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SAW Video Newsletter for !*FIRST_NAME*! !*LAST_NAME*!
SAW Video News:
SAW
VIDEO PRODUCTION FUND
UPCOMING
WORKSHOPS
Also in this issue:
UPCOMING
FESTIVAL DEADLINES
UPCOMING
GRANTS
CALLS
FOR SUBMISSION
EMPLOYMENT
OPPORTUNITIES
SCREENINGS
AND EVENTS
OTHER
SAW VIDEO NEWS:
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ART
GALLERY OF HAMILTON --------------------------------- ST.JOHN
INTERNATIONAL WOMAN'S FILM FESTIVAL --------------------------------- FESTIVAL
INTERNATIONAL DU CINÉMA FRANCOPHONE EN ACADIE --------------------------------- REEL
DANCE FILM FEST (victoria) --------------------------------- ARTISTS
TELEVISION ACCESS FESTIVAL --------------------------------- REELASIAN
INTERNATIONAL FILM FESTIVAL
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Ontario Arts Council - Media Artists: Mid-Career and Established Purpose: To provide production grants to artists working with film, video and digital media as independent artist-controlled art forms. Eligibility:
This program is open to Ontario-based professional media artists who
have completed at least two independent works. Projects with budgets
of $300,000 or less, in the following categories, are eligible: documentary,
drama, experimental, animation, dance film/video, media art installation,
new media and any fusion thereof. --------------------------------------------------------------- OAC Access and Career Development Program The Ontario Arts Council (OAC) has over 50 programs available to support the arts by people of diverse cultural backgrounds. As part of its response to continuing systemic barriers for arts professionals of colour and Aboriginal arts professionals, OAC created the Access and Career Development program; the next deadline is May 1, 2008. The program funds professional development and skill-building opportunities that advance the applicants’ artistic work and careers. “The program is an important access point for artists and arts administrators experimenting with the many different approaches to professional development and training,” said Sara Roque, Acting Aboriginal Arts Officer and Officer responsible for Northern Arts, Access, and Career Development Programs. “The beauty of the program is it allows artists to create their own self determined path to further their artistic and administrative development and/or creation at any stage of their careers – emerging, mid, or senior level.” Le CAO encourage et appuie les pratiques artistiques des communautés culturelles Toronto, le 9 avril 2008 – Le Conseil des arts de l’Ontario (CAO) met plus de 50 programmes à la disposition des artistes de divers antécédents culturels. Pour contribuer à résoudre le problème des obstacles systémiques que rencontrent les professionnels des arts de couleur et les professionnels des arts autochtones, le CAO a créé le programme Accès et évolution professionnelle, dont la prochaine date limite est le 1er mai 2008. Le programme finance le perfectionnement professionnel et le développement des compétences qui font progresser le travail et la carrière artistiques des candidats. « Ce programme est un point d'accès important pour les artistes et administrateurs artistiques qui essaient différentes méthodes de perfectionnement et de formation professionnels », a indiqué Sara Roque, responsable intérimaire des arts autochtones et responsable du programme Arts du Nord et du programme Accès et évolution professionnelle. « L’intérêt du programme, c’est qu’il permet aux artistes de décider eux-mêmes de la voie à suivre en matière de perfectionnement professionnel artistique et administratif, ou en matière de création, à quelque niveau qu’ils soient – débutant, intermédiaire ou avancé. » ---------------------------------------------------------------
Script and concept development, professional development grants Deadline: May 1st, 2008 CJOH-TV
Development Fund gives interest free loans (repayable upon first day
of principal photography) for the development of writing and producing
talent within the CJOH broadcast coverage area. Also gives professional
development grants. Planning on attending the Summer Institute of Film and Television. Apply to this fund for assistance up to $500. Contact: TEL: (613)
274-4213
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OTTAWA
SCHOOL OF ART GALLERY
imagineNATIVE
FILM AND MEDIA ARTS FESTIVAL
