions.

All genres are accepted (i.e. experimental, drama, documentary, video installation, new media, etc). Proposals are assessed by an independent jury and the successful applicants have one year to complete their project.

A screening of productions will be held in Club SAW. Recipients must provide a copy of their completed tape to be kept in SAW Video's archives.

Each successful applicant receives:
- membership for one year
- $200 towards two SAW Video workshops of your choice
- $500 honorarium
- Up to $2,550 in access to SAW Video Co-op equipment (Equipment must be SAW Video's, and the access is solely for the purpose of this production.)

Applicants must submit:
- a current resumé (with emphasis on your artistic work)
- a 1 to 2 page description of the proposed project (may include a script or storyboard)
- a production schedule
- a detailed budget
- Support material

Artists will maintain copyright of their productions and individuals need not be members to apply.

Questions? Call 238-7648 or email sawvideo@sawvideo.com.

Deadline: Thursday May 1st, 2008

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Fonds de production SAW Video

Le Fonds de production SAW fournit une assistance à la production vidéo, nouveau média ou multimédia, quelle qu'elle soit, sous forme de production ou de post-production. Les prix attribués pour la production sont basés sur les résultats de concours présidés par un jury. Le Fonds de production vidéo de SAW est destiné aux artistes déjà établis et ceux à mi-carrière. Les projets admissibles sont ceux sur lesquels l'artiste exerce un contrôle aux plans de la création et du montage. Tous les genres sont acceptés (c.-à-d., expérimental, dramatique, documentaire, vidéo d'installation et nouveaux médias). Les artistes venant d'autres disciplines (c.-à-d., théâtre, écriture, arts visuels et danse) sont également les bienvenus.

Une projection des productions aura lieu au Club Saw. Les candidats conservent les droits d'auteur sur leurs productions mais doivent fournir une copie de leur bande aux archives de Saw Vidéo.

Les candidats retenus reçoivent :
- une adhésion d'un an à titre de producteur
- un accès à l'équipement de SAW Vidéo d'une valeur allant jusqu'à 2,550 $
- un crédit de 200 $ pour tout atelier leur permettant de compléter leur projet jusqu'à 500 $ comptant

Les candidats doivent soumettre :
- un résumé à jour (avec accent sur leur travail artistique)
- une description du projet proposé, de 1 à 2 pages (peut comprendre un scénario, un traitement ou un story-board)
- un échéancier de production
- un budget détaillé
- des exemples de travaux antérieurs (vidéo, film ou autre oeuvre artistique)

Nota : Veuillez ne pas soumettre de matériel qui ne peut pas être remplacé.

Vous avez des questions ? Appelez au 238-7648 ou joignez-la par courriel à sawvideo@sawvideo.com

Date limite: Le 1 mai 2008

 

UPCOMING WORKSHOPS
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2-Day Introduction to Video Production

Sat April 19th, 2008
12:00pm - 5:00pm

Sun April 20th, 2008
12:00pm - 5:00pm


Register for this workshop and April Intro to Avid Workshop and receive 10% off!


This two-day workshop teaches the basics of camera, audio and lighting through hands on training.

On the first day of the workshop, participants will receive basic instruction on SAW Video's prime 3-chip HDV and Mini DV cameras -- such as the, Sony Z1U and V1U and the Panasonic AG-DVX100. Participants will be introduced to three point lighting and dealing with power on location. A variety of mics will be used and their applications will be discussed.

Day two of the workshop provides the added opportunity for more hands on time and instruction. Shooting exercises will be indoors and outdoors (weather permitting) simulating varying conditions and situations.

WORKSHOP LIMITED TO 6 PARTICIPANTS

Deadline for registration is Monday April 14th, 2008

Instructor: TBD

Members $125.00
Non Members $150.00
Duration: 10 hours


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2-Day Introduction to Avid Xpress Editing

Sat April 26th, 2008
12:00pm - 5:00pm

Sun April 27th, 2008
12:00pm - 5:00pm


Register for this workshop and the April Intro to Production Workshop and recieved 10% off!

The course will cover all steps of the editing process from setting up and capturing from a DV device, using the timeline based interface, and outputting back to DV or exporting for the web.

Day One of the workshop will focus on a complete overview of the Avid Xpress software demonstrated by the instructor.

