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Lisa Steele, Birthday Suit, 1974
Alex Poruchnyk, Live Wire, 1982
Pierre Falardeau and Julien Poulin, Continuons le combat, 1971
Jayce Salloum, In the Absence of Heroes (Warfare - a case for context), 1984
David Askevold, My Recall of an Imprint from a Hypothetical Jungle, 1973
Daniel Dion and Phillippe Poloni, Division de la Nature, 1981
Paul Wong, 60 Unit Bruise, 1976
Su Rynard, A Tape About Memory, 1985
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This presentation of 5 exciting programs seeks to illuminate the little-known early histories of video art in the UK, Canada, and Poland. By examining twenty years of artists' video from these three countries, it also aims to broaden our understanding of this versatile medium, while charting its transition from the politicized margins of artistic practice to the mainstream.
UK and Canadian Programs
Friday 14 March 2008
7:00-10:00 pm
Refreshments will be served
UK Program 1:
David Critchlen, Pieces I Never Did, 1979 excerpt 4:50
Marceline Mori, Second and Third identity, 1977, 4:00
Akiko Hada, Oi Hoi Bang Bang!, 1988, 6:00
Stuart Marshall, Distinct, 1979, excerpt 3:36
Sera Furneaux, Lessness, 1986, excerpt 3:30
Chris Meigh-Andrews, Interlude (Homage to Bugs Bunny), 1983, 4:00
Judith Goddard, Electron, 1987, 5:00
Marty St. James and Ann Wilson, Beatnik, 1984, 5:00
Peter Donebauer, Moving, 1980, 5:00
Pratibha Parmar, Sari Red, 1988, 5:44
John Scarlett-Davis, Chat Rap (Volker), 1983, excerpt, 2:10
Mona Hatoum, Measures of Distance, 1988, excerpt 5:00
Tina Keane, Demolition/Escape, 1983, excerpt 4:00
Gorilla Tapes, The Commander in Chief, 1985, 4:00
Canadian Program 1:
Pierre Falardeau and Julien Poulin, Le Continuons de Combat, 1971, excerpt 10:00.
Colin Campbell, Sackville I’m Yours, 1972, excerpt 6:00
David Askevold, My Recall of an Imprint of a Hypothetical Jungle, 1973, 5:30
Jeffrey Spalding, Video Wash, 1973, excerpt 5:00
Eric Cameron, Contact Piece: A Nude Model (Donna), 1973, excerpt 6:00
Lisa Steele, Birthday Suit, 1974, 12:00
Rodney Werden, Say, 1978, 3:00
Paul Wong, 60 Unit Bruise, 1976, 4:30
Daniel Dion and Phillippe Poloni, Division de la Nature, 1981, 5:00
UK and Canadian Programs
Saturday 15 March 2008
7:00-10:00 pm
Refreshments will be served
UK Program 2:
Mick Hartney, State of Division, 1979, 6:00
Mike Stubbs, Greetings from the Cape of Good Hope, 1985, 5:00
Cerith Wyn-Evans, Degrees of Blindness, 1988, excerpt 5:10
George Barber, Branson, 1985, 4:00
Katharine Meynell, Medusa, 1988, excerpt 4:15
Pictorial Heroes, Reflections on the Art of the State, 1988, excerpt 4:00
John Hopkins, Video Space, 1970, excerpt 5:00
Steve Littman, Crisps, 1982, 4:00
Catherine Elwes, Kensington Gore, 1980, 4:00
Jeremy Welsh, I.O.D., 1984, excerpt 4:08
Ian Bourn, The Wedding Speech, 1978, 5:00
Steve Hawley, Extent of Three Bells, 1981, 4:00
Graham Young, Accidents in the Home: Gas Fires no. 17, 1984, 4:00
Canadian Program 2:
Tom Sherman, Televisions Human Nature, 1977, excerpt 9:00
Alex Poruchnyk, Live Wire, 1982, 5:50
Jayce Salloum, In the Absence of Heroes (Warfare – a case for context), 1984, excerpt 5:00
Su Rynard, A Tape About Memory, 1985, 3:30
Vera Frenkel, The Last Screening Room: A Valentine, 1984, excerpt 9:45
Robert Morin, Thief Lives in Hell, 1984, 19:40
Panel Discussion with Richard Fung, Peggy Gale, and Tom Sherman
Moderated by James Missen (in English)
Sunday 16 March 2008
2:00-4:00 pm
Arts Court Theatre
2 Daly Avenue, Ottawa
As part of Analogue: Pioneering Video from the UK, Canada and Poland (1968-88), OAG, SAW Video and Vtape have organized a panel discussion concerning early video art in Canada. Please join us and our distinguished panelists for a lively exchange concerning video's place in Canadian art history.