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The Ottawa School of Art (OSA) is now accepting proposals of current or proposed work for the 2009 exhibition season. Artists working in all media are invited to submit proposals. Group exhibition proposals are also accepted. Proposals MUST include the following information in order to be considered: 1. An artist’s statement outlining the intent and rational of the proposal; 2. An up-to-date exhibition curriculum vitae; 3. Enclosed with the application, a maximum of ten images of recent work completed within the last 2 years. Please do not submit original work. Please refer to the Guidelines for Support Materials (attached). 4. A list of works containing: name, medium, size and year the work was made. The jury, which consists of 1 internal and 2 external art professionals, will make its selection based on the quality of the work, the overall integrity of the proposal, and its relation to the programs of the OSA. (Poorly organized proposals will not be considered). The jury will meet within 4 weeks of the submission deadline. • Artists will be notified of the jury’s decision within 2 weeks of the jury meeting. • Submission packages may be picked up at the OSA reception desk by this time or, if a SASE is provided, will be returned via regular post. • Slides, CD’s and DVD’s will be returned by mail only if the artist provides a suitable stamped, self-addressed envelope. • OSA is not responsible for damage or loss of slides, CD’s or DVD’s during handling by Canada Post. Conditions of Exhibition • A CARFAC artist’s exhibition fee will be paid to the artist (s). • Selected artists will be responsible for shipping and shipping insurance to and from OSA. • Works of 3 dimensions, video works and/or media works that are selected for exhibition and that requires special equipment or display materials – this equipment, etc. is to be supplied by the artist. Deadline
for Submissions: Mail or
deliver (submissions will not be accepted via email) your submission
to: For more details regarding the submission please call Cathy Brake at the Ottawa School of Art 613-241-7471 x 27. Guidelines for Support Materials Important Notice: • Applications with support material that does not comply with the following guidelines will be considered incomplete and withdrawn from the selection process. • Do not send images of details of works. The jury will only view the first 10 images submitted. Slides • Mark the front of slides with a dot in bottom left corner. • Number each slide to correspond with the list of works included with the proposal. • Each slide must be labeled with the artist’s name, title of the work, and year of creation. Video • Tape, CD or DVD cued: 3 min. • CD and DVD – submit works that can be accessed with one of the following plug-ins: QuickTime, RealPlayer, Shockwave, Windows Media Player or Flash. Digital Images on CD or DVD • Submit only PC-compatible JPG files with a resolution of 72 DPI only •
Submit files with a maximum size of 1024 x 768 pixels and 1MB • Save images directly on the CD or DVD without creating folders • Mark the CD or DVD clearly with your name and address • Title each file (image) with a number, your initials, the year and title of the work. (e.g. 01initialsyeartitle.jpg). •
Make sure the numbers correspond with the list of works included with
the proposal Don’t Do These Things…. • Do not put any special characters, symbols, periods, quotation marks, etc (such as #/-“& etc.) in any file name • Do not submit files in any type of presentation (e.g. Power Point) • Do not submit compressed files (Winzip, Stuffit, etc.) • Do not submit material that requires the download or installation of any software, plug-ins or extensions. • Do not submit support materials by e-mail. • Do not submit any other component of your proposal electronically on your CD or DVD. Test your material before submission to ensure that it is properly formatted. It is your responsibility to ensure that your material reaches the jury in a readable format.
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**********************
We are currently seeking features and shorts of all genres and lengths made by international and Canadian Indigenous filmmakers and producers. We encourage submissions from first-time and emerging directors and student films are welcome. To submit: Mail submissions
to: There is no entry fee. The festival pays screening fees for programmed works. For more information, please contact the festival office at 416.585.2333 or email programming@imagineNATIVE.org, or visit our web site http://www.imagineNATIVE.org. Please note that there is a separate call for radio programming and new media submissions by Indigenous radio producers and new media artists/website designers that is coming soon. For more information, please contact programming@imagineNATIVE.org.