Day Two of the workshop will be hands on for all participants to practice editing a brief sequence under the supervision of the instructor. Depending on the size of the class, participants on Day Two may be seated in pairs at each editing workstation.

This workshop includes 3 hours of practice time which may be booked with the Technical Coordinator according to availability.

Workshop is limited to 6 participants.
Registration deadline is Monday April 21st, 2008

Instructor: Jacob Hanna

Members $125.00
Non Members $150.00
Duration: 10 hours

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The Art of Lighting for Video

Sat May 10th, 2008
12:00pm - 5:00pm

Sun May 11th, 2008
12:00pm - 5:00pm

This 2-day hands on intensive intermediate workshop will focus on the art, aesthetics and techniques of commercial and feature film lighting. Expand your skills of manipulating and controlling the quality, direction and quantity of light in order to create a great mood and look for your project. Participants will gain hands on experience with SAW’s versatile Arri kits, and lowell kits as well as a chance to use HMI’s, Fresnels, Kino Flo kits, and industry quality Flags and Silks - all donated to us for use in this workshop by our friends at Cinequip White.

Previous experience and basic understanding of lighting for DV production is a required prerequisite for this workshop.

Limited to 6 participants.
Deadline for registration is Monday May 5th.

Book early, this workshop will fill up fast!

Instructor: Anthony Seck

After graduating from film school in the early 90’s, Anthony began producing and directing music videos for his friend's bands, winning awards at Canada's MuchMusic for his quirky narrative concepts and poppy style. Several of his music videos have played like short films, appearing in several festivals including The New York Underground Film Festival, The Toronto International Film Festival and the Los Angeles Independent Film Festival. Artists he has worked with include; Feist, Tom Noonan, Broken Social Scene, Stars, Tom Green, Amy Millan, Kinnie Starr, Black Rebel Motorcycle Club, Sam Roberts, Ted Nugent, Ron Sexsmith, and The Be Good Tanyas. He has currently completed his first independent narrative short film Mercy Seed, starring Tom Noonan (Manhunter), and Deirdre Smith. A rural tale in the spirit of Sam Shepard, about a pig farmer who goes out on the road to confront an abusive trucking company. The film was shot in 35mm color, 1:85 aspect ratio and is 27 minutes in length. Anthony works as a Producer, Director, and Director of Photography. He specializes in HD greenscreen photography, shooting with both the Panasonic and Sony Vari-cams, as well as all film and video formats including HD, MiniDV 24p., 8mm, 16mm, Super 16mm and 35mm.

Members $75.00
Non Members $100.00
Duration: 10 hours


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Advanced Avid Adrenaline

Wed May 14th, 2008
6:00pm - 9:00pm

Thu May 15th, 2008
6:00pm - 9:00pm

AVID Adrenaline is one of the leading editing tools of choice in the broadcast television and film world.

If you’ve been cutting with Avid Xpress and are wondering what the advantages might be or if you've been using the Adrenaline and now want to move on to more advanced techniques with it, then this workshop is for you!

This two part evening workshop will provide both demonstrative and hands-on instruction to increase your efficiency with and knowledge of the Adrenaline. Come prepared with your questions. Topics covered will include:


· Capturing uncompressed formats
.Advanced colour correction
.Trim mode in depth
· Customizing the keyboard
· Decomposing and Consolidating
· 3D and other effects
· Compositing and Alpha Channels
· Working with 3rd party plug-ins
· Editing tips and tricks

….and much more….

This workshop comes with 3 hours of practice time which can be booked with a technical staff based on availability.

Workshop is limited to 4 participants.

Deadline for registration is Monday May 12th.


Instructor: Edward Folger

Edward Folger studied physics at Columbia University in New York City but opted to become an artist rather than a scientist, after becoming depressed by Gödel's Incompleteness Theorem. He has worked as a writer/director, still photographer, cameraman, and editor; apprenticed in feature films with John Cassavettes, Alain Resnais, Milos Forman, and others; wrote and directed a film for PBS in the Canadian Arctic (1975); and discovered the Inuit to be most amazing people on earth. He moved to Baffin Island to teach and produce the earliest Inuktitut TV programming and used all his skills in the struggle for Inuit land claims and the establishment of the Nunavut Territory. He moved to Ottawa in 2004.

Members $60.00
Non Members $85.00
Duration: 6 hours

 

UPCOMING FESTIVAL DEADLINES
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ART GALLERY OF HAMILTON
Art Gallery of Hamilton International Film and Video Festival is accepting entries for its edition in August.