Polish Program and Closing Reception
Sunday 16 March 2008
7:00-8:30 pm
Polish Program:
Pawel Kwiek, Video A, 1974, 3:15
Pawel Kwiek , Video C, 1974, 3:00
Pawel Kwiek, Video O, 1975, 2:45
Ryszard Wasko, Corner, 1976, 3:45
Andrzej Paruzel, Video-Photographic Situations, 1976, 2:00
Janusz Kolodrubiec, Transformations, 1977, 5:15
Janusz Szczerek, Disturbance, 1977, 1:45
Janusz Szczerek, Submerge Messiah, 1984, 5:00
Zbigniew Libera, How to Train Little Girls, 1986, 16:25
Jerzy Truszkowski, Farewell to Europe, 1987, 12:45
Józef Robakowski, My Videomasochisms, 1989-90, 3:40
Adam Rzepecki, Every Dog Has His Day, 1989, 5:00
Józef Robakowski, Dance with the Trees, 1985, 2:45
Józef Robakowski, My Foot is Painful, 1989, 2:45
Józef Robakowski, Videosongs , 1989, 9:15
Józef Robakowski, Art is Power, 1985, 9:10
Igor Krenz, Solidarity TV (Reconstruction of the Solidarity TV from the 1980s), 2006, 3:53
Curators
Catherine Elwes and Chris Meigh-Andrews (UK Programs)
Lisa Steele and Peggy Gale (Canadian Programs)
Lukasz Ronduda (Polish Program)
Location
Arts Court Theatre
2 Daly Ave
Ottawa, Ontario
OAG and SAW Video are pleased to collaborate on the Ottawa presentation of this program. Analogue: Pioneering Video from the UK, Canada and Poland (1968-88) is funded by the Media Arts Section of the Canada Council for the Arts, the Touring and Collaborations Program of the Ontario Arts Council, and Vtape. It also received the generous support of Arts Council England, the Polish Cultural Institute (London), Camberwell College of Arts at the University of London, and the University of Central Lancashire. It is accompanied by an illustrated catalogue edited by Catherine Elwes and Chris Meigh-Andrews.
Série de programmes vidéo
Analogue. Les débuts de la vidéo au
R.-U., au Canada et en Pologne
(1968-1988)
Présenté par Vtape (Toronto), en collaboration
avec SAW Video et la Galerie d'art d'Ottawa
Cette série de cinq programmes passionnants tente d'éclairer les débuts peu connus de l'art vidéo au R.-U., au Canada et en Pologne. Grâce à vingt ans de vidéos d'artistes des trois pays, il sera possible d'approfondir notre compréhension de ce médium versatile, tout en retraçant son passage des marges militantes au courant dominant de l'art.
Programmes du Royaume-Uni et du Canada :
Le vendredi 14 mars 2008
19 h à 22 h
Des rafraîchissements seront servis
Programme du R.-U. 1
David Critchlen, Pieces I Never Did, 1979 extrait 4:50
Marceline Mori, Second and Third identity, 1977, 4:00
Akiko Hada, Oi Hoi Bang Bang!, 1988, 6:00
Stuart Marshall, Distinct, 1979, extrait 3:36
Sera Furneaux, Lessness, 1986, extrait 3:30
Chris Meigh-Andrews, Interlude (Homage to Bugs Bunny), 1983, 4:00
Judith Goddard, Electron, 1987, 5:00
Marty St. James and Ann Wilson, Beatnik, 1984, 5:00
Peter Donebauer, Moving, 1980, 5:00
Pratibha Parmar, Sari Red, 1988, 5:44
John Scarlett-Davis, Chat Rap (Volker), 1983, extrait 2:10
Mona Hatoum, Measures of Distance, 1988, extrait 5:00
Tina Keane, Demolition/Escape, 1983, extrait 4:00
Gorilla Tapes, The Commander in Chief, 1985, 4:00
Programme canadien 1
Pierre Falardeau et Julien Poulin, Le Continuons de Combat, 1971, extrait 10:00.