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EMPLOYMENT
OPPORTUNITIES
"DAD'S
IN THE ATTIC" - CREW CALL
CITY
OF OTTAWA COMMUNITY ARTS PROGRAM
UNIVERSITY
OF OTTAWA - DEPT. OF VISUAL ARTS
CANADIAN
SCREEN TRAINING CENTRE
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Colleen
Hanafin
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The City of Ottawa Community Arts Program invites visual artists and multidisciplinary artists who are interested in designing and delivering weekly instructional art classes for youth and adults with disabilities on Wednesday evenings for 8 classes per session. Please send your Resume and your experience working with people who have disabilities. Bilingualism is an asset. (Currently this program is offered in English). Send to Catherine.Anderson-dolcini@ottawa.ca Or mail
to Catherine Anderson-Dolcini
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For more information, please contact Carole Girouard at 613-562-5800 x 3725 or by email : cgirouar@uottawa.ca Duration of the contract : from now to November 28, 2008. Job description
(In French only) :
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Responsibilities
include: Qualifications
include: This is a contract position to June 2, 2008. To apply,
email your CV along with a Cover Letter to: staffing@cstc.ca
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RIVERS
OF TIME: THE FILMS OF PHILIP HOFFMAN
DRUNKEN
MASTER REVUE PRESENTS: "ILSA: THE TIGRESS OF SIBERIA"
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Published by the Canadian Film Institute with the support of the AV Preservation Trust and the Canada Council For The Arts, Rivers of Time: The Films of Philip Hoffman is a collection of ten articles by nine writers, many of whom are affiliated with Carleton University, including film scholar Andre Loiselle, CFI Director Tom McSorley, and Ottawa International Animation Festival Artistic Director Chris Robinson. Other contributors are the filmmakers Mike Hoolboom, Rick Hancox, and Penny McCann. Rounding out the list of contributors is a younger generation of writers: James Missen, Christopher Rohde, and Scott Birdwise. The articles, true to their subject, run the gamut from academic to personal, critical to (auto)biographical. The book also includes an interview with Hoffman as well as an up to date filmography. The book is $10.00 (Canadian) and can be purchased at CFI screenings or by mail (see below). The dates of the Rivers of Time retrospective: April
9, 19:30 All screenings in this series take place at Club SAW, 67 Nicholas St., Ottawa. Admission is pay-what-you-can. The
Canadian Film Institute’s public programming activities are
supported by the Canada Council For The Arts. By
Mail: By
Fax: By
email: Visit the CFI website at www.cfi-icf.ca for further details.
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What does the media arts landscape look like for artists across Ontario? MEDIA ART MATTERS! combines a lively discussion on the possibilities and challenges of media practice with a media art intervention at the Images Festival closing party. The panel includes presentations by a diverse group of media art advocates practicing at the boundaries of contemporary culture. An informal discussion with the audience will follow. Later that evening artists from across the region will converge on 401 Richmond to combine text and light with its post-industrial architecture in an on-the-fly collective expression. These two venues, presented by IMAAontario, brings together artists, independent producers and educators who believe that media art matters ... A LOT!!! Artist Run Machines, Open Source Culture is a public think tank hosted by moderator Clive Robertson with panelists Vera Frenkel, Richard Fung, Steve Loft, and Caroline Seck Langill. Together with the audience, this seasoned group of artists, academics, critics, curators and activists will bring their uniques experiences in the media arts to bear on questions of the sectors viability and validation within greater social, political and economic spheres. The audience will be challenged to interpret and evaluate the hybrid forms of organization and action that exist in the territory between the institution and individual practitioners. people
power projectors For more
info about MEDIA ART MATTERS! visit the IMAAontario website at: IMAAontario
gratefully acknowledges the support of the Ontario Arts Council towards
MEDIA ART MATTERS!.
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