DEADLINE: April 21, 2008
Info: www.artgalleryofhamilton.com/wo_film_fest-call.php

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ST.JOHN INTERNATIONAL WOMAN'S FILM FESTIVAL
St. Johns International Woman's Film Festival made a call for submissions.

DEADLINE: April 30, 2008 (regular) - May 31, 2008 (final)
Info: www.womensfilmfestival.com

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FESTIVAL INTERNATIONAL DU CINÉMA FRANCOPHONE EN ACADIE
For their media art section of the Festival international du cinéma francophone en Acadie (FICFA), all submissions for installation, perfomance or video art are welcomed.

DEADLINE: April 30th , 2008
Info: www.ficfa.com/?Page=1&News=13

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REEL DANCE FILM FEST (victoria)
The Reel Dance Film Fest, showcasing dance films from around the world is looking for films for its next edition.

DEADLINE: May 1, 2008
Info: www.reeldancefilmfest.com

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ARTISTS TELEVISION ACCESS FESTIVAL
Artists' Television Access calls for submission for its third ATA Film and Video Festival.
Looking for experimental shorts, 20 mins and under, Video, Super 8 and 16 mm
Preview on VHS, miniDV or DVD

DEADLINE: May 15, 2008 - Entry fee: $10
Info: www.atasite.org/festival/

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REELASIAN INTERNATIONAL FILM FESTIVAL
The largest Asian film & video festival in Canada, the Toronto Reel Asian International Film Festival is inviting all to submit independent features and shorts from all different genres.

DEADLINE: early: May 16th, 2008 (No entree fee) - final: June 16th, 2008 (Entree fee $10)
Info: www.reelasian.com


UPCOMING GRANTS
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Ontario Arts Council - Media Artists: Mid-Career and Established

Purpose: To provide production grants to artists working with film, video and digital media as independent artist-controlled art forms.

Eligibility: This program is open to Ontario-based professional media artists who have completed at least two independent works. Projects with budgets of $300,000 or less, in the following categories, are eligible: documentary, drama, experimental, animation, dance film/video, media art installation, new media and any fusion thereof.

Maximum grant: $40,000

Deadlines: April 15 and October 1, 2008


http://www.arts.on.ca/Page96.aspx

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OAC Access and Career Development Program

The Ontario Arts Council (OAC) has over 50 programs available to support the arts by people of diverse cultural backgrounds. As part of its response to continuing systemic barriers for arts professionals of colour and Aboriginal arts professionals, OAC created the Access and Career Development program; the next deadline is May 1, 2008. The program funds professional development and skill-building opportunities that advance the applicants’ artistic work and careers.

“The program is an important access point for artists and arts administrators experimenting with the many different approaches to professional development and training,” said Sara Roque, Acting Aboriginal Arts Officer and Officer responsible for Northern Arts, Access, and Career Development Programs. “The beauty of the program is it allows artists to create their own self determined path to further their artistic and administrative development and/or creation at any stage of their careers – emerging, mid, or senior level.”

www.arts.on.ca/Page90.aspx

Le CAO encourage et appuie les pratiques artistiques des communautés culturelles

Toronto, le 9 avril 2008 – Le Conseil des arts de l’Ontario (CAO) met plus de 50 programmes à la disposition des artistes de divers antécédents culturels. Pour contribuer à résoudre le problème des obstacles systémiques que rencontrent les professionnels des arts de couleur et les professionnels des arts autochtones, le CAO a créé le programme Accès et évolution professionnelle, dont la prochaine date limite est le 1er mai 2008. Le programme finance le perfectionnement professionnel et le développement des compétences qui font progresser le travail et la carrière artistiques des candidats.

« Ce programme est un point d'accès important pour les artistes et administrateurs artistiques qui essaient différentes méthodes de perfectionnement et de formation professionnels », a indiqué Sara Roque, responsable intérimaire des arts autochtones et responsable du programme Arts du Nord et du programme Accès et évolution professionnelle. « L’intérêt du programme, c’est qu’il permet aux artistes de décider eux-mêmes de la voie à suivre en matière de perfectionnement professionnel artistique et administratif, ou en matière de création, à quelque niveau qu’ils soient – débutant, intermédiaire ou avancé. »

www.arts.on.ca/Page712.aspx

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CTV/CJOH DEVELOPMENT FUND

Script and concept development, professional development grants

Deadline: May 1st, 2008

CJOH-TV Development Fund gives interest free loans (repayable upon first day of principal photography) for the development of writing and producing talent within the CJOH broadcast coverage area. Also gives professional development grants.
Maximum amount of loan: $5,000

Planning on attending the Summer Institute of Film and Television. Apply to this fund for assistance up to $500.