Colin Campbell, Sackville I’m Yours, 1972, extrait 6:00
David Askevold, My Recall of an Imprint of a Hypothetical Jungle, 1973, 5:30
Jeffrey Spalding, Video Wash, 1973, extrait 5:00
Eric Cameron, Contact Piece: A Nude Model (Donna), 1973, excerpt 6:00
Lisa Steele, Birthday Suit, 1974, 12:00
Rodney Werden, Say, 1978, 3:00
Paul Wong, 60 Unit Bruise, 1976, 4:30
Daniel Dion et Phillippe Poloni, Division de la Nature, 1981, 5:00
Programmes du R.-U. et du Canada :
Le samedi 15 mars 2008
19 h à 22 h
Des rafraîchissements seront servis
Programme du R.-U. 2
Mick Hartney, State of Division, 1979, 6:00
Mike Stubbs, Greetings from the Cape of Good Hope, 1985, 5:00
Cerith Wyn-Evans, Degrees of Blindness, 1988, extrait 5:10
George Barber, Branson, 1985, 4:00
Katharine Meynell, Medusa, 1988, extrait 4:15
Pictorial Heroes, Reflections on the Art of the State, 1988, extrait 4:00
John Hopkins, Video Space, 1970, extrait 5:00
Steve Littman, Crisps, 1982, 4:00
Catherine Elwes, Kensington Gore, 1980, 4:00
Jeremy Welsh, I.O.D., 1984, extrait 4:08
Ian Bourn, The Wedding Speech, 1978, 5:00
Steve Hawley, Extent of Three Bells, 1981, 4:00
Graham Young, Accidents in the Home: Gas Fires no. 17, 1984, 4:00
Programme canadien 2
Tom Sherman, Televisions Human Nature, 1977, extrait 9:00
Alex Poruchnyk, Live Wire, 1982, 5:50
Jayce Salloum, In the Absence of Heroes (Warfare – a case for context), 1984, excerpt 5:00
Su Rynard, A Tape About Memory, 1985, 3:30
Vera Frenkel, The Last Screening Room: A Valentine, 1984, excerpt 9:45
Robert Morin, Thief Lives in Hell, 1984, 19:40
Table ronde avec Richard Fung, Peggy Gale et Tom Sherman
Animée par James Missen (en anglais)
Le dimanche 16 mars 2008
De 14 h à 16 h
Théâtre de la Cour des arts
2, avenue Daly, Ottawa
À l'occasion d'Analogue. Les débuts de la vidéo au R. U., au Canada et en Pologne (1968 1988), la GAO, SAW Video et Vtape organisent une table ronde sur les débuts de l'art vidéo au Canada. Joignez-vous à nos panélistes réputés pour une discussion passionnante sur la place de la vidéo dans l'histoire de l'art canadien.
Programme polonais et réception de clôture :
Le dimanche 16 mars 2008
19 h à 20 h 30
Programme polonais :
Pawel Kwiek, Video A, 1974, 3:15
Pawel Kwiek , Video C, 1974, 3:00
Pawel Kwiek, Video O, 1975, 2:45
Ryszard Wasko, Corner, 1976, 3:45
Andrzej Paruzel, Video-Photographic Situations, 1976, 2:00
Janusz Kolodrubiec, Transformations, 1977, 5:15
Janusz Szczerek, Disturbance, 1977, 1:45
Janusz Szczerek, Submerge Messiah, 1984, 5:00
Zbigniew Libera, How to Train Little Girls, 1986, 16:25
Jerzy Truszkowski, Farewell to Europe, 1987, 12:45
Józef Robakowski, My Videomasochisms, 1989-90, 3:40
Adam Rzepecki, Every Dog Has His Day, 1989, 5:00
Józef Robakowski, Dance with the Trees, 1985, 2:45
Józef Robakowski, My Foot is Painful, 1989, 2:45
Józef Robakowski, Videosongs , 1989, 9:15
Józef Robakowski, Art is Power, 1985, 9:10
Igor Krenz, Solidarity TV (Reconstruction of the Solidarity TV from the 1980s), 2006, 3:53
Les commissaires :
Catherine Elwes et Chris Meigh-Andrews (programmes du R.-U.)
Lisa Steele et Peggy Gale (programmes canadiens)
Lukasz Ronduda (programme polonais)
Lieu :
Théâtre de la Cour des arts
2, avenue Daly
Ottawa (Ontario)
La GAO et SAW Video sont fiers de collaborer à la présentation de cette série à Ottawa. Analogue. Les débuts de la vidéo au R.-U., au Canada et en Pologne (1968-1988) est financée par la section Arts médiatiques du Conseil des Arts du Canada, le programme Tournées et collaborations du Conseil des arts de l'Ontario et Vtape. Elle a également reçu l'appui généreux du Arts Council England, du Polish Cultural Institute (Londres), du Camberwell College of Arts de l'Université de Londres et de l'Université du Central Lancashire. Elle est accompagnée d'un catalogue illustré préparé par Catherine Elwes et Chris Meigh-Andrews.
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