Contact:
Maggie Ker, Administrator
CTV Television Inc./
CJOH-TV Development Fund
P.O. Box 5813, Merivale Depot
Nepean, ON K2C 3G6

TEL: (613) 274-4213
FAX: (613) 274-4215

 

CALLS FOR SUBMISSION 

OTTAWA SCHOOL OF ART GALLERY
imagineNATIVE FILM AND MEDIA ARTS FESTIVAL

OTTAWA SCHOOL OF ART GALLERY
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CALL FOR EXHIBITION PROPOSALS
For the 2009 Exhibition Season

The Ottawa School of Art (OSA) is now accepting proposals of current or proposed work for the 2009 exhibition season. Artists working in all media are invited to submit proposals. Group exhibition proposals are also accepted.

Proposals MUST include the following information in order to be considered:

1. An artist’s statement outlining the intent and rational of the proposal;

2. An up-to-date exhibition curriculum vitae;

3. Enclosed with the application, a maximum of ten images of recent work completed within the last 2 years. Please do not submit original work. Please refer to the Guidelines for Support Materials (attached).

4. A list of works containing: name, medium, size and year the work was made.

The jury, which consists of 1 internal and 2 external art professionals, will make its selection based on the quality of the work, the overall integrity of the proposal, and its relation to the programs of the OSA. (Poorly organized proposals will not be considered). The jury will meet within 4 weeks of the submission deadline.

• Artists will be notified of the jury’s decision within 2 weeks of the jury meeting.

• Submission packages may be picked up at the OSA reception desk by this time or, if a SASE is provided, will be returned via regular post.

• Slides, CD’s and DVD’s will be returned by mail only if the artist provides a suitable stamped, self-addressed envelope.

• OSA is not responsible for damage or loss of slides, CD’s or DVD’s during handling by Canada Post.

Conditions of Exhibition

• A CARFAC artist’s exhibition fee will be paid to the artist (s).

• Selected artists will be responsible for shipping and shipping insurance to and from OSA.

• Works of 3 dimensions, video works and/or media works that are selected for exhibition and that requires special equipment or display materials – this equipment, etc. is to be supplied by the artist.

Deadline for Submissions:
4:30 PM Friday, June 13 2008

Mail or deliver (submissions will not be accepted via email) your submission to:
The Gallery Committee
Ottawa School of Art
35 George St. Ottawa, ON
K1N 8W5

For more details regarding the submission please call Cathy Brake at the Ottawa School of Art 613-241-7471 x 27.

Guidelines for Support Materials

Important Notice:

• Applications with support material that does not comply with the following guidelines will be considered incomplete and withdrawn from the selection process.

• Do not send images of details of works. The jury will only view the first 10 images submitted.

Slides

• Mark the front of slides with a dot in bottom left corner.

• Number each slide to correspond with the list of works included with the proposal.

• Each slide must be labeled with the artist’s name, title of the work, and year of creation.

Video

• Tape, CD or DVD cued: 3 min.

• CD and DVD – submit works that can be accessed with one of the following plug-ins: QuickTime, RealPlayer, Shockwave, Windows Media Player or Flash.

Digital Images on CD or DVD

• Submit only PC-compatible JPG files with a resolution of 72 DPI only

• Submit files with a maximum size of 1024 x 768 pixels and 1MB

• Submit files in RGB, sRGB or grayscale colour mode only (no CYMK)

• Save images directly on the CD or DVD without creating folders

• Mark the CD or DVD clearly with your name and address

• Title each file (image) with a number, your initials, the year and title of the work. (e.g. 01initialsyeartitle.jpg).

• Make sure the numbers correspond with the list of works included with the proposal

• Make sure the numbers for the first nine images start with zero (e.g. 01initialsyeartitle.jpg, 02initialsyeartitle.jpg…)

Don’t Do These Things….

• Do not put any special characters, symbols, periods, quotation marks, etc (such as #/-“& etc.) in any file name

• Do not submit files in any type of presentation (e.g. Power Point)

• Do not submit compressed files (Winzip, Stuffit, etc.)

• Do not submit material that requires the download or installation of any software, plug-ins or extensions.

• Do not submit support materials by e-mail.

• Do not submit any other component of your proposal electronically on your CD or DVD.

Test your material before submission to ensure that it is properly formatted. It is your responsibility to ensure that your material reaches the jury in a readable format.

 

imagineNATIVE FILM AND MEDIA ARTS FESTIVAL
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imagineNATIVE Film + Media Arts Festival e-bulletin
October 15 - 19, 2008
www.imagineNATIVE.org
April 7, 2008

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CALL FOR SUBMISSIONS - FILM AND VIDEO
imagineNATIVE Film + Media Arts Festival
TORONTO, CANADA
OCTOBER 15-19, 2008
www.imagineNATIVE.org


The imagineNATIVE Film + Media Arts Festival is an international festival that celebrates the latest works by Indigenous peoples on the forefront of innovation in film, video, radio, and new media. Each fall, the festival presents a selection of the most compelling and distinctive Indigenous works from around the globe. The festival's screenings, parties, panel discussions, and cultural events attract and connect filmmakers, media artists, programmers, buyers, and industry professionals. The works accepted reflect the diversity of the world's Indigenous nations and illustrate the vitality and excellence of our art and culture in contemporary media.

We are currently seeking features and shorts of all genres and lengths made by international and Canadian Indigenous filmmakers and producers. We encourage submissions from first-time and emerging directors and student films are welcome.

To submit:
Download the film and video submission form on our website OR
Complete an online submission form that will be available after April 21st at http://www.imagineNATIVE.org

Mail submissions to:
Programming
imagineNATIVE Film + Media Arts Festival
401 Richmond Street West, Suite 417
Toronto, Ontario
M5V 3A8 CANADA

There is no entry fee. The festival pays screening fees for programmed works. For more information, please contact the festival office at 416.585.2333 or email programming@imagineNATIVE.org, or visit our web site http://www.imagineNATIVE.org.

Please note that there is a separate call for radio programming and new media submissions by Indigenous radio producers and new media artists/website designers that is coming soon. For more information, please contact programming@imagineNATIVE.org.

 

EMPLOYMENT OPPORTUNITIES   

"DAD'S IN THE ATTIC" - CREW CALL
CITY OF OTTAWA COMMUNITY ARTS PROGRAM
UNIVERSITY OF OTTAWA - DEPT. OF VISUAL ARTS
CANADIAN SCREEN TRAINING CENTRE

"DAD'S IN THE ATTIC" - CREW CALL
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Dad's In The Attic, a 26 episode half-hour family comedy television show, is shooting in Ottawa this Spring/Summer/Fall.

We're looking for:

Camera Operator - Experience with HD (specifically Panasonic Vericam) a must.
Camera 1st Assistant - Experience with HD (specifically Panasonic Vericam) a must.

Wardrobe Assistant - Wardrobe experience a must. Responsibilities include shopping, continuity, fittings etc

Please forward all resumes to Colleen Hanafin at pcoordinator@mac.com

Colleen Hanafin
Production Coordinator "Dad's In The Attic"
DITA Productions (Summit) Inc.
DITA Productions (MUSE) Inc.
1357 Baseline Ave.
Ottawa, ON K2C 0A8
pcoordinator@mac.com
Phone: 613-224-8989
Fax: 613-224-8988

 

CITY OF OTTAWA COMMUNITY ARTS PROGRAM
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CALL TO OTTAWA AREA ARTISTS

The City of Ottawa Community Arts Program invites visual artists and multidisciplinary artists who are interested in designing and delivering weekly instructional art classes for youth and adults with disabilities on Wednesday evenings for 8 classes per session.

Please send your Resume and your experience working with people who have disabilities. Bilingualism is an asset. (Currently this program is offered in English).

Send to Catherine.Anderson-dolcini@ottawa.ca

Or mail to Catherine Anderson-Dolcini
Community Arts Program
Cultural Services
172 Guigues Ave, Ottawa ON K1N 5H9

 

UNIVERSITY OF OTTAWA - DEPT. OF VISUAL ARTS
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We are looking to hire for the position of Academic Assistant at the Department of Visual Arts of the University of Ottawa.

For more information, please contact Carole Girouard at 613-562-5800 x 3725 or by email : cgirouar@uottawa.ca

Duration of the contract : from now to November 28, 2008.

Job description (In French only) :
Sous la supervision de l'adjointe d'administration du Département d’arts visuels et de l’adjointe d’administration du Départementde théâtre et l'autorité de l'administratrice des études, le(la) titulaire assure un service courtois et rapide en accord avec les normes d’accueil. Accueille et renseigne les étudiants (par écrit, au téléphone ou en personne) sur les programmes du 1er cycle et des études supérieures ainsi que sur les règlements et les procédures. Participe et accomplit diverses tâches liées aux activités scolaires du 1er cycle et des études supérieures (calcul de moyenne d'admission et de bourse, admission, inscription, traitement des notes, suivi d'équivalences, analyse de dossiers pour la collation des grades, évaluation de rendement, suivi de dossiers étudiants, correction de listes, activités de liaison et de promotion, etc.) en accord avec les règlements scolaires de la Faculté, de la Faculté des études supérieures et postdoctorales (FESP) et de l'Université. Appuie les comités du 1er cycle et des études supérieures dans l'administration des programmes et des cours (changements de cours et de programmes, vérification et correction des données). Agit comme personne-ressource pour les étudiants, les professeurs, la direction du Département d’arts visuels, la direction du Département de théâtre, les responsables des programmes du 1er cycle et des études supérieures et l’ administratrice des études.

 

CANADIAN SCREEN TRAINING CENTRE
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Canada’s first national film and television training institute, the not-for-profit Canadian Screen Training Centre, was founded in 1981. The CSTC is one of three training institutions supported by Telefilm Canada. It offers numerous workshops and training opportunities year-round, across Canada. Focusing on training the ‘executive’ of filmmaking - screenwriters, directors and producers- CSTC contracts top working screen professionals as instructors and special guests. Every summer more than 200 participants attend one of the 20 week-long workshops of our flagship program, SIFT, the Summer Institute of Film and Television (May 27 – June 1, 2008).


TECHNICAL COORDINATOR
Start date: April 21

Responsibilities include:
• Arranging all technical equipment needs for screenings, workshops and events
• Sourcing equipment rentals
• Scheduling pick-up & drop-off of equipment
• Coordinating workshop room allocation with equipment needs
• Set-up & tear down of all equipment
• Assist in hiring AV staff
• Scheduling and supervision of AV staff
• Conducting site visits for event preparation
• Arranging all video/DVD rentals
• Creation of detailed reports and budgets outlining suppliers, equipment, costs, room lists, etc.

Qualifications include:
• Excellent skills in technical and AV equipment
• Excellent communication and interpersonal skills, with ability to give directions
• Must be organized, detail-oriented, resourceful and responsible
• Must display strong initiative, with the ability to work with minimum supervision

This is a contract position to June 2, 2008.

To apply, email your CV along with a Cover Letter to: staffing@cstc.ca
Please quote SIFT08-Technical in the subject line.

 


SCREENINGS AND EVENTS  

RIVERS OF TIME: THE FILMS OF PHILIP HOFFMAN
DRUNKEN MASTER REVUE PRESENTS: "ILSA: THE TIGRESS OF SIBERIA"

RIVERS OF TIME: THE FILMS OF PHILIP HOFFMAN
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The Canadian Film Institute is pleased to announce the publication of Rivers of Time: The Films of Philip Hoffman (2008), a book collection of articles on one of Canada’s most important experimental filmmakers, Philip Hoffman. Hoffman has screened his work in England, Holland, Australia, Estonia, Germany, Belgium, Italy, France, and the USA, and he is currently a faculty member in the Film and Video Department at York University. Rivers of Time coincides with the CFI’s five-part retrospective of Hoffman’s 30 year filmmaking career.

Published by the Canadian Film Institute with the support of the AV Preservation Trust and the Canada Council For The Arts, Rivers of Time: The Films of Philip Hoffman is a collection of ten articles by nine writers, many of whom are affiliated with Carleton University, including film scholar Andre Loiselle, CFI Director Tom McSorley, and Ottawa International Animation Festival Artistic Director Chris Robinson. Other contributors are the filmmakers Mike Hoolboom, Rick Hancox, and Penny McCann. Rounding out the list of contributors is a younger generation of writers: James Missen, Christopher Rohde, and Scott Birdwise. The articles, true to their subject, run the gamut from academic to personal, critical to (auto)biographical. The book also includes an interview with Hoffman as well as an up to date filmography. The book is $10.00 (Canadian) and can be purchased at CFI screenings or by mail (see below).

The dates of the Rivers of Time retrospective:

April 9, 19:30
April 16, 19:30
April 23, 19:30

All screenings in this series take place at Club SAW, 67 Nicholas St., Ottawa. Admission is pay-what-you-can.

The Canadian Film Institute’s public programming activities are supported by the Canada Council For The Arts.

To place an order for Rivers of Time:

By Mail:
Canadian Film Institute
2 Daly Avenue, Suite 120
Ottawa, Ontario K1N 6E2

By Telephone:
(613) 232-6727

By Fax:
(613) 232-6315

By email:
cfi-icf@magma.ca

Visit the CFI website at www.cfi-icf.ca for further details.

 

DRUNKEN MASTER REVUE PRESENTS: "ILSA: THE TIGRESS OF SIBERIA"
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Saturday Night Sinema brings you:

Ilsa the Tigress of Siberia (1977, 35mm, 85mins)

April 26th, 11pm at the Mayfair Theatre (1074 Bank St.)

Tickets are $5.00 at the door.

This is the fourth and final part of the cult classic Ilsa movies. This final chapter was produced and filmed in Canada, in and around Montreal.

Saturday Night Sinema brings you classic Grindhouse Flicks and lost Canadian Cult Classics the last Saturday of every month.

For more info go here:
http://drunkenmaster2000.blogspot.com/

 

OTHER  

MEDIA ART MATTERS!

MEDIA ART MATTERS!
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MEDIA ART MATTERS! A Forum for Discussion

Artist Run Machines, Open Source Culture
Saturday April 12, 1-4 PM (Reception to follow)
Melody Room, Gladstone Hotel, 1214 Queen Street West, Toronto
FREE ADMISSION

What does the media arts landscape look like for artists across Ontario? MEDIA ART MATTERS! combines a lively discussion on the possibilities and challenges of media practice with a media art intervention at the Images Festival closing party. The panel includes presentations by a diverse group of media art advocates practicing at the boundaries of contemporary culture. An informal discussion with the audience will follow. Later that evening artists from across the region will converge on 401 Richmond to combine text and light with its post-industrial architecture in an on-the-fly collective expression. These two venues, presented by IMAAontario, brings together artists, independent producers and educators who believe that media art matters ... A LOT!!!

Artist Run Machines, Open Source Culture is a public think tank hosted by moderator Clive Robertson with panelists Vera Frenkel, Richard Fung, Steve Loft, and Caroline Seck Langill. Together with the audience, this seasoned group of artists, academics, critics, curators and activists will bring their uniques experiences in the media arts to bear on questions of the sectors viability and validation within greater social, political and economic spheres. The audience will be challenged to interpret and evaluate the hybrid forms of organization and action that exist in the territory between the institution and individual practitioners.

people power projectors
Saturday April 12, 9-11pm
a free projection event at the Images Festival Closing Party
401 Richmond St West, Toronto

people power projectors is a collaborative show of light, a semi-chaotic expression of the ideals and realities to be found within the media arts community. Using a grab bag of available projection devices, groups from across the province will cast their ephemeral statements onto myriad planes and textures found throughout the party location. A political act, a collective act, an aesthetic act, and an excuse to have some fun and be surprised. Come out and see the dark walls come alive with the voices of those who believe that media art matters ... A LOT!!!

For more info about MEDIA ART MATTERS! visit the IMAAontario website at:
http://www.imaa-ontario.ca

or contact event coordinator Tom Leonhardt at:
mam@imaa-ontario.ca

IMAAontario gratefully acknowledges the support of the Ontario Arts Council towards MEDIA ART MATTERS!.
The Ontario Arts Council is an agency of the Government of Ontario.

 


SAW Video receives financial support from the Canada Council for the Arts, the Ontario Arts Council, the City of Ottawa, and the Ontario Trillium Foundation. Many thanks too, to our corporate sponsor, Integrating Solutions and to our artist-members.

SAW Video
67 Nicholas Street
Ottawa, ON, Canada
K1N 7B9

East of the Rideau Centre in Arts Court (which is at 2 Daly Ave).

T: (613) 238.7648
F: (613) 564.4428
www.sawvideo.com